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Kiss Me Kate 1953

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[TITLE] [AUTHOR] [SOURCE] Subtitles captured by SubRip 1.15 [PRG] [FILEPATH] [DELAY] 0 [CD TRACK] 0 [BEGIN] ******** START SCRIPT ******** [00:01:51] Would you get the door, Paul? [00:01:54] [00:01:59] - Hi, Paul.|- Mr. Cole Porter, sir. [00:02:02] - Thanks for coming.|- Hello, Fred. [00:02:04] You're right on time.|Everything's set. [00:02:07] Keyboard's dusted,|and the piano's tuned. [00:02:09] [00:02:10] That is a matter of opinion. By the way,|what was wrong with my place? [00:02:14] [00:02:15] - You want Lilli to do the part, don't you?|- Very much. [00:02:17] Then psychologically,|this is the proper setting. [00:02:20] - Here? Where you lived together?|- Oh, Lilli loved the apartment. [00:02:24] She'll be dying to see|if I've changed anything. [00:02:27] [00:02:28] Even if she does come,|there's no guarantee she'll do the show. [00:02:31] Of course she'll do it. It's a good|script, a great score, fat part. [00:02:35] You're forgetting one thing. [00:02:37] Besides directing the show,|you'll also be playing opposite her. [00:02:41] Most actresses would|consider that an inducement. [00:02:45] Under the circumstances, I should think|things might be a little strained. [00:02:51] Because we used to be man and wife?|Oh, Cole, that's archaic. [00:02:56] - We're adults. We're civilized.|- Oh, forgive me! [00:03:01] I'd forgotten. [00:03:03] Just one thing. When Lilli gets here,|start with a love song: "So in Love." [00:03:08] - She's a pushover for a sentimental lyric.|- Okay. [00:03:11] [00:03:13] That's her ring. [00:03:14] [00:03:15] She always leans on the bell. [00:03:18] [00:03:22] Hello, Paul. How's the bursitis? [00:03:24] Better, thank you, Mrs. Graham.|I mean... [00:03:27] Lilli Vanessi. [00:03:29] [00:03:30] - Cole, how wonderful to see you again.|- Lilli, darling. [00:03:34] [00:03:35] - Hello, Fred.|- Hello, Lilli. [00:03:37] [00:03:38] - You look wonderful, Lilli.|- Thanks. [00:03:41] Peace of mind.|It does wonders for you. [00:03:45] - You ought to get rid of that spot.|- Never. It's a keepsake. [00:03:49] [00:03:50] - You threw the inkwell, remember?|- I'm sure I had provocation. [00:03:54] - Well, did you like the script?|- Oh, I loved it. [00:03:57] - Would you care to hear the score?|- I'm dying to. That's the reason I'm here. [00:04:02] - The only reason.|- Well, Fred... [00:04:04] ...this is sort of a musical version|of The Taming of the Shrew. [00:04:08] - Shakespeare, you know.|- Yes. [00:04:10] Let's see. Where should we start? [00:04:13] [00:04:14] Why don't we start|with a love song? [00:04:17] - "So in Love"?|- Yes, it's great for Lilli. [00:04:20] [00:04:21] It's a duet. [00:04:22] [00:04:25] Well... [00:04:27] So it is. [00:04:29] [00:06:51] It's beautiful, Cole. [00:06:53] - You sang it beautifully.|- Thank you. [00:06:56] But tell me something. [00:06:58] Do you really think|I could play the shrew? [00:07:01] You'd make a perfect shrew. [00:07:03] [00:07:04] What I mean is, it takes an actress|of real stature, like Judy Marlow... [00:07:08] - Constance Collier.|- Connie Collier, Lynn Fontanne... [00:07:12] - Great actresses.|- The costumes are great. [00:07:14] For your entrance,|we've picked red velvet. [00:07:17] - She looks wonderful in it.|- I know... [00:07:20] There's another good song|in the score for Lilli. "I Hate Men." [00:07:24] [00:07:25] Now, here's what we had in mind|for the wedding scene. [00:07:29] [00:07:30] - Pretty, isn't it?|- It's certainly tempting. [00:07:32] - Then you'll do it?|- It's difficult to refuse. [00:07:35] [00:07:36] I'll tell you what I'll do, I'll...|Well... [00:07:38] [00:07:43] - Expecting someone?|- No. [00:07:45] Yes, though not just yet. I... [00:07:48] [00:07:49] Another bell-leaner? [00:07:51] [00:07:54] Hello. Hi, sweetie. Am I late? [00:07:57] - No. Early.|- Oh, that's great. [00:07:59] I just dashed over|between shows at the Copa. [00:08:03] [00:08:04] I hope you don't mind my legs. [00:08:06] On the contrary. [00:08:08] [00:08:09] Oh, this is Miss Lane, the young lady|I was telling you about. [00:08:13] - Telling me about?|- For the part? [00:08:15] - Part?|- Bianca. [00:08:17] - The younger sister.|- Younger? [00:08:19] - Only in the play.|- Oh, of course. Bianca. [00:08:22] It's a thrill meeting both of you. [00:08:25] I just love your songs, Mr. Porter. [00:08:27] And I'm just nuts|about your ex-husband. [00:08:31] [00:08:36] Sweetie, we're out of ginger ale.|Anybody want a drink? [00:08:40] - What'll you have?|- Nothing, thank you. [00:08:43] - Not right now.|- Lf nobody wants anything... [00:08:46] about doing the number?|- Number? [00:08:49] The big one I'm going to do,|the "Too Darn Hot" number. [00:08:53] That must be the boys. [00:08:55] [00:08:56] Hi, fellas, come in. [00:08:57] [00:08:58] Didn't you tell her the number's out?|You told her she could play Bianca? [00:09:01] [00:09:02] Fellas, get over by the piano, will you? [00:09:04] [00:09:05] Mr. Porter, would you sit here?|And, Fred, sweetie, you sit over there. [00:09:09] [00:09:12] There, that's a square deal.|Okay. Go, boys, go. [00:09:16] [00:12:42] - Delightful.|- Thanks, honey. [00:12:44] - How was I, Mr. Porter?|- Wonderful. [00:12:47] - Great!|- Thanks, fellas. Take 10. [00:12:49] There's a slight problem. We've taken|the number out of the show. [00:12:53] [00:12:54] Out of the show?|But you can't, Mr. Porter. [00:12:57] Sweetie promised it to me. [00:12:59] [00:13:00] He promised faithfully. [00:13:02] [00:13:03] - You crossed your heart!|- He always does. [00:13:07] - It didn't fit, honey.|- There's no place to put it, you see. [00:13:11] No. [00:13:12] [00:13:14] Hey, wait a minute.|Now it's coming through to me. [00:13:18] She wants to do the number.|You gave it to her! [00:13:21] Why, that's absurd!|I wouldn't dream of displaying my legs. [00:13:24] What's the matter with your legs?|Are you knock-kneed? [00:13:27] - Why don't you ask Fred?|- Ladies, please... [00:13:30] I don't think I ought to do the show.|It might interfere with my honeymoon. [00:13:35] - Honeymoon?|- Yes. I'm being married, you know. [00:13:38] Gee, congratulations! [00:13:41] [00:13:42] Sorry, Cole. Goodbye, sweetie. [00:13:45] [00:13:46] Oh, let her go. I can play Kate.|I can do the part. [00:13:50] [00:13:51] "Friends, Romans, countrymen,|lend me your ears." [00:13:54] Great idea! You'd be wonderful|in the part. Wouldn't she, Cole? [00:13:58] Oh, now, look, Fred...|Oh, sure! I'll get the sketches. [00:14:02] I'll start coaching you.|You'll look wonderful in that dress. [00:14:06] - You can't see my legs.|- We'll shorten it. [00:14:09] - To here.