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Another great race today, Johnny. Who are you gonna ride in the Stakes? Eddie, like my daddy|always used to say... ...and I live by it... "Never change horses in midstream." Never change horses.|Sounds like a smart bet. Always stick with a winner. Keep America working. Don't change horses in midstream. On election day,|reelect the president. Can you step this way, Mr. Brean? Lift your arms, please. That's him.|That's Mr. Fix-it. It's right here. You can have a seat right here, Connie. He doesn't know anything. John Levy's staff,|his assistant... ...and of course Amy Cain, Press. Yes. Thank you. That'll be all.|Thank you, gentlemen. - Want some coffee?|- Yeah, black, please. Gaviston, bring some coffee, please.|Black. All right.|You kids here in this room... ...what you hear here, what say here|and what you do here... ...if it gets out, you leaked it. Tell them what they need to know. When it broke, the president|said one thing, "Get me Conrad Brean." Anyway.|What's the thing? He had an illegal immigrant|nanny some years back? Didn't declare? You people get ahead in the polls,|all of a sudden you get nervous. He made a pass at|some secretary some years ago? There was a group of Firefly Girls|from Sante Fe were here last month. One of the girls expressed interest|in the Frederic Remington bust. The President took her into the office, you know|the office behind the Oval Office for a period of... Three minutes. It couldn't have|been over three minutes. The Secret Service|will back me up on that. So, it's not the illegal|immigrant nanny thing? The girl's alleging-- Jesus, Mary, Joseph. Maybe we could say it was|a funny drug reaction to the flu. Who's got the story? Don't you want to know if it's true? What difference does it make, if it is true? It's a story and it breaks.|They gonna have to run with it. How long we've got till it breaks? Front page,|Washington Post, tomorrow. Well, yeah.|That's not good. - Ok. Where is he?|- China. When is he due back? They're set to leave pretty soon. Yeah, well. All right. He stays on the|ground in China at least another day. Why? - You the Press Office?|- Yes. Earn your money.|He's ill. Play he's sick. When do we bring him back? I'm gonna need a day.|At least a day. He's sick.|Get that out right now. Get them on the phone and|tell the jackals how sick he is. We gotta get that out before the story|breaks. We have to correspond to it. Issue a bulletin.|He's got some rare strain-- - Won't hold.|- I need a day. I need some running time. It won't hold a day, Connie. Yes, it will. You know why?|I'll tell you why. Why is the president in China? - Trade relations.|- You're goddamn right. It's got nothing to do|with the B-3 bomber. - There is no B-3 bomber.|- I just said that. There is no B-3 bomber. I don't know why|these rumors get started. All right. I need $20,000.|I need a car. All right. Get me a car and driver. The southwest gate now, please. What? What is it? Campaign commercial.|Should we look at it? Yeah, yeah. Put it in. This should be interesting. What is it? The rough cut.|The other side's new commercial. The Neal commercial? Yeah. We had somebody steal it. This'll be on the air|the day after tomorrow. In the final days of the campaign... ...has the president changed his tune? # Thank heaven for little girls. # The presidency is about honor. # Thank heaven for little girls. # It's about principles. # Without them,|what would little boys do? # And it's about integrity. This tune has got to change. On election day,|vote Neal for president. Oh, boy. All right. Who's gonna take|the press conference today? Is there a press conference today? What do you think? We gonna have to use this|as a base of operations. I'm gonna need one day, two days. Whoever's leaking that stuff|to the Post lets it slip... "I hope this won't|screw up the B-3 program." "What B-3 program,|and why should it screw it up?" "If the president decides|to deploy the B-3... "...before it's fully tested..." "Deploy the B-3|before it's fully tested?" "Yeah. Why?" "Why? The crisis." - What crisis?|- I'm working on that. At the same time get General Scott|and the Joint Chiefs of Staff... ...and put them on a plane|to Seattle right away. He's nervous to talk|to the Boeing people. - But?|- But? But what? But there isn't a B-3 bomber. - Where'd you go to school? Wellesley?|- Dartmouth. Show a little spunk.|There is no B-3 bomber. General Scott,|to the best of your knowledge... ...is not in Seattle to talk to Boeing. Connie, it won't prove out. It doesn't have to prove out. We just gotta|distract them. We just gotta distract them. Got less than two weeks|till the election. What in the world would do that?|What in the world would do that? I'm working on it.|I'm working on it. Winifred, Mr. Brean. Thank you. - What's this?|- $20,000. I gotta go to L.A.|and see a Hollywood producer. Meet me at National in an hour. We'll go to Chicago|and connect there to L.A. See you at National. Tell me...Tell me...|Tell me this again. We landing? Tell me again. Don't worry about.|It's nothing new. During Reagan's administration,|240 Marines killed in Beirut. 24 hours later,|we invade Grenada. That was their M.O. Change the story,|change the lead. It's not a new concept. Wake me when we land.|We'll talk more. Wait.|We can't afford a war. We're not gonna have a war. We're having the appearance of a war. We cannot afford appearance of a war. - What'll it cost?|- But they would find out. Who's gonna find out?|The American people? - Exactly.|- Who's gonna tell them? What did they find out|about the Gulf War? One video of one bomb falls down|a chimney. Blows up the building. The building could have been|made out of Legos. - You really want us to go to war?|- That's the general idea. With who? I'm working on it. - Albania?|- Yeah. Why? Why not?|What do you know about them? - Nothing.|- Precisely. They seem shifty, they seem standoffish. I mean, who knows from Albania? What do you|know about Albania? Who trusts Albanians? What did Albania ever do to us? What did they do for us? This is why we have to|mobilize the B-3 bomber. You really want to go|to war with Albania? We don't have a choice.|This is what you do. Get your press office|right now to deny it. It didn't happen. "Deny. There is no report|of Albanian activity." They have to deny it. - It didn't happen.|- Deny. Deny. Deny. ...news from the president|on his visit to China. Another sort of news, however... ...has emerged|from the presidential quarter. We turn to Melissa Gardner|at KZAB in Sante Fe... ...with this breaking news.|Melissa. Thanks, Richard.|Today a local Firefly Girl... ...accused the president|of sexual misconduct. This photo of the president|with the girls... ...was taken during their recent|tour of the White House. The girl claims|that the sexual misconduct... ...occurred inside the Oval Office. Her attorney says|there are no plans yet... ...to hold a press conference. Right now, folks in Sante Fe|and the rest of America... ...are waiting for a response|from the White House... ...on these harsh allegations. With the election only days away,|the big question is... ...how much will this scandal|affect the outcome? Top people, Albanian desk. I don't know, either,|but probably we have one. Listen. I want you to|roust them out of bed. Albanian desk, CIA, NSA.|Roust them out of bed, sirens blaring. Honey, I know they're gonna|be up in an hour. I want them up now.|Now, listen to me. Tell your staff... General Scott in Seattle? Well. No. I don't think his trip|has to do with the B-3 bomber. Excuse me, Miss.|I'll have to ask you to turn that off. OK, I know.|It'll just be a second. Miss, there are no|electronics on the plane. I really have to ask you|to turn that off. It'll just take two seconds. We've said flat out|there is no B-3 bomber. I understand. I understand. If it is true, he should,|he must step down... ...and if it's not true,|then he must... We are informed he has extended|his visit to China. I say on behalf of|the American people, come home. Face the music,|whatever that may be. The election's in 11 days. Let the American people decide. "Let the American people decide." Senator Neal,|presidential candidate. Excuse me, Senator. That's 11 days till the election... ...and the president|ahead in the polls by... Bob? Seventeen percent. Accusations have surfaced which|could affect the outcome. The White House has announced that... ...in response to the media pressure... ...there will be a press conference. My God. This is how|a Hollywood producer lives? This is bigger than the White House. Get me my veggie shake, Rumond... ...and remind me|to turn over in 10 minutes... ...to tan the other side. Do I know you? We have some mutual friends in Washington. Yes, as you said,|and is it true? Mr. Motss, I wouldn't-- You wouldn't be here|if it wasn't true. It's true, right? Really, who could say? I like the guy.|He signed his book to me... ..."For two generations-- "|I mean-- What was it? "For progress to occur,"|I think he said. Two Generations to Agree, yes. That's what he inscribed.|How'd you know that? That's the title of the book. That's the title? For Progress to Occur|It's Necessary for Two Generations to-- That's a terrible title. You're right. For Two Generations to Agree.|That is the title. You know.|I never looked at the cover. I just looked at what he wrote to me. When you get the time,|you can read the cover. John Levy is expected to respond|to the Firefly allegations... ...of sexual misconduct|by the president. This guy is fucked. What one has to do, Mr. Motss,|is fight a holding action. Holding action? They're going to run|this man through the shredder. If we can hold the break in the|dam for 11 days till the election... ...I think we got a chance. You can't hold the dam.