|- Gee! [00:14:10] [00:14:11] Now, just a minute! What do you mean|giving my part to someone else? [00:14:16] No, you're right. Nothing must stand|in the way of your honeymoon. [00:14:20] Oh, no, you don't. [00:14:22] You're not talking me|in and out of a hit show. [00:14:25] - My script.|- Sweetie gave that part to me! [00:14:28] Ladies, ladies. [00:14:30] [00:14:59] All right! All right, let's set|the final curtain calls. [00:15:03] Back at 7 sharp, Sully. [00:15:05] [00:15:06] First call: Petruchio, Katherine and|Bianca. Miss Vanessi. Miss Lane. [00:15:11] [00:15:15] Madame. [00:15:16] [00:15:23] Could you manage to smile,|Miss Vanessi? [00:15:26] [00:15:28] All right. Let's have|a nice curtsy, ladies. [00:15:31] [00:15:33] We'll have to do better than that.|Watch Miss Lane. [00:15:36] - It's really simple.|- It must be. [00:15:38] Just raise your skirt and...|Oh, I forgot! Your knees. [00:15:43] There's nothing wrong with my knees. [00:15:46] You may step out now,|Miss Vanessi. [00:15:48] [00:15:49] Second call: Bianca|and the three suitors. [00:15:51] [00:15:53] Where the devil is that partner|of yours? Lucentio! [00:15:56] Bill Calhoun! [00:15:58] [00:16:00] I think he went to the chiropodist. [00:16:02] How am I doing, sweetie?|I mean, Mr. Graham. [00:16:05] Very nice. Go to your dressing|room and relax until curtain time. [00:16:09] - Let your mind go blank.|- Whatever thou sayest. [00:16:13] [00:16:16] Miss Vanessi,|I'd like to run over your bow. [00:16:19] You were a bit awkward, you know. [00:16:22] [00:16:24] You louse! [00:16:26] [00:16:27] On-stage, everybody! [00:16:30] [00:16:37] Bill? Where is he? [00:16:39] He's a prisoner of the Star Cab Company. [00:16:42] [00:16:47] Shoot you for it.|Double or nothing. [00:16:50] [00:16:51] - How much is it this time?|- Two dollars, lady. [00:16:54] Oh, great! [00:16:55] [00:17:01] Thanks, lady. [00:17:02] [00:17:03] Honey, you're the cutest|piggy bank in town. [00:17:07] [00:17:09] Yeah. [00:17:11] [00:17:15] - Sure the donkey's housebroken?|- They guaranteed it. [00:17:19] Well, if anything happens,|you're responsible. [00:17:22] [00:17:23] Bill Calhoun, have you|been gambling again? [00:17:26] [00:17:27] - How much did you lose?|- Two G's. [00:17:29] [00:17:30] Two thousand?|You haven't even got two dollars. [00:17:32] - Signed an IOU.|- An IOU? [00:17:35] - But not with my name.|- Whose name did you sign? [00:17:39] Your boyfriend's. [00:17:41] Frederick Graham. [00:17:42] Oh, Bill, no!|This is our big chance. [00:17:45] - Do you want to work nightclubs all your life?|- What's wrong with nightclubs? [00:17:49] Nothing, if you like smoke, noise and drunks. [00:17:52] You thought they were great|till you met this Hamlet. [00:17:55] Mr. Graham is a gentleman and|a scholar. He's merely culturing me. [00:18:01] [00:18:03] - He's helping to further our careers.|- Whose? Yours or mine? [00:18:07] - Both!|- Oh, Lois, dear? [00:18:09] [00:18:10] - Yes, sweetie?|- Has that hoofer showed up yet? [00:18:13] No, he hasn't, sweetie. [00:18:15] When he gets in,|tell him I want to see him. [00:18:18] Yes, I certainly will, sweetie. [00:18:20] [00:18:26] Bill? [00:18:27] [00:18:28] Bill Calhoun? [00:18:29] [00:18:31] Where are you? [00:18:32] [00:18:40] - Oh, Bill.|- I'm sorry, honey. [00:18:44] [00:18:47] - Honest.|- Yeah. If you only meant it. [00:18:50] [00:22:46] Calling me a louse!|And on-stage! [00:22:48] [00:22:49] Sorry. [00:22:50] I should have waited.|You louse! [00:22:53] [00:23:01] It's customary|for a gentleman to knock. [00:23:04] I'm not a gentleman.|I'm a louse. Remember? [00:23:08] [00:23:10] Stop that infernal squeaking.|You know it gets on my nerves. [00:23:14] What do you want me to do?|Bite them off? [00:23:18] - Who is it?|- Suzanne. I've got your dinner tray. [00:23:21] - Take it away.|- What do you mean, take it away? [00:23:24] [00:23:25] You can't eat before a performance.|It gives you indigestion. [00:23:28] It's my stomach, thank you.|Bring it in, Suzanne! [00:23:32] You'll not burp during|my love scenes. Take it away. [00:23:35] Suzanne, don't you dare. [00:23:37] - Let's make up our mind, shall we?|- It's made up. [00:23:41] [00:23:42] Out! [00:23:43] [00:23:51] Well, pick it up.|It's probably that cowboy. [00:23:56] He is not a cowboy.|He's a cattle baron. [00:24:01] Cattle baron? What's his crest?|A hamburger smothered with onions? [00:24:06] [00:24:08] Hello? Oh, hello, Tex, darling. [00:24:12] I was expecting you at the theater. [00:24:15] [00:24:16] Oh, you're still at the stockyards. [00:24:18] [00:24:19] - What are they getting for New York cuts?|- How dare you! [00:24:22] Tex, darling, I apologize. This... [00:24:25] [00:24:26] $ 1.30 a pound? [00:24:28] [00:24:31] Oh, but I wanted you to come|to the theater tonight, darling. [00:24:35] [00:24:37] Oh, the steer are restless. [00:24:39] [00:24:42] Yes, love. I'm blowing you two kisses. [00:24:45] [00:24:49] Bye, darling. [00:24:51] [00:25:04] All right. I give up. What is it?|Headlight of a locomotive? [00:25:07] [00:25:08] It's my engagement ring. [00:25:10] - Well, I hope you'll be very happy.|- Thank you. [00:25:14] Do you know what day this is, Fred?|Our anniversary. [00:25:18] - What anniversary?|- The first anniversary of our divorce. [00:25:23] And I have a little remembrance for you. [00:25:25] [00:25:27] Well, it's just what I wanted.|A cork. [00:25:30] [00:25:31] From our first bottle of champagne. [00:25:33] [00:25:35] Our wedding breakfast? [00:25:37] In my apartment. [00:25:39] You mean that one room of yours|over the Armenian bakery? [00:25:43] You should complain,|you didn't even have a room. [00:25:46] Why do you think I married you? [00:25:49] That was the season we played|the Barter Theatre in Virginia... [00:25:53] ...and they gave you a ham. [00:25:55] [00:25:56] Well, we lived on it all winter. [00:25:58] [00:25:59] And I got a job reading tea leaves|at the Automat. Remember? [00:26:03] [00:26:04] And I demonstrated shaving soap|at the five-and-dime. [00:26:07] [00:26:08] That's how I spent my honeymoon... [00:26:11] the five-and-dime,|watching you shave. [00:26:15] Were we married then? [00:26:17] Yes. Mother was staying with us. [00:26:20] [00:26:21] How could I forget? [00:26:23] It was right after we closed in that... [00:26:26] ...Viennese operetta, laid in Switzerland,|only the costumes were Dutch. [00:26:31] Oh, sure! Now I remember. [00:26:33] [00:26:34] I was understudying the lead. [00:26:36] [00:26:37] No, dear. We were both in the chorus. [00:26:40] You know, there was a waltz|in that show. Something about... [00:26:44] Something about a bar... [00:26:46] Yeah! [00:26:48] [00:26:50] You are ravishing tonight.