|I mean, how the hell-- I don't get what you want me to do. ...advised him to stay on the ground|in China for one or two days. During that time,|of course, we'll remain-- But he's gotta come back sometime. What is one or two days gonna buy you? Look at all those hands. Brer Rabbit couldn't get out of this. Would you comment please|on the rumors... ...that the president's fly--|the president's delay... ...is due to the situation in Albania? There is-- I'm not aware of the situation|to which you refer. Sir, we've just learned|that the State Department... ...has set up a special Albanian|task force at Ops Center. Mr. Sklansky, I am-- We have--|Mrs. Rose, yes? Early this morning,|General Scott flew to Seattle. Is his trip connected|with the B-3 bomber? Mrs. Rose, there-- To the best of my knowledge,|there is no B-3 bomber. Mr. Levy, is the situation|in Albania related anyway... ...to the Muslim fundamentalist|anti-American uprising? Now they get it.|Now they get it. There you go.|There's a little help. ...that have some|fundamentalist movements... How close are you to this thing? What do you want the kid to say? We will keep you apprised|of any new information. Regarding these groups, at this time,|there is no information about-- Have him say... I know we're all concerned|for the president. I'm sure that our hopes|and prayers are with him. Could you have Levy say... "I know we're all concerned|for the president. "I'm sure our hopes|and prayers are with him." I just wanna say that I know that|we are all concerned for the president... ...and that our hopes and prayers|are with him. He didn't phrase it right. He didn't sell the line. All right, you bought yourself|one day, maybe two. For bring them together,|all I need is 11 till the election. Are you gonna stretch it?|This isn't gonna hold for 11 days. - The guy fucked a Girl Scout.|- A Firefly Girl. He fucked a Firefly Girl. What are you gonna do|to hold that off? Excuse me.|I'm gonna get my veggie shake. What do you think|would hold it off, Mr. Motss? Nothing. Nothing. Nothing. I mean, you, you--|You'd have to have a war. You're kidding.|You're not kidding. I'm in show business, yes?|Why come to me? I'll tell you why, Mr. Motss. "54, 40, or fight."|What does that mean? - It's a slogan. It's from--|- "Remember the Maine."|- Yeah, that's gotta be. "Tippecanoe and Tyler, too."|- No, that's not. They're war slogans, Mr. Motss. We remember the slogans,|we can't even remember the fucking wars. - You know why?|- Why? - That's show business. That's why we're here.|- I see. Naked girl, covered in napalm. "V" for victory. 5 Marines raising the flag,|Mount Surabachi. You remember the picture|50 years, but forget the war. The Gulf War, smart bomb|falling down a chimney. 2,500 missions a day, 100 days. One video of one bomb, Mr. Motss. The American people bought that war. War is show business.|That's why we're here. And what do you do for the president? Why Albania? Why not? They gotta know at some point. Who? You know.|The-- The public. - They gotta know?|- Yes. Stan, get with it.|Who killed Kennedy? I read the first draft|of the Warren Report. It says he was killed by a drunk driver. You watched The Gulf War.|What do you see day after day? The one smart bomb|falling down a chimney. The truth? I was in the building|when we shot that shot. We shot it in a studio|in Falls Church, Virginia. 1/10 scale model of a building. Is that true? How the fuck do we know?|You take my point? Yes. All right.|Ok. You want me to do what? We want you to produce. You want me to produce your war? Not a war.|It's a pageant. We need a theme,|a song, some visuals. It's a pageant. It's like the Oscars.|That's why we came to you. I never won an Oscar. That's a damn shame you didn't,|but you produced the Oscars. Yes. Indeed, I did. You know, you're a writer,|that's your script. You're a director, but if|you're the producer, what do you do... ...nobody knows what you do. The producer, I mean,|all he's got is the credit. You see?|And some plaques on the wall. They don't know what we do.|Don't get me started. If you never won an Oscar... ...how would you like an ambassadorship? An ambassadorship?|That's my payoff? Tell me what you want. Fellow, I'd just do it for fun of it.|For a story to tell. You couldn't tell anybody. I'm just kidding. - I mean, you couldn't tell anybody.|- No, no, no. It's just a figure of speech. It's a pageant. It's a pageant.|That's what it is. The country's at war. It's Miss America.|You're Bert Parks. - Why Albania?|- Because-- They have to have something we want.|What do we have that they want? - Freedom.|- Why would they want that? - Oppressed?|- No, no, no. Fuck freedom. They want to destroy|the godless Satan on the United. They want to destroy our way of life. All right?|Ok? Ok? Ok? The president is in China. He is dealing with the dispatch|of the B-3 bomber to Albania. Why? Why? Help me. All right, all right. Let's see.|Geo-politically if we-- We just found out they have the bomb. We just found out they have the bomb. - That's good.|- And, and-- wait a second. No, no. The bomb's not there... ...because they'd have to have|a rocket and that shit. They are a bunch of wogs.|No, no. Cross that out. All right. It's a suitcase bomb. I didn't know I said that. It's a suitcase bomb.|You don't need missiles. You can put a bomb in a suitcase. Right? It's a suitcase bomb. That's good.|A suitcase bomb. It's a suitcase bomb. When it's cooking, it's cooking. We're cooking, and it's in...|it's in...it's in... Canada. All right? Albanian terrorists|have placed a suitcase bomb... ...in Canada in an attempt|to infiltrate the bomb into the USA. That's good. That's terrific. I'll tell you why.|It is cost effective. It's producing.|That's what it is. - It's really great.|- I could tell you stories. Cecil B. De Mille, all right?|The Greatest Show on Earth... ...he needs an elephant. I got the president on the line. One minute.|Hey, one minute. De Mille, right? Needs an elephant for a reshoot.|Know what he does? Ames here. Yes, sir? You listening? - Nobody's listening.|- I'm listening.|- Ok, ok, ok. - The suitcase bomb.|- Good title for a movie. Please, write it down.|Don't editorialize. The thinking is, terrorism. Act One:|Albania denies everything. The president comes on the air,|"Be calm." Know what I need right now? You better get me Johnny Dean,|Liz Butsky, and the Fad King. Isn't Johnny Dean in the... Back in Nashville. - Ok. Act Two.|- We don't need an Act Two. Don't forget Fad King.|We don't need an Act Two? We just have to hold their interest|for 11 days till the election. It's a teaser. It's a teaser. Absolutely right. - Grace!|- Yeah.|- Teaser. They're getting a really good|reaction on the Albanian thing. Hello, John, you two-bit redneck|shitkicker. How the heck are you? Get out. Get out. He's got a new wife. Right now, he's riding in a pickup truck|with a shotgun and a dog. Listen, listen.|We needed you here yesterday. All right? Yes?|Come on. Get your ass out here. The president wonders about|the possible Albanian backlash. You can't have a war without an enemy. We could have one,|but it would be a very dull war. How long do we need him here for? We're done in 11 days. Eleven days, John. We need you. You want to write a song for us? Is there gonna be a back end|on this thing? What? Is there gonna be a back end on this thing? What? Back end? Yeah. You know.|Percentage points, money. Yeah, count on it. Where is the back end coming from? Lots of cash, John. - It's like a thing with yellow ribbon.|- Thing with the yellow ribbon? - Yeah. The hostages.|- Hostages? They tied the yellow ribbons|around everything. Yeah. But that was|a naturally occurring-- That was a put-up job? All right.|Grace! Grace! Yes. What? Jezz! I want you to get Johnny|a ticket. OK? - Fad King on two.|- Ok. He's riding in a pickup truck right now|with a shotgun and a dog. Are you shitting me? King, listen, got a thing here,|product placement. Of course there's a back end. - It can't be a ribbon.|- What's wrong with a ribbon? Because, AIDS has|the yellow ribbon thing. Fuck ribbons. Look. Canada. Ok?|Our neighbor to the north... ...all of a sudden transformed|into that place from whence... ...like the north wind,|terror comes. I like that. Keep talking.|That's what-- What guards us against Canada? I guard the Canadian border. Mounties guard the border.|Mountie hats. Stupid fucking hats. What? Davy Crockett had a hat.|We may have a fortune. You could crush them|and put them in your pocket. You can't put a mountie hat in your pocket.|You need a pocket the size of fucking Detroit. You see this?|This is what producing is. You put me in a room|with talent...electric. You know what I'm thinking? I'm thinking|armbands. That's what I'm thinking. - Armbands is good.|- I'm thinking-- I'm thinking green.|OK? Not like Kelly green. Last year, the number one selling color|in new cars in America was green. - People like green.|- Hunter. Hunter green.|Strong, pride, dignity. But not Kelly green.|You know what I mean? I like it with a hat.|What if we had a hat-- - Maybe. That could be.|- You see that? Sit on my lap if you love me... ...but don't put your hand down there. I didn't mean-- We'll take a short nap. See, I just thought you should see it. I don't think it should be a song. - I'm glad that your mama's not here.|- He misunderstood. No, no, no. I mean|if you do a song about it. I just thought it was funny. Sit on my lap-- I don't think it's appropriate|for what we're doing. I just meant for you to see it. I guard the Canadian border. The president spent the weekend|pressing the flesh. He wasn't campaigning.