|You've made me the happiest of men. [00:26:54] Ah, your highness, you overwhelm me. [00:26:58] [00:30:02] It was a good number, wasn't it? [00:30:05] [00:30:06] I always liked it. [00:30:08] [00:30:11] What happened to us, Fred? [00:30:13] [00:30:15] I don't know. [00:30:17] [00:30:18] Whose fault was it? [00:30:20] [00:30:21] Well, it could have been your disposition. [00:30:24] [00:30:25] It might have been your ego. [00:30:27] [00:30:31] Fifteen minutes. [00:30:33] [00:30:41] We'd... We'd better get dressed. [00:30:45] [00:30:58] I don't like my face. [00:31:00] - Neither do I.|- Who are you? [00:31:03] - Hey, fine-looking fellow.|- Clean-cut. [00:31:05] [00:31:06] - What are you doing backstage?|- What a figure! What a profile. [00:31:10] [00:31:11] Gentlemen, I'm deeply touched|by your admiration, but... [00:31:13] [00:31:14] - What diction!|- Very elocutionary. [00:31:15] [00:31:16] And he does not spit when he talks. [00:31:17] [00:31:18] This is all very flattering,|but I receive the public... [00:31:20] [00:31:21] ...after the performance, not before.|- What grace! [00:31:24] If I had to do something to him,|I'd cry like a baby. [00:31:26] [00:31:27] Come back after the performance. [00:31:28] I'll be happy to present you|with my autograph then. [00:31:31] We already got your autograph.|That's why we're here. [00:31:35] Little matter of an IOU.|Here it is. [00:31:38] Two G's.|Mr. Hogan, that's our employer... [00:31:41] ...he regards this as a debt of honor.|- Yeah. [00:31:44] - How's about it, Mr. Graham?|- You're crazy. [00:31:47] [00:31:48] Here. Let me see that. [00:31:49] [00:31:50] - Why, that's not even my signature.|- That's what they all say. [00:31:55] I'm surprised at you. You just signed this|this afternoon after a game over to the hotel. [00:31:59] [00:32:00] We wasn't there. Of course,|we got Mr. Hogan's word for it. [00:32:02] [00:32:03] You're really crazy. I've been in this|theater since 8 this morning. [00:32:06] - He forgot.|- Yeah. Well, that's human beings for you. [00:32:09] [00:32:10] Once a man signs an IOU,|everything goes black. [00:32:12] [00:32:13] - Yeah, the doctors call it magnesia.|- We cure it. [00:32:17] Gentlemen, would you mind leaving? [00:32:20] [00:32:21] Jeez, ain't he virile? [00:32:23] And now we'd like to express our|best wishes for a magnificent opening... [00:32:26] [00:32:27] ...and success of the brilliant talent|that you so richly deserve. [00:32:30] - I copied that out of Western Union.|- Heartiest felicitations. [00:32:33] - I made that up myself.|- Mr. Graham, try and joster your memory. [00:32:37] Yeah. We'll be back, buddy. [00:32:39] [00:32:42] Not now. How many times I gotta|tell you? I'll let you know when. [00:32:46] - They're bringing flowers.|- The funeral ain't till tomorrow. [00:32:49] [00:32:50] All right. Come on, will you?|What's the matter with you? [00:32:53] [00:32:57] - Yes?|- Good evening, Suzanne. [00:32:59] From the master. [00:33:01] [00:33:02] Oh. [00:33:03] [00:33:04] Darling. [00:33:05] [00:33:06] Here are some flowers. [00:33:08] From him. [00:33:10] You see, Suzanne? He didn't forget. [00:33:13] [00:33:14] Violets and roses. My wedding bouquet. [00:33:18] [00:33:19] You need some food.|I better get back your dinner tray. [00:33:23] No, Suzanne. I've made up my mind.|I won't touch a thing. [00:33:28] If he wants me to go hungry,|I'll go hungry. [00:33:32] When you can eat, eat. [00:33:35] [00:35:17] - Do you think it's creeping back?|- No, sir. We're keeping it at bay, sir. [00:35:22] [00:35:24] Thank you. [00:35:26] [00:35:28] - Did you deliver the flowers?|- Yes, sir. [00:35:31] [00:35:33] - Did you put the note in?|- Oh, yes, sir. [00:35:36] [00:35:37] Good. You took them upstairs|to Miss Lane personally, of course? [00:35:40] Upstairs, sir? I thought they were for... [00:35:43] [00:35:44] Miss Vanessi?|Oh, you driveling idiot! [00:35:46] - Do you know what you've done?|- Yes, sir. I've loused you up, sir. [00:35:49] [00:35:50] - Don't use that word.|- Yes, sir. No, sir. Quite, sir. [00:35:53] - Oh, Fred.|- Now, now, now, Lilli. [00:35:56] - I can explain everything.|- So thoughtful, darling. [00:35:58] [00:35:59] - You mean, you didn't read the card?|- Card? Was there a card? I didn't see one. [00:36:03] Now, Lilli, you know I'm allergic|to roses. Give me hay... [00:36:06] On-stage and good luck. [00:36:08] [00:36:09] - Okay. Let's go.|- Oh, Fred. [00:36:12] - I can't. I just can't.|- Oh, no! [00:36:14] My cheeks are burning|and my hands are freezing... [00:36:17] ...and my tummy...|- You ate! Lilli, you had something to eat! [00:36:21] - No, I didn't. Really...|- You're not gonna whoops? [00:36:24] - Yes, I...|- No, no. You can't. I won't let you. [00:36:26] Oh, Mademoiselle Lilli, I found the card|that came with the flowers. [00:36:30] - Thank you, Suzanne.|- No, no. There isn't time. [00:36:33] [00:36:34] Look, I'll tell you what I wrote:|"To Lilli, the only woman I've ever loved... [00:36:37] ...the only artist I've ever worshiped." [00:36:39] Now, let me have the card, and let's go. [00:36:41] - Did you really mean that, Fred?|- With all my heart. [00:36:45] Then that's where it's going.|Right next to mine. [00:36:48] [00:36:49] I'm not nervous now|and I'm not going to whoops. [00:36:52] And I'll never call you a louse|in public again. Never. [00:36:56] [00:36:57] You will, my sweet.|You will. [00:37:01] [00:38:54] This is the tale of Baptista Minola. [00:38:57] A merchant of old Padua|who is firmly resolved not to bestow... [00:39:01] ...his younger daughter Bianca... [00:39:04] ...till he canst find a husband|for the elder, Katherine. [00:39:08] A shrew! [00:39:11] Oh, if I could only find a man who would|thoroughly woo her, wed her and bed her... [00:39:17] ...and rid my house of her! [00:39:20] The fair Bianca has three stalwart suitors: [00:39:24] Gremio, Hortensio and Lucentio... [00:39:27] ...who wouldst fain take the maid to wife. [00:39:31] [00:39:32] - I burn.|- I pine. [00:39:33] I perish. [00:39:34] [00:39:35] Till I alone canst wed the fair Bianca. [00:39:39] [00:39:40] Sweet Bianca.|She sings as sweetly as a nightingale. [00:39:44] [00:39:45] She looks as clean and fresh|as morning roses newly washed with dew. [00:39:50] To my father's pleasure, humbly I subscribe. [00:39:54] My books of music shall be|my only company... [00:39:57] ...on them to look and practice by myself. [00:40:02] [00:40:06] Ah, me. [00:40:08] A pity Katherine were not|of a gentler, milder mold. [00:40:11] [00:40:12] But she is shrewd and forward|beyond all measure. [00:40:15] An irksome, brawling scold! [00:40:19] [00:40:20] Bianca is my father's treasure. [00:40:23] She must have a husband|and for love of her... [00:40:25] ...I must dance barefoot|on her wedding day. [00:40:28] [00:40:32] Katherine, for shame.|Think on thy poor father. [00:40:36] Oh, was ever father thus grieved as I? [00:40:40] [00:40:42] His grief will soon be put to rout. [00:40:44] A happy wind blows me, Petruchio,|to Padua from old Verona... [00:40:48] [00:40:49] ...for I am born to tame this Kate. [00:40:52] Kate the Cursed. [00:40:53] [00:40:54] A title, for a maid, of all titles the worst! [00:40:58] [00:41:20] Father! [00:41:22] [00:41:24] - Poor child!|- She weeps! [00:41:26] [00:41:27] - What is it, sweet Bianca?|- I'm a maid who wouldst marry. [00:41:31] - Any Tom?|- Dick? [00:41:32] - Or Harry?|- Any Harry, Tom or Dick! [00:41:36] [00:45:49] Bianca! Bianca! [00:45:50] [00:46:19] - Petruchio!|- Well, Lucentio! [00:46:22] What happy wind blows you to Padua|from old Verona? [00:46:25] [00:46:26] Such wind as scatters young men through|the world to seek their fortunes. [00:46:31] - And you?|- I came to study. [00:46:33] [00:46:35] I am glad that you thus combine your resolve|to suck the sweets of sweet philosophy... [00:46:39] ...the mathematics and the botany. [00:46:42] Fall to them as your stomach serves.|No profit grows where is no pleasure taken. [00:46:47] In brief, sir, study. [00:46:49] As for me... [00:46:51] [00:49:05] This gentleman is happily arrived. [00:49:07] [00:49:08] Petruchio is too much my friend. [00:49:10] I cannot wish him a shrewd,|ill-tempered wife. [00:49:13] - But she is rich.|- And young and beauteous. [00:49:16] But shrewd, and forward|so beyond all measure... [00:49:19] ...that were my state far poorer|than it is... [00:49:22] ...I would not wed her for a mine of gold.|- Peace, Lucentio. [00:49:25] Thou knowest not gold's effect. [00:49:27] And therefore, if thou know one rich|enough to be Petruchio's wife... [00:49:30] ...tell me her father's name, and 'tis enough.|- Her father is Baptista Minola. [00:49:34] - Her name, Katherine.|- Elder sister of the fair Bianca. [00:49:37] [00:49:38] Bianca! [00:49:39] That is she.|An irksome, brawling scold. [00:49:43] [00:49:44] Think you a little din can daunt mine ears? [00:49:47] Have I not in my time|heard great lions roar? [00:49:49] [00:49:50] Have I not heard great ordnance in the field|and heaven's artillery thunder in the skies? [00:49:55] [00:49:57] - Then you will woo this wildcat?|- Done. [00:49:59] [00:50:00] Go you to old Baptista and say,|"I have a husband for Katherine." [00:50:03] [00:50:04] Let's quaff carouses to this gentleman. [00:50:07] [00:50:11] Sister! Sister! Wrong me not!|Content thee in my discontent! [00:50:15] Thou hilding of a devilish spirit, why dost|thou wrong her that did ne'er wrong thee? [00:50:19] Her silence flouts me and I'll be revenged! [00:50:22] - Oh, was ever father thus grieved as I?|- A word with you, kind sir. [00:50:26] Importune me no further, for how|deeply I am resolved you know. [00:50:30] [00:50:31] Whisper louder. [00:50:33] [00:50:35] Oh, that is news. Good news!|Come in, Lucentio. [00:50:40] Lucentio, thou meacock wretch! [00:50:44] [00:54:44] Katherine! Katherine!|Wonder of wonders! [00:54:46] [00:54:47] A gentleman from Verona|desires you in marriage. [00:54:49] [00:54:50] Then he'd best go back there! [00:54:52] [00:55:01] Greetings, good sir. I hear you have a|daughter called Katherine, fair and virtuous. [00:55:06] - I have a daughter, sir, called Katherine.|- I am a gentleman from Verona, sir... [00:55:10] [00:55:11] ...that, hearing of her beauty and her wit,|her affability and bashful modesty... [00:55:15] ...her wondrous qualities and mild behavior... [00:55:18] [00:55:20] Mild behavior, am bold to make myself|a forward guest within your house... [00:55:25] [00:55:26] make mine eye the witness|of that report which I so oft have heard. [00:55:29] I'm afraid my daughter Katherine|is not for your turn. [00:55:33] The more my grief. [00:55:36] - I see you do not mean to part with her.|- Mistake me not. [00:55:40] - Or else you like not of my company.|- You're more than welcome. [00:55:43] Well, then. What dowry|shall I have with her to wife? [00:55:47] [00:55:50] - After my death, one half of my lands.|- The fertile part. [00:55:56] - So be it.|- And in possession? [00:55:59] [00:56:00] - Twenty thousand crowns.|- Thirty. [00:56:03] [00:56:07] - Thirty!|- Father! [00:56:09] [00:56:12] Let specialities be therefore|drawn between us... [00:56:14] [00:56:15] ...that covenants|may be kept on either hand. [00:56:17] [00:56:18] Go. Get thee to a notary. [00:56:20] [00:56:21] Aye, when that special thing|is well-obtained... [00:56:24] ...that is my love, for that is all in all. [00:56:27] [00:56:29] Of all the men alive,|I never yet beheld that special face... [00:56:33] [00:56:34] ...which I could fancy|more than any other. [00:56:36] [00:58:51] "To my darling, let my lovely..." [00:58:54] Lois? [00:58:55] [00:58:58] It was not to her liking. [00:59:00] [00:59:01] But that is nothing. For I tell you, Father,|I am as peremptory as she proud-minded... [00:59:06] [00:59:07] ...and where two raging fires meet, they do|consume the thing that feeds their fury. [00:59:12] I will attend her here and woo her|with some spirit when she comes. [00:59:15] - Lf she bids me pack, I'll give her thanks.|- I bid thee pack! [00:59:20] [00:59:22] What's the matter, Fred? [00:59:24] [00:59:25] Were thine that special face. [00:59:28] [00:59:31] What have we here?|Some flowers from my daughter. [00:59:35] Talk. Talk.|Speak, Petruchio, speak. [00:59:38] Speak, Petruchio, though|thy message is not for me. [00:59:42] You louse! [00:59:44] Good morrow, Ka... [00:59:46] We're on-stage now, Lilli! Good morrow,|Kate, for that's your name, I hear. [00:59:50] Well have you heard,|but somewhat hard of hearing. [00:59:53] They call me Katherine|that do speak of me. [00:59:56] [00:59:57] You lie, in faith,|for you are called Plain Kate... [00:59:59] [01:00:00] ...and Bonny Kate and|sometimes Kate the Cursed. [01:00:03] But Kate, the prettiest Kate|in Christendom. [01:00:05] Hearing thy mildness praised|in every town... [01:00:08] Thy virtue spoke of|and thy beauty sounded... [01:00:11] ...myself am moved to woo thee|for my wife. Come. Sit on me. [01:00:14] Asses are made to bear|and so are you. [01:00:17] Women are made to bear|and so are you. [01:00:20] No such jade as bear|you with me, you mean. [01:00:23] Come, come. [01:00:24] - You wasp! I' faith, you are too angry.|- Lf I be too waspish, best beware my sting. [01:00:30] [01:00:31] - My remedy, then, is to pluck it out.|- Aye, if the fool could find it where it lies. [01:00:35] Who knows not where a wasp|does wear his sting? In his tail. [01:00:40] I swear I'll cuff you if you strike again! [01:00:42] Keep on acting the way|you're doing, Miss Vanessi... [01:00:45] ...and I'll give you the paddling|of your life, and on-stage. [01:00:48] - You wouldn't dare!