|He was dating, actually. Connie, change this.|Thank you. Behind the mention of Albania,|of his stomach flu... ...taking refuge these scant days|away from the election. Young girl in rubble. She was driven from her home|by Albanian terrorists. Ok? - It is her we are mobilizing to defend.|- Yes. - Or is it she?|- It is her we are mobilizing. - Can we get her a kitten?|- Yeah. Young girl in rubble with a kitten. Good. That's good. OK. See.|This is too static. Young girl running from the village. More energy. Time to face these terrible charges... ...to answer all of these questions. - What's this, Stanley?|- It's head shots. Girls to you know, play the victim|you know, in our news footage. OK. Write this down. Young girl running|from village towards camera. Grainy, hand-held,|you know, news footage. Send it to everyone. What do you think of these people?|I like the sorrowful one. What the hell is this again? Young Albanian girl|running from her home. I like this broad right here. Where?|No. Yours is too Texan. We're locked into Albania.|Why? Albania's hard to rhyme. What are you looking at me for? It's the name of the country. Albanian. Albanian. That rhymes. - John Belushi?|- Jim. Jim Belushi. - Jim Belushi what?|- Albanian. Jim Belushi's Albanian? Sure, it's thing you know.|Are you kidding? Anybody know who's ever eaten|in an Albanian restaurant? - Is there such a thing an Albanian restaurant?|- Has to be. They have to eat. - Is there a national dish?|- No. Nobody would know. We can make it up. Jim Belushi is Albanian. What time is it? 3:03. Great idea. To the men and women of|the 303 detachment with their... Leopard skin. With their berets. How about all black? That's good. Half black, half leopard... ...wear it on your head. Half black, half leopard... ...wear it to your head. I guard the American dream. I guard the American dream. Everybody's always|in a hurry these days. If they're not rushing somewhere... ...there'll be changing something|that doesn't need changing. That's why I'm glad|we're standing behind the president. Sure we are.|It just makes good sense. You don't want to change|horses in midstream. Why are they sticking|with this age-old horseshit? Why are they sticking|with the same old garbage? - Who hires these people?|- I feel insulted just having seen it.|You know what I mean? - It's offensive.|- Poorly costumed. New York Times, Washington Post:|War. War. War. Times got the Firefly Girl|in the Style section. Post on page 12. It's good. Hello? It's very important. Listen up, Connie. It's all war.|You're doing good. Would you vote for that person|based on that commercial? - You know, I don't vote.|- Why don't you vote? Last time I vote when that one time|Major League Baseball started the fans voting... ...I voted for Boog Powell on first base.|He didn't get in it... ...and it just disappointed me.|Stayed with me. It's futile. You've never voted for president? No.|Do you vote? No. I always vote|for the Academy Awards... ...but I never win. Liz, do you vote?|Do you vote? No. I don't vote.|I don't like the rooms. Too claustrophobic.|I can't vote in small places. - It's about that time.|- Yeah?|- Yeah. We got the Albanian girl with a cat,|with a kitten, and with a dog. But I don't want a dog.|I asked for a kitten. I understand that,|but the pet wrangler suggested-- I think I need to speak to the president|before you decide on the animal. You don't understand. Can't they|find me a kitten? Listen to me. Albanian terrorists|have a staging area... ...for their atomic workshop.|That's why she's fleeing. Listen this. Just follow this. What if it|wasn't Albania? Let's say it was Italy? I can get a lot of cash if it's Italy.|Listen this concept. "The boot." "Give them the boot."|What if a shoe was the fad? OK. The little girl|is coming toward the camera. What does she have in her hands?|A kitten. Better. Albania doesn't do anything for me. I think that's the problem. - We're locked into Albania.|- Why is that? The president's gonna go to war|with Albania in about 30 minutes. Declaring war on Albania? No. We're not declaring war.|We're going to war. We haven't declared war|since World War II. - We're going to war?|- We're going to war. This late-breaking news|just in from Air Force One. The president of the United States... ...has said that he apologizes|for the need for secrecy... ...and he assures|that it is necessary... ...for the safety of the men|and women in combat. He says that|the Republic of Albania... ...long a staging ground|for terrorism around the world. He has mentioning a state of war|is or is about to happen... ...between the United States|and the Republic of Albania. How many kittens do we have, Grace? There ought to be|kittens a-plenty, Stanley. I had a call. All right, people.|Let's get started. Ok? Hi. Hello. My name is Stanley Motss.|I'll be your producer this morning. What I would like you to do,|Miss-- What is your name? Tracy Lime. Tracy, stand against that wall,|and on my signal "action"... ...I want you running|toward me, screaming. - Can we get you anything?|- I'm fine. How about a cup of tea?|A little milk, low fat? You Ok? OK. Fine. Let's just try one.|I wanna we just try. Is this a national?|Is that the case? - Well, it's a little bit--|- It's a direct buy-out. Yeah. Why just have your agent--|What the hell is this? What is this, a menagerie?|I want kittens. I can't wait to put this on my resume. I just want kittens. Tracy, can I talk to you|for a minute please? This is a special kind of situation.|It's a funny kind of situation. Well, Sir. We have a schnauzer|and what appears to be-- It's a Lhasa apso. Lhasa apso? It couldn't have been simpler.|Kittens. What you got here is basically a cross|between a dog and what a substantially-- No. I don't wanna cross.|I just want kittens. Absolutely, sir. Absolutely.|The president wants a kitten. No. I want a kitten. Well. Get a kitten. Get rid of all the dogs|and keep the kittens. Miss. Excuse me. I'm gonna have to have you sign|this little sheet of paper here. Well, my agent would be real real miffed|with me if I-- This doesn't have to do with your deal. This is your security clearance. Right there. Nice signature. Thank you, Tracy. Nice meeting you, Tracy. This is a nice one. No, no. But that's not a kitten.|That's a cat. These are kittens. They just wanted|to give you some options. Yes, but it's too confusing.|That guy keeps pushing the Lopso opso. Lhasa apso. - Things in the mix. We'll do it optically.|- We're gonna do it digitally. OK. Let's try to shoot one. - Stacey?|- Tracy. I want you to stand over right here. OK?|Here you go. Right there. - These are chips.|- Yeah. Hold the bag when you run. We need it for the arm position.|On screen, it'll be a kitten. Can I hold the kitten? No. We'll punch it in later.|Right there. You're gonna punch the kitten later? - Yes.|- Why? For a wider set of options. A wider option of what? Of kittens. Sir, all kidding aside, when this goes|national, I get to put it on my resume? Actually, no. Because-- What is it,|a guild thing or something? I mean-- You can never tell anyone you did this. What could they do me? They'd come to your house and kill you. The president. Stop the makeup.|She's been raped by terrorists. - She's not pale enough.|- Jump out, please. They're starting to shoot now... ...and they're gonna|do the kitten thing optically. That's right, Mr. President. I don't know how|they do the kitten optically... ...but they know what they're doing. Sir, she's not an illegal immigrant,|is she? Could I see the contract, please? Why is it so flat? Because the president cannot|employ an illegal immigrant. - Let's use more spray.|- Cover up. Let's keep working people! Are we getting there? OK. Good.|Put the village behind her. Gimme some flames. How about some screaming? Screaming's good. Some sound of screaming. - What might be good is ooh-ahh sirens.|- What the hell is ohh-ahh? You know. Anne Frank. OK. That's good. Find us the Anne Frank sirens. That's chilling. That's good. That's giving me goose bumps. Find us the ooh-ahhs. We're gonna be back in Washington when? We'll be back tonight. Tonight is... It seems that Senator Neal|has discovered something. It makes no difference about Senator Neal. I don't care what Senator Neal's got.|We got a war. Look at that girl. Doesn't she look Albanian? She looks like she was|born and raised in Albania. I got an instinct for casting.|Don't ask me why. OK. We're gonna do it again,|sweetie. - What's her name, Stacey?|- Tracy. One more time, Tracy.|You're doing fine. You're doing fine. Could she be running across a bridge? She's running across a burning bridge. - That looks good.|- That's beautiful. Of course, we'll need some water. Is it a stream? No, I think-- - A pond?|- No, I think-- I think it's a calico kitten. She's running across with a kitten. Can we have a calico kitten?|Please. Floyd, punch in a calico kitten. I have 19 screens here. I can't see one calico kitten. The thinking is as of this moment|a small calico kitten, sir. - Calico kitten.|- OK. We have a small calico kitten, sir.|Calico. - What?|- He wants a white one. He wants a white one? Let me talk to him. He's mobilizing the sixth fleet. Connie, can I please talk to him? He's mobilizing the sixth fleet. I hate it when they start to meddle. Can we have a white one? He wants a white one. Thank you. Are we ready yet? How soon you think|we will able to get this cut? We're gonna be done in 4 or 5 hours. That's good.