|- No? [01:00:50] If you strike me, you're no gentleman. [01:00:52] - What is your crest, a coxcomb?|- A combless cock so Kate will be my hen. [01:00:57] [01:00:58] Come, give me thy hands. [01:00:59] [01:01:00] Come! And will you, nill you,|I will marry you. [01:01:03] For by this light whereby|I see thy beauty... [01:01:06] ...thy beauty that doth make me|like thee well... [01:01:08] ...thou must be married to no man but me. [01:01:11] For I am he|am born to tame you, Kate... [01:01:14] ...and bring you from a wild Kate to a Kate|conformable as other household Kates. [01:01:18] Father! You devil. [01:01:20] Petruchio, how speed you|with my daughter? [01:01:22] How but well? It were impossible|I should speed amiss. [01:01:25] We have 'greed so well together|that upon Sunday is the wedding day. [01:01:28] May God give you joy. 'Tis a match! [01:01:30] [01:01:31] Amen, say we! [01:01:32] Father and wife and|gentlemen, adieu. [01:01:35] I will into Venice...|I'm warning you, Lilli. [01:01:39] To buy apparel against the wedding day.|Sunday comes apace... [01:01:42] ...and we will have rings|and things in fine array. [01:01:45] And kiss me, Kate. [01:01:47] [01:01:48] All right, Miss Vanessi. You asked|for it and you're going to get it. [01:01:53] Fred, what are you doing? [01:01:55] [01:02:01] Stop it! Stop it! [01:02:03] [01:02:13] Suzanne! Suzanne, get me an ice pack,|quick. That's the last time... [01:02:16]'ll ever lay hands on me,|Frederick Graham. [01:02:19] You asked for it.|May I remind you, Miss Vanessi... [01:02:21] ...the name of this piece is The Taming|of the Shrew, not He Who Gets Slapped. [01:02:25] Sending my wedding bouquet|to that little tramp! [01:02:28] That's no excuse for ad-libbing. None. [01:02:30] "Let my lovely Lois shine through|Bianca tonight... [01:02:33] ...and there'll be a new star|in the heavens." [01:02:35] [01:02:36] - Thou jerk!|- All right. All right. [01:02:39] I sent the child some flowers. [01:02:41] I sent a card with the flowers. [01:02:43] May I remind you that I'm|free, male and 31? [01:02:46] - 31?|- All right. I'm 32. [01:02:50] What's my age got to do with it? [01:02:52] They were full, rich years|and I'm proud of them. [01:02:54] [01:02:55] Show me an actor who's done what|I've done. My Peer Gynt in London. [01:02:58] - They threw crumpets at you.|- My Hamlet in Dublin. [01:03:00] You got paid in potatoes. Mashed. [01:03:03] Money, money.|That's all you ever think of. [01:03:06] The trouble with you, Miss Vanessi,|is you have no soul. [01:03:10] [01:03:11] What's the idea of|jabbing the ribs out there? [01:03:13] - It's in the script.|- The devil it is. [01:03:16] I couldn't teach you manners|as a wife, but by heavens... [01:03:18] [01:03:19] ...l'll teach you manners as an actress.|- Not in this production, you won't. [01:03:22] What did you say? [01:03:23] [01:03:24] You heard me. [01:03:25] And here's a little something|that isn't in the script. [01:03:29] [01:03:30] What are you trying to do, kill me? [01:03:32] Ralph? Ralph? [01:03:35] [01:03:37] Ralph! [01:03:39] There's a law against attempted murder. [01:03:42] [01:03:43] Good heavens, I'm bleeding! [01:03:45] [01:03:46] - Yes, Mr. Graham?|- Quick, get me some alcohol. [01:03:48] How do you want it? [01:03:49] Oh, my rib.|I think she's broken a rib. [01:03:53] - How can you tell if you have a broken rib?|- X-raying. [01:03:56] Well, don't just stand there,|look in the prop room. [01:04:00] Am I bleeding heavily? [01:04:02] [01:04:03] I don't see any blood. [01:04:05] Here. What do you call that? [01:04:08] - Suntan number two.|- What? [01:04:11] Oh. Well, skin's bruised, though, isn't it? [01:04:15] [01:04:16] I don't see anything. [01:04:17] Discolored? [01:04:19] - Nope. Not a thing.|- What? [01:04:22] [01:04:25] That's all I need. [01:04:27] A blind stage manager. [01:04:30] [01:04:31] All right, kids, let's get with it.|We got a quick change. Come on. [01:04:34] [01:04:35] Bill, you've simply got to tell Mr. Graham.|Signing somebody else's name is perjury. [01:04:39] Honey, you don't understand.|Hogan's boys play rough. [01:04:42] I could wind up with a broken leg. [01:04:44] At least I'd know|where you were at nights. [01:04:46] Bill Calhoun, you go in there|and tell Fred right now... [01:04:48] [01:04:49] ...or you can find yourself|another piggy bank. [01:04:52] Suzanne! Suzanne! [01:04:55] Where's that ice bag? [01:04:58] Hello, Tex? [01:05:00] Tex, Lilli. [01:05:02] Tex, I'll marry you tonight.|Send a car for me. [01:05:05] [01:05:06] No, better still, send an ambulance. [01:05:07] [01:05:08] You don't know what that beast|has done to me. I can't sit down. [01:05:12] I said, I can't sit down! [01:05:14] [01:05:15] That is not where it hurts. [01:05:17] [01:05:18] I'm through with the theater. [01:05:19] I want to go where no one|will ever find me. [01:05:22] I'll go to Texas. [01:05:24] Well, I'm quitting right now. [01:05:27] [01:05:28] Mademoiselle Lilli,|your ex-husband just dropped in. [01:05:31] Suzanne, pack my things. [01:05:33] You don't think that you can walk out of|a show in the middle of a performance? [01:05:37] - Oh, no?|- I'll have you up on charges at Equity. [01:05:40] I'll be glad, glad to appear before Equity. [01:05:42] [01:05:43] And I'll bring photographs of what|you've done to me. In Technicolor! [01:05:46] - And I'll bring my x-rays!|- Tex says you ought to be lynched. [01:05:50] [01:05:51] Suzanne, unzip me. [01:05:53] Lilli, you don't really mean|that you would? [01:05:56] - Oh, you would?|- You bet I would! [01:05:59] You'll never play the theater again. [01:06:01] Oh, no? Well, I hate the theater... [01:06:04] ...and I hate actors,|and most of all, I hate you! [01:06:09] Get out! Get out! [01:06:12] [01:06:13] - I thought this was your dressing room.|- Ralph! Ralph! [01:06:16] There's something I want to tell you. [01:06:18] Well, what is it? Ralph! [01:06:19] [01:06:20] This afternoon, when I went|to the chiropodist, I didn't. [01:06:22] - He's not only blind, he's deaf.|- It seems I was in a little game... [01:06:25] ...down at the hotel. I lost some money.|- Yes? [01:06:28] - Get the understudy ready.|- For you? [01:06:30] No, no! Lilli. She refuses to go on. [01:06:32] Trouble was, I was short,|so I signed an IOU. [01:06:35] - Okay. I'll break the news to Jeanie.|- It seems I signed your name. [01:06:38] Yeah, good. Fine. [01:06:39] - Tell her to take a bromo.|- Fine? [01:06:42] You mean you don't care? [01:06:43] - Why, gee, Mr. Graham, thanks!|- All right. [01:06:45] If I'd known you were such a great guy,|I wouldn't have... [01:06:48] Oh, no, you don't. [01:06:49] If she's leaving, she's leaving|on an empty stomach. [01:06:54] - Thanks, Mr. Graham.