|We can leak that to the press... ...they can downlink it|on Tel star 401, transporter 21. Makes you glad|you've lived this long. This just in newsbreak a special|report from the Albanian front. We've just received information that... ...the young Albanian national|fleeing in this video... ...is attempting to escape|terrorist reprisals in her village. America has seldom witnessed... ...a more poignant picture|of the human race. - Fantastic.|- That was good. They used the same process... ...with the last Schwarzenegger movie. - Fantastic.|- Isn't that amazing how they do that? You know what, Conrad?|This is only the beginning. Wait till we get the song. Then you got the song, the image,|the merchandising tie-ins. You know. This is only the beginning. - We were right. You're the man.|- You're the man. - To the beginning.|- To the beginning.|- To the beginning. Got your car. I hate it|when they send these long ones. - Did you make the turn OK?|- Not a problem. I'm sorry, Conrad.|You think it's too ostentatious? Just fine. I'll stretch out. - OK. Good. Just make due.|- OK. I'll see you in Nashville. Go to the two-tone hat. I don't care.|You work it out. You must have had|similar situations in the past. There are unconfirmed reports|at this time from a reliable source... ...that things are in motion. What I'm hearing|and this is a quote... "The president is looking for a swift... ...painless, and victorious|conclusion to the war." However, the source|will not go on record. All I can tell you is this|comes from the highest level. New York Times,|Washington Post... ...Detroit Register,|Sacramento Bee... ...all in remission.|No mention of the Firefly Girl. None. 10 days to go.|Big Bird touches down when? We bring him tomorrow at 5 a.m. Anything at the airport? The press thought no.|What do you think? Here's what I think.|Is it gonna rain? Can you give me the weather|tomorrow morning? Andrews, 5 a.m.? A young Albanian girl... ...dressed in her... whatever. Is there some festival|some harvest festival... ...an Albanian harvest festival,|something like that? Get on this right away. Find me an harvest|festival. Albanian harvest festival. There's gotta be something. Anyway, she gives him|the sacred whatever it is... ...telling him this is a sacred|traditional offering... ...given to the man|who ties the first sheaf... ...the last sheaf,|who the fuck knows what sheaf? This is good.|Is she saying this in Albanian? She's speaking in Albanian... ...because this is the only way|it can be understood... ...by her sacred, sainted,|and aged mother. We're picking them up now. Now the old lady starts to speak. "You have brought peace|not only to this-- " No, no. The child speaks. A face of innocence,|no cynicism. The child says... Are you getting this? Now, the old broad starts|to break down and cry. Big Bird shrugs off|his secret service, goes over there... ...covers her with his own coat,|end of story. Can you find out if there is any chance we could|get some rain at Andrews tomorrow? Thank you. How is Big Bird holding up by the way? He's good. He does want to know--|Forget about the office.|What does your fellow Motss want? I don't know.|Ambassador to Togo. No rain tomorrow at Andrews,|but we do have a rain at Boca Raton. Then direct the plane to Boca. OK. Connie says|let's divert the plane to Boca. What's happening? Can I help you? What's the problem? We're really in a rush here. Do you know who we are? I'm afraid that's the trouble,|Miss Ames. CIA. What am I gonna do? I have a three-year-old daughter... ...eventually headed for orthodonture. Oh, God. Now that the CIA knows,|I'm gonna lose everything-- ...my career, my reputation.|What am I gonna do? Brazen it through. Took you long enough? We found them as soon as we could, sir. All right. After I'm done with them,|what do they want me to do? Lug them back to the district|or dump them in the country... ...let the FBI trip over them? Legal department says you pick. Depends on what we want|to do with them. This is a newsbreak special report|on the war in Albania. We've just received more details... ...of the young Albanian girl|seen running for her life. The young girl was trying to escape|after hearing her family was killed. Apparently, there was|a family connection in Canada. Two things I know to be true... ...there's no difference between|good flan and bad flan... ...and there is no war. Guess who I am. I would like to point out|that I am under medical care... ...and taking medication,|side effects of which have a little bit-- Quite touching. I also take this opportunity... ...to suggest that, equally,|I admit to nothing... ...and I would like my lawyer present. We show, and NSA confirms... ...there are no nuclear devices|on the Canadian border. There are no nuclear devices in Albania. Albania has no nuclear capacity. Our spy satellites show no|secret terrorist training camps... ...in the Albanian hinterland. The border patrol, the FBI,|the RCMP report... ...no-- repeat--|no untoward activity... ...along our picturesque|Canadian border. The Albanian government|is screaming its defense. The world is listening. There is no war. Of course, there's a war.|I'm watching it on television. Who might you be?|What you all said and done? - My name is Conrad Brean.|- Who do you work for? Nobody whose name you want me|to say, Mr. Young. I promise you. So well and good, but when|the fit hits the shan... ...somebody has to stay after school. Who do you suppose that might be? I don't know what you're talking about. The spy satellites show it, Mr. Brean. They show no war. Then what good are they|if they show no war? I mean, why we spend a quarter trillion|dollars a year on defense department? What good are they|if they show nothing? Are they useless or just broken?|Or what? I would like to point out further... ...that these medications|taken in conjunction-- If there's no threat,|then where are you? Let me go one more.|If there's no threat, what good are you? Mr. Brean, you are the threat. I'm the threat?|I am the threat? What have I been doing|the last 30 years... ...that you haven't been doing.|You wanna me fool in on that? The last 30 years, Mr. Brean... ...I have been working to ensure|the security of my country. I'm sure that speaks well|of you and your parents... ...but if forced to choose between|the security of your country... ...and the security of your job,|which would you pick? While you hesitate,|permit me to suggest... ...that they are one in the same.|Your country and your job. I'm doing my job, Mr. Brean.|That's what you see me doing. I'm doing my job, too. Let me ask you something.|Let me ask you a simple question. Why do people go to war?|Why they go to war? - I'll play your silly game.|- OK. Why they go to war? To ensure their way of life. - Would you fight to do that?|- I have. If you went to war again,|who would it be against? Your ability to fight|a two-ocean war against who? Sweden and Togo? That time has passed.|It's over. The war of the future|is nuclear terrorism. It'll be against|a small group of dissidents... ...who, unbeknownst perhaps to|their own governments, have... To go to that war,|you have to be prepared. You gotta be alert.|The public has gotta be alert... ...because that is the war|of the future... ...and if you're not gearing up|to fight that war... ...then eventually the ax will fall.|You'll be out in the street. You can call this a drill,|call this job security... ...call it anything you like,|but I got one for you. You go to war to|preserve your way of life. Chuck, this is your way of life. And if your spy satellites|don't see nothing... ...if there ain't no war... ...then you can go home|and take up golf my friend... ...'cause there ain't no war but ours. Thank you. - Drive carefully.|- Bye bye. Nice enough people. They just hadn't thought it through. You talked us out of there. No, no. We just got delayed.|We're going to Nashville. What? I said you could talk a dog|off a meat truck. Thank you. No, no, no. We just got stuck. It's ok. All systems five-by-five.|See you in Nashville. You saved our bacon. It was just a phenomenal performance. You turned them around.|You turned them around like a-- They just hadn't thought it through. He's moving across the tarmac. But it appears something|has distracted the president... ...and he has stopped moving|toward the waiting motorcade. I appears there's a little girl... ...trying to speak to the president. It seems she's speaking in--|Is it Albanian? Can we get someone to translate? Dan,|I think what she is saying... ...is that this wheat offering|is sort of ceremonial... ...and that it is the first sheaf... ...the first cut of the harvest. I'm not proficient in Albanian... ...but the old woman|is quite taken... ...as the president|is offering her the coat. It is quite an emotional moment here. # There comes a time|in the course of human events... # # ...when a threat must be answered|with courage and strength. # # Our forefathers earned|the right to be free. # # Now it's time to guard their dream. # # We guard our American borders. # # We guard the American dream. # # We guard our right|to fight for democracy... # # ...and keep our country free. # # We guard our American spirit. # # We guard the American dream. # # Our country's built|on the rock of liberty. # # And we, as people|must keep it free. # # It is for life... # # ...liberty... # # ...the pursuit of happiness... # # ...freedom, 'tis of thee. # # We guard our American borders. # # We guard the American dream. # I loved the fat, wet Albanian broad. Thank you. You know why?|It was understated. You got lucky with the rain, too. We had to divert|the plane to Boca Raton. You should have come to me.