|- All right. [01:06:56] [01:06:58] You signed my name? [00:00:01] Why, you no-good, little... [00:00:05] Oh, no. [00:00:07] Hey! For us? Wow. [00:00:09] You shouldn't have done it.|You shouldn't have done it. [00:00:12] - Hey, what a performance.|- What unction, buddy. [00:00:15] - You think the audience is digging it?|- They're a bunch of lowbrows. [00:00:18] - Now, look here...|- We're just here to see... [00:00:20] ...if you jostled your memory yet. [00:00:22] - Coleslaw.|- Hey. [00:00:25] Oh, yeah. Mr. Graham, listen. [00:00:27] [00:00:28] We gotta know when you're|gonna pay your debt of honor... [00:00:31] one of America's most respected|floating crap games. [00:00:36] Look, I told you. I never signed anything. [00:00:39] What's more, I can prove it. It was... [00:00:42] [00:00:48] Well, as a matter of fact... [00:00:51] [00:00:52] ...I did sign that IOU. [00:00:53] - He remembers!|- It all comes back to him. [00:00:56] The trouble is, I haven't got the money.|I would have at the end of the week... [00:01:01] ...if the show could only run.|- It'll run. [00:01:03] It's entertaining, vivacious... [00:01:05] ...and calculated to please the|most discriminating theatergoer. [00:01:08] [00:01:09] - You can quote me. Chicken?|- Yeah. Thanks. [00:01:12] [00:01:13] Sorry. Seniority, you know. [00:01:16] You don't understand.|Miss Vanessi, my costar, is quitting. [00:01:21] - Quitting?|- As of right now. [00:01:24] Temperament. Didn't like the way|I played a little scene. [00:01:27] She's dressing to leave the theater. [00:01:30] Well, I guess all I can do is return whatever|money there is in the box office, that's all. [00:01:36] Maybe we should talk to her. [00:01:38] [00:01:39] Fred, sweetie, I simply had to come...|Oh, excuse me. [00:01:43] - Don't mind us. Go right ahead.|- Couple old friends of the family. [00:01:46] On Lilli's side. [00:01:47] I just wanted to say thank you|for being so wonderful about Bill. [00:01:51] Oh. Well, look, honey, forget about it.|It was nothing. [00:01:54] Nothing? Why, it was absolutely|noble of you. [00:01:56] [00:01:57] After all, he did sign your... [00:01:59] [00:02:02] And to be so understanding after doing|such a horrible thing like signing... [00:02:06] [00:02:11] I always knew you were a fine person,|but it took really a great man... [00:02:15] forgive another man|for signing his... [00:02:19] [00:02:24] Fred, I... [00:02:26] - Well!|- Stop, Lilli! [00:02:28] Bill! Oh, Bill, wait, honey! Wait! [00:02:30] You don't understand.|I was just saying thank you. [00:02:34] [00:02:35] How do you suppose she|says "You're welcome"? [00:02:37] Hey, is that the little lady who's gonna|take a powder? We gotta dissuade her. [00:02:41] [00:02:42] - Oh, Lilli.|- You're wasting your breath. I'm leaving. [00:02:44] Some very ardent admirers of yours.|Come in, gentlemen. [00:02:50] [00:02:52] - How do you do?|- What a trouper. [00:02:54] What a personality. Allow me. [00:02:58] Is it true you're contemplating quitting|this high-type entertainment? [00:03:01] [00:03:02] - I am. Careful.|- Miss Vanessi, the show must go on. [00:03:06] Yeah. There's no business|like show business. [00:03:09] [00:03:10] We got a financial interest in the|success of this opus, Miss Vanessi. [00:03:13] Therefore, we would like you to finish|the show till the end of the week... [00:03:16] [00:03:17] ...when Mr. Graham can pay|off his debt of honor. [00:03:19] [00:03:20] Honor? He doesn't even know|the meaning of the word. [00:03:23] [00:03:25] - Beautiful, isn't it?|- Yeah. [00:03:28] Her costume for the wedding scene. [00:03:30] We'd like to see you model this. [00:03:32] I'm sorry. My understudy|will be wear... [00:03:35] - We think it would look better on you.|- Especially with your coloring. [00:03:40] Are you threatening me? [00:03:41] No, I'm just transferring the weight|from this side over to this side. [00:03:45] Yeah, the bullets get kind of heavy. [00:03:47] Shall we just step behind the screen|and try it on? [00:03:50] - Fred?|- We'd be glad to help you zip it up, baby. [00:03:54] Fred? Fred, don't just stand there.|Do something, do something! [00:04:00] Gentlemen, this is an outrage. [00:04:03] [00:04:43] Come, my bonny Kate. [00:04:45] I said come! [00:04:49] [00:05:03] Fred, look. [00:05:06] [00:05:07] I see puzzlement upon thy good faces. [00:05:11] Who are these two angelic sprites|who bear my lady's train? [00:05:14] [00:05:15] They are distant relatives from Pisa. [00:05:18] - What's a sprite?|- Some kind of fairy. [00:05:21] Oh, yeah. [00:05:22] Obey the bride, you that attend her. [00:05:24] [00:05:25] Go to the feast and revel and domineer. [00:05:28] [00:05:30] Leave us not lose our heads, buddy. [00:05:32] Carouse full-measure. Be mad, be merry,|or go hang yourselves. [00:05:37] But for my bonny Kate... [00:05:40] She must with me. [00:05:42] I will be master of what is mine own. [00:05:45] She is my goods, my chattels,|my horse, my ox... [00:05:47] [00:05:48] anything. [00:05:49] Touch her, whoever dares. I'll bring|mine action on the proudest he... [00:05:52] [00:05:53] ...that dares to stop my way in Padua. [00:05:55] Bring forth my noble steed. [00:05:59] Come, Kate, most patient,|sweet and virtuous of wives. [00:06:03] Thou must not soil thy dainty feet. [00:06:05] Thou shall ride and I|will walk beside thee. [00:06:08] You louse! You know I can't sit down. [00:06:11] [00:06:12] She resists! Then I shall cart her|to the nuptial chamber... [00:06:15] a sack of flour going to the mill. [00:06:18] Gentlemen, forward. [00:06:19] [00:06:24] - Bye.|- Goodbye! [00:06:26] [00:06:37] Hey, look! Come here. Hey! [00:06:42] [00:06:54] Watch it, lady! [00:06:56] Come on, get up. Lady! [00:06:59] [00:07:01] Get back on. That's it. There. [00:07:04] [00:07:12] What? No men at my door to hold|my stirrup or to take my horse? [00:07:17] [00:07:19] Where be these knaves? [00:07:22] [00:07:24] - Where is Nathaniel?|- Here, sir. [00:07:26] - Gregory!|- Here, sir. [00:07:29] You loggerheaded and unpolished grooms. [00:07:34] What, no attendance? [00:07:36] No regard? No duty? [00:07:41] [00:07:46] Kind strangers, thou angels in disguise... [00:07:50] ...who didst help me in my hour of need. [00:07:53] It were well you rested|from your travels in yon chamber. [00:07:58] [00:08:01] Get ye hence. Go to. Go to. [00:08:04] [00:08:05] - To flee or not to flee, that is the question.|- We wouldst not thinkst of leaving thou. [00:08:09] Yeah. Going away is such sweet sorrow. [00:08:13] [00:08:27] Food, food, food! [00:08:29] [00:08:30] Sit down, Kate. [00:08:32] Thou knowest full well that I cannot. [00:08:35] Well, then, stand and be merry.|Some water here. [00:08:40] [00:08:41] Will you give thanks,|sweet Kate, or else shall I? [00:08:45] [00:08:47] - What's this? Mutton?|- Aye. [00:08:51] - Who brought it?|- I. [00:08:54] 'Tis burnt. [00:08:56] And so is all the meat. [00:08:59] [00:09:00] What dogs are these?|Where is the rascal cook? [00:09:04] How durst you villains bring it from|the dresser and serve it thus to me... [00:09:07] ...that love it not? [00:09:09] Here, take it away,|trencher, cups and all! [00:09:12] [00:09:16] Gin. [00:09:18] [00:09:28] I pray you, husband, be not so disquiet. [00:09:30] [00:09:31] The meat was well,|if you were so contented. [00:09:33] I tell thee, Kate, 'twas burnt|and dried away... [00:09:36] ...and I expressly am forbid to touch it,|for it engenders choler, planteth anger... [00:09:41] [00:09:42] ...and better it were|that both of us did fast. [00:09:44] Since of ourselves, ourselves are choleric,|then feed it with such over-roasted flesh. [00:09:51] Did you marry me to famish me? [00:09:53] Tomorrow shall we eat, my honey love,|when we return unto thy father's house. [00:09:58] Oh, no, you don't! [00:10:01] Come. I will bring thee|to thy bridal chamber. [00:10:05] [00:10:07] - You louse!|- Attend thy mistress. [00:10:11] [00:10:24] Thus have I politicly begun my reign|and 'tis my hope to end it successfully. [00:10:30] [00:10:31] My falcon now is sharp|and passing empty... [00:10:34] ...and till she stoop,|she must not be full-gorged. [00:10:38] [00:10:39] She eat no meat today,|nor none shall eat. [00:10:43] Last night, she slept not,|nor tonight she shall not. [00:10:46] As with the meat, some undeserved fault|I'll find about the making of the bed... [00:10:50] [00:10:51] ...and here I'll fling the pillow,|there the bolster... [00:10:53] ...this way the coverlet and|another way the sheets. Aye! [00:10:56] And amid this hurly, I intend... [00:10:59] ...that all is done|in reverent care of her. [00:11:04] [00:11:09] This is a way to kill a wife|with kindness. [00:11:12] And thus I'll curb her mad|and headstrong humor. [00:11:16] [00:11:18] He that knows better how to|tame a shrew, now let him speak. [00:11:23] [00:11:24] 'Tis charity to show. [00:11:27] [00:11:34] Kate? [00:11:36] [00:11:40] My bonny Kate. [00:11:43] [00:11:46] My winsome Kate! [00:11:49] [00:11:54] I' faith, the woman shot her bolt. [00:11:57] [00:11:58] She has performed while I did act the dolt. [00:12:01] [00:16:40] There's a madman outside with an|ambulance. Insists on seeing you. [00:16:43] Sorry. So does my audience. [00:16:46] Where's my little girl? Where's Lilli? [00:16:49] [00:16:52] Please. There's a show on.|He'll be right with you. [00:16:55] [00:16:57] Keep an eye on her. [00:16:59] [00:17:00] You ought to be tarred and feathered! [00:17:02] - Get Jeanie ready.|- Where I come from... [00:17:04] ...a man don't strike a woman.|- She hit me first. [00:17:06] That's a lie. Why, that|little girl wouldn't hurt a fly. [00:17:09] If you'd care to step over here,|you'll see the little girl in action. [00:17:13] [00:17:16] - What's she doing on that loading chute?|- Winding up. [00:17:20] [00:17:27] But I don't get it. How come...? [00:17:28] [00:17:29] How come she asked me|to bring an ambulance? [00:17:32] My dear Tex... [00:17:34] don't understand|the artistic temperament. [00:17:37] You've been spending too much time|with your cows. [00:17:40] She may even say to you tonight: [00:17:42] "Darling, I'm playing the show|under duress. Call the FBI." [00:17:45] - A very efficient organization.|- Yeah. We know them personally. [00:17:48] - Why would she want the FBI?|- Why would she want an ambulance? [00:17:52] [00:17:56] All right, drop Scene 3. [00:17:57] Jimmy. Three. [00:18:00] [00:18:01] Come on, kids, let's go.|You're on. Come on. [00:18:04] [00:18:11] Oh, Tex, thank heavens you're here. [00:18:14] - Quick, call the FBI.|- The FBI? [00:18:17] [00:18:18] Now, look, honey. I don't mind bringing|an ambulance and a stretcher... [00:18:21] ...but Mr. Hoover's a pretty busy man.|- But you don't understand! [00:18:24] - These thugs are threatening me!|- What thugs? [00:18:26] These two. They're making me play|at the point of a gun. [00:18:30] I thought they were actors. [00:18:31] They're gangsters, I tell you.|They won't let me leave the theater. [00:18:34] [00:18:35] Are you referring to two of the most|promising graduates of the Abbey Players? [00:18:38] [00:18:39] Not to mention Civic Repertory,|the Theater Guild and others. [00:18:41] [00:18:42] And he's in cahoots with them! [00:18:44] - They sure look like actors.|- They're not actors, I tell you. [00:18:47] Lilli, you ought to be ashamed. [00:18:48] [00:18:49] Dragging this poor boy away from|the stockyards just for a whim! [00:18:52] - Whim? Whim?! I'll show him my bruises!|- You can't. You're not married yet. [00:18:56] We will be, as soon as we get back|to Texas. Everything is all set. [00:18:59] - Our plane is ready to go.|- Tex, angel, I keep telling you... [00:19:02] [00:19:03] ...I cannot get out of the theater!|- Why not? [00:19:06] Those two apes won't let me. [00:19:08] Of course she can leave the theater.|Can't she, boys? [00:19:11] Well, yeah, she wouldst, but she can'tst. [00:19:14] [00:19:27] All right. Go ahead,|if that's what you want. [00:19:30] After all, what's in the theater|to hold you? [00:19:33] It's all so tawdry, the dreary|business of creating a part. [00:19:37] Meaningless applause... [00:19:39] ...silly pictures in the papers.|Those boring parties... [00:19:42] ...and the ridiculous people|who stare and whisper: [00:19:44] - "There goes Lilli Vanessi."|- I never want to see the theater again... [00:19:47] ...or you again! [00:19:49] [00:19:50] You're right, Lilli, you're absolutely right. [00:19:53] Get out while you still have|a chance for happiness. [00:19:56] Real happiness with this fine boy here. [00:19:59] - Thanks, friend.|- You're welcome, partner. [00:20:01] [00:20:04] I must say, I envy you, Lilli. [00:20:06] Me? [00:20:08] The life that you lead with Tex... [00:20:11] So different from the one|you had with me. [00:20:13] [00:20:14] I'll see to that. [00:20:16] - No quarrels. No bickering.|- I want peace. [00:20:20] And you shall have it. [00:20:21] [00:20:22] Peace, quiet, solitude. [00:20:24] Oh, we've got plenty of that. [00:20:26] Why, you can ride for nigh on to|two weeks and see nary a soul. [00:20:29] Why, just think. [00:20:31] - You can spend all day in the saddle.|- Oh, that's right. [00:20:34] - I'm mad about horses.|- And eventually you'll stop falling off. [00:20:38] Oh, she'll love the roundup. [00:20:41] And the cattle branding. [00:20:43] Why, I can see it now: [00:20:45] Up at 5 and in the saddle. [00:20:47] The dew is on the sage. A brisk|50-mile canter to the branding corrals. [00:20:51] - That's right.