|We have rain machines. I'm a producer. I make rain. Next time. I have just gotten word... ...that the situation|in Albania is resolved... ...that it is resolved. The CIA confirms... ...that our troops|along the Canadian border... ...and overseas are standing down. I must take this opportunity|to call upon our president to say-- What does he mean,|the situation has been resolved? He just ended the war. He ended the war? Why did he have to do that? I think the CIA|has just cut a better deal. He ended the war? He can't end the war. He's not producing this. This is in bad taste. Can we stop this? Stop. It's over. Can we stop this?|Can we stop this? Stop the choir. It has been quite a week, Richard. I can't remember when|any president of United States... ...was hit with the flu, a war... ...and accused of sexual|misconduct by a teenage girl... ...all in the same seven-day period. This, of course, only days|before he runs for reelection. We've just received information|from sources at the CIA... ...that confirms the cessation|of hostilities... The CIA. I thought they let us out too easily. The war's over. It's over.|I saw it on television. I have to sell my house. The war is not over. No. The war is not over.|I saw it on TV. That's what you hired me for. The war isn't over|until I say it's over. Ok? This is my picture.|This is not the CIA's picture. You think you're in a tight spot now. All right, Conrad. Try making|The Four Horsemen of the Apocalypse. - Tell it to him, King.|- Three of the horsemen died. Hear what he's saying?|Three of the horsemen died... ...two weeks before the end|of principal photography. This is nothing.|This is nothing. This is just Act One,|"The War." Now, we really do need an Act Two,|so we work. Act Two. - You know what it's like?|- What? The Japanese. In the caves. - Go on.|- Okinawa. They didn't believe the war was over. That's right. So, now we have|a guy who doesn't believe-- No, no. We have an American serviceman. A brave American serviceman|is left behind. A hero. Oh, my God. I can't believe it.|What was I thinking? We had a war.|We forgot the hero. You can't have a war|and not have a hero. It's like we sent a Christmas card... ...and left out the--|What do you call it? - Fruitcake.|- There you go. All right. Let's work. Ok? We got a guy|who's left behind, so-- This is terrific.|This is lucky this happened. He was left behind,|who just discarded... ...like an old shoe. That's good.|That's good. What's good? What did I say? - Shoe.|- Old shoe? It's just instinct. I want you to give me the Pentagon... ...a list of people in all|military special programs. "Left behind like an old shoe."|That is good. I want to talk to Johnny. Yeah-- What is it? The war is over. Ok? Now, we're going to need a new song. I think, it should be a song|about a shoe, a shiny shoe... ...a black patent shoe... ...a good old shoe. I was just on my way to get drunk. Yes, you get drunk, John. But I need|a new song, ok? A good old shoe song. It should be a ballad of loss and-- - You wanna to help me?|- Redemption. Loss and redemption is very very good. Shit.|What key do you want it in? I don't know keys. I got a lot of people here are depressed|because the war just ended. Please give me a new song. All right.|I got him on the phone. - King?|- Yeah.|- Pentagon. Take it. I need a list|of military special programs. Bottom of the ninth.|All right? They don't know|who they're playing with. They don't shut down our picture. You people gonna be long? Otherwise, I'll put away the equipment. I don't know what I'm doing. I think I'm supposed|to be writing a song. Writing a song?|What kind of song? Is there anybody there named Schumann? - Schuster?|- Schumacher. I got a great idea. Johnny, I got an idea.|Old shoe, new shoe. OK? Daddy had a hound dog... ...used to call him Blue. Follow me 'round... ...stick to me like glue. His favorite thing to play with... ...used to be a good ol' shoe. Wait a minute.|Used to be. See, you hit that 16-16. Well, I wish I had a woman... ...who was half as good and true. Anybody here know Morse code? What you gonna do Morse code? Give me the fax. Sergeant William Schumann,|U.S. Army... ...serial number 2131284262. Good ol' shoe. Here's the deal. Good Ol' Shoe.|Good Ol' Shoe. Whatever you walk in... ...he will get you through. He's in a sweater... ...and he's... We drop him behind enemy lines. He's trapped. The sweater. - In the sweater.|- Good. Is there a way we can make it|sound old and scratchy... ...with, like, a hiss? With an old label. I see where you're going with this. Stand up straight and tall... ...the way he taught you to. I'll write a speech. I'll help you with the speech. The president reveals|that William Schumann... ...was trapped behind enemy lines. This is good. Heartfelt. - Touching.|- Touching. People will weep. Soul of a good ol' shoe. He might even get to heaven... ...on the soul of his good ol' shoe. All right, here's the speech.|President's speech. Put this in the|Library of Congress right away. Folk music section, 1930. Right away, please. Get it in the Library of Congress now. Oh, God. Who's seeing the guy|from the CBS tonight? Tonight, you remember some song|from the folk song days... ...something about a good old shoe. Tonight? You're with him watching|the president's speech-- What if he's busy tonight? - Lure him.|- What are you saying? What I am saying is I don't have|to be your confessor, darling. Tell him you've got some info|on the president's sex scandal... ...it's on your conscience. Believe me.|He'll drop whatever he's doing. Folks, folks, this is a shitty business. It needs no ghost comes from the grave|to tell us that... ...but, Lord willing,|eight days from now... ...I'm gonna be taking you|into the second term. Wait till you hear the speech tonight. The 303 speech. Great. Where's that Fad King by the way? I'll get him. Could we go now please people? A good plan today is better|than a perfect plan tomorrow. Conrad, how are they doing|on Sergeant Schumann? They're working on him,|they're finding him. Good. It's working. It's all happening people.|It's taking place around us. People, it is in the works.|It is being addressed. We are being proactive. We are going out tonight with|what may be the finest example-- Get me an update on the army,|the Pentagon. Get this guy Schumann.|Put him on hold. Have him standing by. People I gotta tell you,|I see a lot of glum faces now. Please don't be disconsolate. This is politics at its finest. This is where the rubber|meets the road. Now I'm gonna tell that|we've got a leader going out tonight... ...to 95 million American homes. He's gonna turn this thing around. You think this is tough? I was 4 months into production|on The Song of Solomon... ...found out I didn't have the rights. Turn it up. It's our spot. Tough? This is nothing. Will you look at that shit? 'Cause you don't change|horses in midstream. Don't change horses. This speech is good. I mean, we're kinda locked into it,|Mr. President. For the future of our families-- The music.|Where did they get that? - Pain in the ass.|- What? What? What? - He won't do it.|- What do you mean he won't do it?|- He won't do the speech. - What do you mean he won't do it?|- He won't do the speech. What do you mean?|What choice does he have? What do you mean he won't do|the speech? He won't do our speech? He says it's corny. It's what? It's corny?|Corny? Of course it's corny. We wouldn't have him say it|if it wasn't corny. It's not a question. This is the center|for rest of the thing. Don't tell me it's corny. We're locked into the speech, right? We're locked in. We are playing way past this. We are past this.|OK. Corny. This is what I need. I want you to get me 30 secretaries|and put them in an office now. Would you do that?|You just tell him I'm coming up. I need to see the president|and five minutes of this time. Speech is corny.|Know what this reminds me of? Years ago, when I first|went out to Hollywood... ...they said to me,|"It's too theatrical." You know I was from the theater. So, everything|was over their heads. It's too theatrical. Not theatrical. He thinks it's too corny. Don't tell me the speech is corny. Just tell him I'm comin' up.|I'm coming up. My fellow Americans,|I thank a merciful God... ...and I am sure|each and every one of us... ...will thank that Supreme Power... ...whatever we conceive|that power to be... ...that peace is at hand. The threat of nuclear terrorism|has been quelled. Mr. President, I'm using|a little more projection... ...because I think this speech|needs a little bit a "umph". Bear with me. Thank you so much. That was so moving. Thank you so much. Thank you. You konow, Connie?|I felt very much at home in there. Simple quirk of fate. I could have gone this way. It's all a change in wardrobe. So, what do you think?|Was it too much? I'll tell you, Stanley. - You did it.|- Yeah. You did it.|You jumped in there... ...and saved the thing|when the thing needed saving. You don't think it was too much? Personally? Maybe it was. Of course the president doesn't|have to say it that way, Connie. It's like Plato once said. It doesn't matter how the fuck|you get there as long as you get there. He said that? Connie, what is it exactly|you do for the president? My fellow Americans,|I thank a merciful God... ...and I'm sure all of us|will thank that Supreme Power... ...whatever we conceive|that power to be... ...that peace is at hand. The threat of nuclear terrorism|has been quelled. We are in contact|with the Albanian premier... ...who assures me and... ...this government|credits his assurances... ...that his country does not wish us ill. Know any Latin? I, Claudius.|That's what I know. I need a Latin motto|for the patch. The 303 patch. ...by a designation number, 303. A member of the group was left behind,|what were then, enemy lines. And I can only say to those|family members of Group 303... ...whose members are,|I know as I speak... ...gathering to comfort you. To the parents of the missing man... ...I can only say|no effort will be spared... ...to find this brave man|and bring him home. We've just received this photograph|of Schumann in captivity... ...held by a dissident group|of Albanian terrorists. Now, I don't know how many of you|are familiar with Morse code... ...but could you bring the camera|closer and here, please? You'll see his sweater is worn. It has been unraveled in places. And those places|form dashes and dots... ...and those dots spell out|a message in Morse code. That message is, "Courage, Mom." "Courage, Mom." He got the message through.|"Courage, Mom." Not bad for government work. Having a good time? Haven't had this much fun since live TV. To the men and women of Unit 303... ...to my fellow citizens,|I say, "Courage, Mom." I have informed the Albanian government|that we will not rest... ...until the safe return|of Sergeant Schumann. I'm told his unit mates gave him|the nickname "Old Shoe." Wasn't there a folk song|called "Old Shoe?" Do you remember that?|Something like... I don't know.|I can vaguely remember it. Do you know what I'm talking about? "Old Shoe." Thank you,|ladies and gentlemen. Good night and God bless. Trump that, Senator Neal,|you Howdy-Doody-looking vontz. As we reported earlier, U.S.|Serviceman Willie Schumann... ...remains missing behind|enemy lines... It's all thinking ahead. That's what producing is. - It's like being a plumber.|- Yes. It's like being a plumber. Do your job right,|nobody should notice. When you fuck up,|everything gets full of shit. ...symbol of the military team... ...Sergeant William Schumann,|the "Old Shoe." What do you say, we line up|the president for the Peace Prize? Our job ends on election day. Yes. But, come on. Just for the symmetry of the thing? That's right. If Kissinger can win the Peace Prize... ...I wouldn't be surprised to wake up|and find out I'd won the Preakness. Well, yes, but our guy did bring peace. Yeah, but there wasn't a war. All the greater accomplishment. Where's the money-- Where's the tie-in|with throwing away the old shoes? Who steps up and pays you for that? You throw away the shoes.|What are you gonna do? Buy new ones. We have some powerful new friends... ...at the International Association|of Shoe Manufacturers. See. You guys sure get around. Fad King is my hero.|Want to go first? Sure. History, Connie. Those are ratty shoes. Yeah, that's why we're flinging them away. You want to try some?|Go ahead. Here. Do it again. Go ahead. Have a ball. Ok. Watch this. Go on, tell your friends. Well. This is interesting. I have just been handed this.|Something just discovered. A 1930s recording, part of|the folk song collection... ...of the Library of Congress... ...and a fitting song,|if I may say so, about Shoe. You know Schumann|is the military soldier... ...who's been left behind enemy lines-- Jim, can I get a word with you, please? Would you like to comment|the situation on Albania? Yes, there is one thing I'd like to say. This is to the Albanians|that have this man in custody. I mean this from the bottom|of my heart as one of your race. I didn't know Jim Belushi was Albanian. The search|for Willie Schumann continues... Tell Grace, as soon as we land,|I want a reflexologist. Male or female? - The Polish--|- The White House wants to know about... ...the Congressional Medal of Honor. - What about it?|- For Schumann. Wait a minute, wait.|We got 86% in favor. We bring him back tomorrow,|charts go up, they don't go down. I don't want to tell them|how to do their business... ...but why don't they do it|after the election? Makes more sense,|and it'll help them more. When are you bringing him back?|Schumann? King, show him the thing. - It's not done yet. I don't wanna show him.|- Show it to him. Talk about enlarging the market.|Tell him, Faye. Here it is. Artist's rendering|of the memorial. The memorial? That's the memorial of the fallen. Of the Albanian campaign. - Lovely.|- It's better than lovely. This guy made a deal|with Governor Kneehigh-- - Senator Leahy.|- Right. Connie, you have to see how much granite|you have to put in this thing. We got a site picked out|and everything. And, the beauty part is... ...guess who retains|the merchandising rights. - Show him the clock?|- Show him. Got it as a clock. Lovely. - We gotta get going.|- When's Schumann coming back? Getting him right now. - I need his neck size.|- You gotta get his neck size. I think it may be about 171/2. You know, 171/2,|thinking is not good enough. I'm an artist,|not a factory worker. What did he eat behind enemy lines|when he's trapped? Birds, snakes. Bullshit. He ate|tiny cheeseburgers in tin foil. Pull a string,|they heat themselves, ok? We call Burger King, Johnny Rockets. We get the Shoe Burger|with cheese and 303 sauce... "Behind enemy lines or anytime." - Good.|- Good? That's good. That's the slogan. And I got the copyright|on the Albanian kitten thing. I'm gonna call Nike,|get Rodman to dye his hair leopard skin. We'll have a sneaker--|"Air Leopard." ...a high school|basketball game last night... ...between Montgomery Bell|and Blair Park. Students, during the game... ...in spontaneous moment|of sheer patriotism... ...threw their tennis shoes|on the court by the hundreds... ...just for the Old Shoe. Bring him back.|William Schumann, soldier-- There's no business like it. Demonstrations are springing up|all over the country... ...as American people continue|to show their patriotism. You ought to get them to run|that inaugural speech by me. Inaugural speech?|I don't know. The White House staff gonna be|jealous by given up that one. Come on, Connie. Let me close out|the thing in style. I've come to feel it's my thing. You take a job, you take a job, and many|times, it's just a job, you know. And then--|You know what I mean? Hell of a ride, Stanley.|Hell of a ride. Isn't it? Isn't it? You know, you take the bitter|with the sweet... ...or the sweet with the bitter. What's that expression? ...feeling good about the economy. That's why we're voting|for the president, Ed. What do you think? Well, Bob, my mind wasn't|100% made up, but now it is. I say, don't go changing horses|in midstream. Absolutely. Who needs surprises these days? For an economy you can rely on... Fucking amateurs. Pity of it is, two more days,|and we bring it all back home. Knock wood. And who's gonna know? Who's gonna know what we did? Pride of a job well done, Stan. It's the pride of a job well done,|but it's more that, Stanley. It's the gratitude of your party|and your president, right? - Is that the thing?|- Indeed it is. Indeed it is. Dean City, Oklahoma.|Army special programs. Tell 'em to bring Schumann to the plane. We'll bring him back|and stash him in the hospital. Call the plane.|Tell me where to pick him up. I bet you're good at chess. I would be, I could remember|how all the pieces move. Ok. So, we'll call you. Ok. # I'll do the same|in His great name... # # ...if you have courage, Mom. # # I can always feel your love. # # Send, and I'll receive. # Units of 303,|the Defense Department... ...confirmed early this morning,|Albanian time... ...stormed the mountain hideaway|near the city of... ...freeing a tired but happy|William Schumann. A high White House source confirms... ...that he's expected|in Washington tomorrow morning. How's that? Hello? Hello? Hello? So, when we touch down tomorrow... ...Big Bird's gonna meet|Schumann at the airport? Big mistake. Big mistake. You got to|bring him in by stages. Big mistake to reveal|Schumann before the election. How so? Sweetheart,|Schumann is the shark. Ok? Schumann is Jaws. You know, you have to tease 'em.|You gotta tease 'em. You don't put Jaws|in the first reel of the movie. It's the contract, sweetheart. The contract with the election,|whether they know it or not... ...is vote for me Tuesday... ...Wednesday,|I will produce Schumann. That's what they're paying|their seven bucks for. Know what I mean? Whatever. Everybody's gotta learn. Any business. You take the fruit of 40 years... ...hard lessons, mistakes,|and you call it wisdom. That's the truth. End of the day,|just when you know something... ...time to go home. Stanley, you got decades in you now. You got decades left in you. Yeah, but-- What could I do to top this? # The 37th Psalm. # # I'll do the same|in His great name... # # ...if you have courage, Mom. # You see her?|That was real tears. We were gonna give her those drops. - She cried.|- Really? - She cried real.|- It looks it. # Pray for me... # # ...and the USA. # # Pray they never use the bomb. # What are you going to do after this? They owe you big, Stan.|They owe you big. Ambassador to this or that,|whatever. Ambassador to what? I don't even like to go to Brentwood. That's what I want. That's it.|That's my reward. That's the payoff. You want to go to the Inaugural? Might if I was asked. You know, Connie?|This here, Schumann and us... Look at that.|King Kong and the trainers. This is it. I'm standing here for this picture|of Sergeant Willie Schumann. He's become known to Americans|simply as the Old Shoe. He is a war hero-- This is gonna be a masterpiece. Giving them what they want. ...from his Group 303 and|left behind in enemy territory. - Here at Andrews Air Force Base...|- Here it comes. ...they prepare for the return|of Willie Schumann. Sergeant Schumann, if I may,|welcome to history. Sergeant Schumann, I'm Ames.|Welcome. Somebody named Brean? Yeah. Right here. Sign here for me, please, sir. Captain,|you want to take her up, please? There's heavy weather back east. What do you think? 6 to 5 and pick 'em.|You want to chance it? If it'll fly, let's fly.|People are waiting for. A child at the airport|breaks through the ranks... ...runs to Old Shoe,|rubs meat on Schumann's cuff. A little dog runs to it.|The dog loves Schumann. He is a perfect war hero. Perfect. You cast him. All right. Book it up. What's this? Keys to the manacles. Oh, my God. Wait. Wait. What do you--|Wait. Just wait. Wait. Wait. Wait. Wait.|Wait. Wait. What is the trouble? No trouble at all, ma'am. Then why is he in chains? He's in chains|because he's a convict. A convict? How you doing? Take a look. All right, well. When we asked|for special programs... ...they gave us special prisons. Only a one-word difference. - Has he been in jail long?|- 12 years. Does he have much longer to serve? What did he do? - He raped a nun.|- Oh, God. Oh. God. Je-- Oh, God. - And...|- I don't want to know an "and." Why is there an "and"? Look, look, look. He's fine as long|as he gets his medications. And if he doesn't get his medications? He's not fine. Yeah, Captain.|Yeah, Captain. You'd better get us to Washington. How are ya? Fine. Gonna get me back tomorrow? 'Cause, you know, tomorrow|they're having beans. I need a real readjustment.|We have to rethink this. Beans! William. Yes.|We're trying to do this thing. - As long as you get me back for the beans.|- For the beans, yes. He's a lot sicker than we thought. Rush him under wraps|to Walter Reed for serious tests. If you're gonna keep me out,|I can like the chance to go to church. You know what I mean? Are you very religious? What have you done to me? What have you done to me? All combat takes place|at night in the rain... ...at the junction|of four map segments. What are you going to do? He's fine as long|as he gets his medication. Well, speaking of that,|we're gonna need lots of this stuffs. Why don't you get on|the phone and get it? I think, you people are|looking at this all wrong. If you look at the back story... ...the guy is coming back|from combat and torture... ...of course he's going to be|a little fucked up. Of course he's gonna need a little help. Anybody want a beer?|'Cause I could party. I'm gonna need an ambulance. We take him the last moment|from the plane. No, no, no. We land, take him from|the plane. We put him in the ambulance. Air Force jet lands, we take|somebody else from that jet. What the fuck do I care? Somebody in a hospital gown. You get me back for the beans. You know, 'cause tomorrow's the beans. 'Cause this dog ain't gonna hunt. Oh, no. He's gonna be fine. Aren't you, William? Speaking of which, I have a prescription|and I wanna give you the number. I want you standing by|with a lot of this stuff. A crate of it. It's... Anti-psychotic. Anti-psychotic. The number is V--|Hello? Hello? This is nothing. The old days, I used to think|I was a pharmacist... ...the stuff I had carrying around. With the beans, you can tell|if they're puttin' stuff in it. So you don't have to fear it. What kind of stuff? Yeah. Hello? Hello?|Are you around? What do you mean,|what kind of stuff? - No. What kind of stuff?|- What do you mean? He just wanted to know|what you meant. He didn't mean. Did you mean? - I didn't mean. No. Not at all.|- He didn't mean. - He didn't mean anything.|- You meant something. What do you mean? No, no, no. He didn't mean anything. Give him another pill. What the fuck do you mean,|what kind of stuff? Pill, William. This is nothing.|Did you ever shoot in Italy? Try three Italian starlets swacked-out|on Benzedrine and grappa. This is nothing. This is a walk in the park. Who are you? Who are you sons of bitches? - Killers!|- Just calm down. Where are you taking me?|Where are you taking me? Oh, my God! Sergeant Willie Schumann is coming home. Schumann's plane should be|somewhere over the Atlantic Ocean... ...making its final descent|back into this country. The White House reported... ...he was safely rescued|and on his way back to American soil. We're still waiting|for his plane to land... ...at Andrews Air Force Base. A plane that is due to land.|Long overdue. The president is monitoring|the situation personally... ...and closely. We will keep you updated|as to any developments. Thank you very much. Oh, God.|What do we do now? What do we do now, boy producer? Mister win-an-Emmy,|social-conscience, whale-shit... ...save-the-rain-forest,|peacenik-commie... ...fuckin'- hire-a-convict shithead? What do we do now, liberal,|affirmative action, shithead... ...peacenik commie fuck?|What do you wanna do now? This is nothing.|Piece of cake. Producing is being a samurai warrior. They pay you day in,|day out for years... ...so that one day,|when called upon... ...you can respond,|your training at its peak... ...and save the day! Produce this Schumann. Produce him, I say... ...or, and I don't hesitate|to say this... ...rank him as just another|in a series of broken promises. This tardy absence of the flight|must give us pause... ...and in that pause, we should|take time to examine ourselves-- Fuck you. Leave it alone.|What did television do to you? It destroyed the electoral process. Ok. Enough lovemaking.|Let's go. Come on. - Where?|- We got work to do, Winifred. Come on, pal. Is it time for exercise? 'Cause, you know.|It's my day in the yard. Let's get him out to the highway. You think this is tough?|Come on, pal! This is nothing! Piece of cake! Albanian dissidents... ...having somehow obtained|a surface-to-air missile... Connie, you had your fortune right here. You were ready to throw it away. Listen. If you got a problem, solve it.|That's producing. Someday when they tell this story-- You can't tell this story. - Why not?|- Somebody would have you killed. Of course, I know. Not now. Not now.|But I mean, when they do tell the story-- Nobody can tell this story|Stanley, ever. Listen to me.|This is what I do for a living. You can't tell this story.|He's not kidding with you. You can't tell this story.|You knew that. The deal was you get an ambassadorship. I used to have a Camaro. What the fuck kind of story are you going|to tell anyway? The guy's a nut case. You would be too if you went|through what he went through. He raped a nun. What he went through in Albania. He's doped to the gills. Where's my little pills? Show some compassion. He spent the last 12 years|in a military prison. How are we gonna explain that? How we gonna explain it?|Am I worried? How do we explain that|when the world is watching? Fuck the world.|Try a 10 a.m. pitch meeting... ...coked to the gills, no sleeping,|haven't even read the treatment. Connie, how we gonna explain|in fact he was in prison? How you gonna explain that?|Well, you see, Winifred... ...this is where|you've never been at a pitch. His records say he was in prison... ...as all the record say for all the men|and women of Group 303... ...as they must|because of the secrecy involved. I'm on top of it. Not sure whether enemy action... I'm fine. I'm fine.|I got it. Stanley, I told you,|I do this for a living. You do what for a living? Exactly what do you do|for the president? I lost my wallet.|You got any change? How we doing, boy? Ready to mix it up? Is today laundry day? - What do you do on laundry day?|- Laundry. Stand by to copy this.|Just get a pencil. Down safely. Produce this Schumann. Produce him, I say, or, and|I don't hesitate to say this... ...rank him as just another|in a series of broken promises. Sustained minor injuries. Flight crew being investigated|for possible pilot error. Transshipped to an undisclosed location. This deserted runway should be|filled with well-wishers-- How you doing?|A cold drink? Schumann was to return|to American soil today... ...after his safe rescue in Albania. He looks like me. William Schumann deserves an|explanation from the White House. Wait, we are now going|live to the White House. I have an update regarding|the aircraft incident... ...involving Sergeant Schumann. He is down safely and|he will be transshipped. We are informed he has sustained|minor injuries... ...which will require his being|medicated for some time-- Bring in the cavalry.|Nick of time. You see that? Political shitbirds.|Fuck with us, huh? They don't know|who they're playing with. Purty. I'm a little concerned|about the driver of the rig. - What rig?|- The harvester. - What about him?|- He doesn't have his green card.|He doesn't have his green card. So what? So, you want Schumann to be|rescued by an illegal alien? We can't have Schumann saved|by an illegal immigrant. Get on the phone.|Fly in a judge. Get on the phone.|What's all this moping about? Do you have any change? I like the night life,|I like to boogie. Susie! William? Susie, are you all right? Susie, are you all right? Kickball. Susan, are you all right? Let me talk to him! Why did you drop-- I think we should-- Willie, where are you going? Shoester! Let me talk to him.|Shoe, you in there? I'll kill that son of a bitch. I have a relationship.|Shoe, you want to talk? Get you anything you want.|You want some beans? Will that do it, Shoester? Come on, Shoe! Oh, God!|He's dead. Wait a minute. Wait a minute. He's not dead. He's alive. Strike that. Oh, Jesus! So close and yet so far. What do you mean? We were this close. This is nothing.|What are you talking about? This is nothing.|This just got big. Got big? Got big?|He's dead. He's dead. We killed Old Shoe. And what is better than the|triumphal homecoming of a war hero? Ready! Lift! # We're gathered here... # #...with a cross to bear. # # The bravest men... # #...anywhere. # # That this great land... # #...will remain free. # # God bless the men... # #...of the 303. # # Side by side... # #...we know no fear. # # Our minds are sharp. # # Our eyes are clear. # # In the air, on land... # #...or on the sea... # #...we're the fightin' men... # #...of the 303. # # Give us this day... # #...our daily bread... # #...and leopard skin... # #...for our head. # # That we may fight-- Coffee? Yes, please. Good. Good. Good.|Looking good. Bring it all back home. Lassie barks twice, and it's|time to take out the garbage. Hell of a show, Stan. Hell of a job. It's just producing.|That's what it is. You know, there's no Academy Award|for producing. - You're kidding.|- There's no Academy Award for producing. Where do movies come from|if nobody produces them, Connie? They come from people like you. Well, you know. You just got to take|the bitter with the better. Job's almost done. Knock on wood. We did a good job. That's our reward. You know, you can't save the world. All you can do is try. Ain't that the truth? And, as we said, the president... ...thrust of the Albanian episode|to put him over the top. Yes. You could say that, Shirley,|but it's just simply just not true. What would be true, then? Well, you said it yourself earlier,|if I may rephrase... ...that the success|of the president in the polls-- - As of today, 89% favorable.|- 89% favorable... ...is based not on the events,|which of course we cannot control... ...but on the spin given to those events. What's the lesson here, Connie?|Never give up. Never give up. You're right. You're right. The show must go on. Proud traditions. I am prouder of this than|anything I ever did in my life. You should be, Stan. I want to thank you, Connie. I want to thank you. - You gave me a good opportunity.|- Thank you. Thank you. And as we said, the president,|a surefire winner... ...and the campaign, many said,|that put him there. Another great race today, Johnny. Who are you going to ride in the Stakes? Eddie, like my daddy|always used to say-- The message is irrelevant. The main element here|we have to deal with... ...is the fact that fear is|what's driving a lot of people. Ok? Yes. Commercials. Commercials.|Commercials. Commercials. The president is a product. Yes, the president is a product. He's the President of the|United States of America. 89%. Which we're dealing with today. Commercials. Commercials.|Commercials. Commercials. It's time the American people|began to take a look at that. And, now we're going|to be taken your calls. - The number is 1-800-555-0199.|- Oh, shit. Stanley, what are you doing? What am I doing? I wanna call somebody up. Stan, that's very funny. I'm going to get these people straight. You can't do that, Stanley. Watch me. Stan, you knew the deal|when you signed on. Come on. Deals change. Sure it is. Let's rethink that ambassadorship. I'm talking London.|I'm talking Paris. I'm talking a secret account|for your extra expenses... ...getting laid whenever you want. Marine guards will salute you|all the time. No. It's tempting, but I got|to answer to a higher calling. - Art.|- Money? Money?|You think I did this for money? I did this for credit.|For credit. You always knew|you couldn't take the credit. That's one thing.|But I'm not going to stand here... ...and let two dickheads|from film school take it. Stanley, listen to me. Are you nuts? - Stanley, no fooling.|- What? You're playing with your life now. Fuck my life. Fuck my life. I want the credit.|The credit. Do you know what the New York Times|said about my last picture? They called it|"a thrill ride for the ages..." ...but they didn't mention the producer. They talked about the costumes... ...but never talked about the producer. You know what that picture grossed? Now I'm going to stand here... ...and let some limp-dick|film-school pansy... ...take the credit?|What? You can't do it. Don't you tell me that! Don't you ever tell me that! I am the producer of this show! If I didn't step up,|you're nowhere! I put this together|out of spit and polish! Look at that. That is a complete fucking fraud... ...and it looks 100% real. It's the best work|I've ever done in my life... ...because it's so honest. They told me I couldn't|remake Moby Dick... ...from the point of view of the whale. $450 million domestic. I'm not even talking about the video. I made this lame turkey fly. I did it... Pure Hollywood. For once in my life,|I will not be pissed on. Do you hear me? I want the credit.|I want the credit. I'm taking it.|Good bye. Shit. He's coming down. Connie, could I see you here a minute?|Thanks. Do you swear to uphold... ...the duties and responsibilities... ...of a citizen of|the United States of America... ...to defend her in time of peril... ...to defend her from all enemies,|foreign and domestic? Do you make this pledge|with full resolve? # Common ground... # # ...and family. # # Let's give thanks to the 303. # # Years from now... # #...when we are gone... # #...our children's kids... # #...will hear this song. # # Think how strong... # # ...and proud they'll be. # # Grandpa fought... # # ...for the 303. # # God bless the men of the 303. # # Ten-hut! # Present arms! And turning to the Hollywood page... ...famed film producer|Stanley R. Motss... ...died suddenly|of a massive heart attack... ...while sunbathing poolside. Mr. Motss was 57 or 62-years-old... ...depending on the bio. His credits include numerous films... ...which America has come|to love as old classics. This just in. A group calling itself|"Albania Unite"... ...has claimed responsibility|for the bombing moments ago... ...of the village of Klos, Albania. The president|was unavailable for comment... ...but General William Scott|of the Joint Chiefs of Staff... ...says he has no doubt we'll|be sending planes and troops... ...back in to finish the job. |
WAR Wag The Dog Waga seishun ni kuinashi 1946 Wait Until Dark CD1 Wait Until Dark CD2 Waking Ned Devine (1998) Waking Ned Divine Waking Up In Reno Walk On The Moon A 1999 Walk To Remember A Walk on Water Walk on the Wild Side Walking With Beasts BBC Part02 Whale Killer Walking With Beasts BBC Part03 Land Of Giants Walking With Beasts BBC Part04 Next Of Kin Walking With Beasts BBC Part05 Sabre Tooth Walking With Beasts BBC Part06 Mammoth Journey Walking and Talking 1996 Walking tall (2004) Walking with Dinosaurs Wall Street Wall The Wanted 2003 WarGames (1983) CD1 WarGames (1983) CD2 War CD1 War CD2 War Game The War Game The (author commentary) War Hunt 1962 War Is Over The (Alain Resnais 1966) War Lover The 1962 War Zone The War and Peace CD1 War and Peace CD2 War of the Roses The War of the Worlds The War of the Worlds The (1953) Warm Water Under a Red Bridge (Shohei Imamura 2001) CD1 Warm Water Under a Red Bridge (Shohei Imamura 2001) CD2 Warriors Of Heaven And Earth 2003 CD1 Warriors Of Heaven And Earth 2003 CD2 Warriors Of Heaven And Earth CD1 Warriors Of Heaven And Earth CD2 Warriors The Wasabi 2001 Wash The Washington Heights (2002) Watcher The Watchtower Water Drops on Burning Rock Waterboy The Waterboys 2001 Waterloo 1970 CD1 Waterloo 1970 CD2 Waters Edge Watership Down Waterworld Way We Were The Way of the Gun The Waynes World Waynes World 1992 Waynes World 2 We Are No Angels 1989 We Dont Live Here Anymore We Were Soldiers Weapon of War CD1 Weapon of War CD2 Wedding Planner The Wedding Singer The Wedlock 1991 Weekend Godard 1967 Weekend at Bernies II Weight of Water The Weird Science CD1 Weird Science CD2 Welcome Back Mr McDonald 1997 Welcome To Mooseport Welcome to Collinwood (2002) Welcome to Sarajevo Welcome to the Dollhouse Wes Cravens New Nightmare West Side Story CD1 West Side Story CD2 West Wing The Westler Westworld (1973) Whale Rider Whale Rider 2002 Whales Of August The 1987 Whasango CD1 Whasango CD2 What About Bob (1991) What Dreams May Come CD1 1998 What Dreams May Come CD2 1998 What Fault Is It Of Ours 2003 CD1 What Fault Is It Of Ours 2003 CD2 What Lies Beneath CD1 What Lies Beneath CD2 What Planet Are You From What Price Glory What Women Want What Women Want CD1 What Women Want CD2 What a Girl Wants What a Way to Go 1964 Whatever Happened to Baby Jane 1962 Whatever It Takes Whats Eating Gilbert Grapewegg CD1 Whats Eating Gilbert Grapewegg CD2 Whats Love Got To Do With It 1993 Whats New Pussycat Whats The Worst That Could Happen Whats Up Doc Wheels on Meals When A Man Loves A Woman 1994 CD1 When A Man Loves A Woman 1994 CD2 When Harry Met Sally When I Turned Nine 2004 CD1 When I Turned Nine 2004 CD2 When Ruoma Was Seventeen 2002 When The Last Sword Is Drawn 2003 CD1 When The Last Sword Is Drawn 2003 CD2 When Will I Be Loved 2004 When the Rain Lifts 1999 When the Sky Falls When we were kings Where Angels Go Trouble Follows (James Neilson 1968) Where Eagles Dare CD1 Where Eagles Dare CD2 Where The Heart Is Where the Red Fern Grows 2003 Where the Sidewalk Ends Whipped Whirlpool 1949 Whisper of the Heart White Chicks White Dragon White Fang - To the Rescue White Man Cant Jump CD1 White Man Cant Jump CD2 White Palace White Sheik The White Sun Of The Desert 1970 White Valentine - 25fps - 1999 White Valentine 1999 Who Are You 2002 CD1 Who Are You 2002 CD2 Who Is Cletis Tout Who framed Roger Rabbit (1988) Whole Nine Yards The Whole ten yards The Whos Afraid of Virginia Woolf CD1 Whos Afraid of Virginia Woolf CD2 Whos Harry Crumb Whos That Knocking at My Door Whos Your Daddy Wicked - 29,970fps 1998 Wicked 1998 Wicked 1998 29,970fps Wicked City - 1973 Wicked City 1973 Wicker Park CD1 Wicker Park CD2 Wild Bunch The Wild Bunch The - Restored Directors Cut Wild One The Wind Carpet The (Kamal Tabrizi 2003) Wind Will Carry Us The CD1 Wind Will Carry Us The CD2 Wings of Desire CD1 Wings of Desire CD2 Wizard Of Darkness Wizard of Oz The CD1 Wizard of Oz The CD2 Women from Mars Women in Black The World Is Not Enough The Worst of Ed Wood Boxed Set The |