|- Steer roped and waiting. [00:20:54] Yeah. [00:20:55] [00:20:56] - Branding irons are sizzling.|- Yeah. [00:20:58] You take one from the fire and|you hand it to the little woman. [00:21:02] Ye... I do? [00:21:05] [00:21:06] She grabs the struggling critter. [00:21:09] She grits her teeth|and the steam hisses. [00:21:14] [00:21:17] The red-hot metal|comes closer and closer. [00:21:22] She grinds it into their shrinking hides. [00:21:27] [00:21:28] And the smell. [00:21:29] [00:21:30] The smell of burning flesh fills the air! [00:21:33] I can't stand it. [00:21:35] [00:21:36] I think he swooned. [00:21:38] [00:21:48] Now, get out of here. [00:21:49] Take your branding irons with you.|Go on, get out, all of you. [00:21:54] [00:21:56] - Ralph, where's Jean?|- Coming up! [00:21:58] Just put her down very gently, sir.|You'll be all right, madam. [00:22:02] There's been a misunderstanding.|Here's something for your trouble. [00:22:05] Thank you very much, sir. [00:22:07] [00:22:20] Tex! [00:22:21] [00:22:23] - Tex Callaway.|- Howdy, ma'am. I... [00:22:24] [00:22:25] - Imagine meeting you here.|- Well, I... [00:22:28] Don't you remember me, sweetie? [00:22:31] No, I... [00:22:32] [00:22:33] At the Shamrock in Houston. [00:22:35] I got something in my eye and you took|me all the way to El Paso to take it out. [00:22:40] I'm sorry, but I'm afraid|you made a mistake. [00:22:42] I still have that side of beef you gave me. [00:22:44] [00:22:45] I think of you every time|I look in the freezer. [00:22:47] I'm sorry, but you must have|the wrong man. [00:22:49] [00:22:50] Wrong man, my foot.|I never forget a wealthy face. [00:22:53] [00:22:54] - Trying to annex Texas, huh?|- Excuse me. [00:22:56] Oh, Bill, no! [00:22:58] Bill, wait a minute. Wait. [00:23:00] Bill, wait a minute!|I can explain! Come back! [00:23:03] [00:23:04] Oh, Bill, how could you? [00:23:06] What a terrible thing to say when|a girl is good-hearted and normal... [00:23:09] [00:23:10] ...and tries to get along|with her fellow man. [00:23:13] [00:25:57] All right, kids, you better get ready. [00:26:00] [00:26:05] Bill! Bill, sweetie! [00:26:08] [00:26:09] Say, pop.|Will you tell Miss Vanessi... [00:26:12] ...l'll wait for her on the buckboard?|- Yes, sir. [00:26:14] [00:26:15] - Thank you.|- Oh, no, thanks. [00:26:17] Yeah. Hello, Gumpy. [00:26:20] Yeah, I would like to converse|with Mr. Hogan. [00:26:22] [00:26:23] He's in conference? With who? [00:26:25] [00:26:26] Mugsy Higgins? [00:26:27] You mean the big boss from the South Side? [00:26:29] What are they talking about? [00:26:31] [00:26:32] - The North Side.|- He's probably trying to muscle in. [00:26:34] - Mr. Hogan wouldn't stand for it.|- No. [00:26:37] Well, look, it's very important|I should speak to Mr. Hogan. [00:26:40] He's tied up? [00:26:42] To a chair? [00:26:44] Well, can you give him a message? [00:26:47] [00:26:50] - He already got one.|- Poor Mr. Hogan. [00:26:53] So long, Mr. Graham.|I guess this is the end... [00:26:55] [00:26:56] ...of our very, very pleasant association. [00:26:58] Yeah. Like I said before, Mr. Graham... [00:27:00] ...going away is such sweet sorrow. [00:27:02] - What do you mean?|- The debt is canceled. [00:27:05] And so is Mr. Hogan. [00:27:06] His unidentified remains will be found|floating in the river tomorrow. [00:27:10] Except for the fact he'll be slightly|weighted down with cement. [00:27:13] Rest his soul. [00:27:16] [00:27:17] Why, Miss Vanessi. [00:27:18] [00:27:19] We wish to say farewell|to you, Miss Vanessi. [00:27:21] You are free to go. You do not|have to finish the show. [00:27:24] - Oh?|- That's right. You can fly to Texas... [00:27:26] ...and marry that jerk. [00:27:27] It has been a very delightful|experience, ma'am. [00:27:30] We will not forget you soon,|Miss Vanessi. [00:27:34] Should old acquaintance be forgot. [00:27:37] [00:27:38] - How do you like that? A slug.|- Yeah. [00:27:41] Hey. [00:27:43] - Think we better step out of these longies.|- Oh. Yeah. [00:27:47] Mugsy Higgins might get|the wrong impression. [00:27:50] [00:27:56] Goodbye, Fred. [00:27:58] Will you wish me luck? [00:28:00] [00:28:01] It won't work, Lilli. [00:28:02] You belong in the theater. We both do. [00:28:05] [00:28:07] The theater. That's all you care about. [00:28:09] You don't need me.|You've got an understudy. [00:28:12] No one could ever take your place, Lilli. [00:28:15] On-stage or... [00:28:16] [00:28:17] ...or off. [00:28:18] - You read those lines very well.|- Lf I do, it's because I mean them. [00:28:23] With all my heart. [00:28:25] Now, what script did you steal that from? [00:28:29] It was a good script, Lilli. [00:28:31] About two people who|fell in love and were married. [00:28:35] It should have had a longer run. [00:28:37] - Maybe it was bad casting.|- No, Lilli. [00:28:41] The leading lady was great. [00:28:44] [00:28:45] It was the... [00:28:47] ...leading man. He just wasn't|big enough for the role. [00:28:51] [00:28:53] Mademoiselle Lilli,|Mr. Callaway is waiting. [00:28:57] [00:29:33] He's depressed.|His doll took a powder. [00:29:37] - It's a dirty shame.|- Yeah. [00:29:40] She's got breeding. [00:29:42] And culture. [00:29:43] [00:29:44] She was a real classy broad. [00:29:47] [00:29:48] Well, cheer up. [00:29:49] You still got your hair. [00:29:51] Yeah, and you still got|your career, Mr. Graham. [00:29:54] Just remember what the|immortal bard once said: [00:29:56] [00:29:57] "All the world's a stage, and all the|men and women merely players." [00:30:02] Unquote. [00:30:03] [00:30:04] So remember this: [00:30:06] [00:32:52] Gentlemen, thou art divine. [00:32:55] - Prithee.|- Finale, Mr. Graham. [00:32:57] [00:32:58] - All right. Well, we'll see you, boys.|- Yeah. So long. [00:33:01] [00:33:02] - Take good care of yourself.|- Say, good luck! Good luck, buddy! [00:33:05] Thanks, pal! Good luck to you too! [00:33:06] [00:33:07] - What a swell guy.|- Yeah. [00:33:09] [00:34:05] My dear Bianca|and her newfound spouse! [00:34:08] [00:34:18] Feast with the best|and welcome to my house. [00:34:22] [00:38:33] Signor Petruchio,|my daughter Katherine... [00:38:37] [00:38:38] Where is Katherine? [00:38:40] [00:38:41] Where is she? [00:38:42] By now, she should be flying over Newark. [00:38:45] [00:38:46] Where is the maiden? [00:38:48] Sirrah! [00:38:49] Go you to mistress Katherine and tell her|I command her to come to me. [00:38:54] [00:38:55] I know she will not come. [00:38:57] The fouler fortune mine|and there an end. [00:39:01] Jeanie's going on. [00:39:03] [00:39:05] Now, by my holy dame,|where is my daughter? [00:39:09] [00:39:15] - Where's Jeanie?|- I don't know. She was dressed. [00:39:17] [00:39:18] I'll find her. [00:39:20] [00:39:21] What is your will, sir,|that you send for me? [00:39:25] [00:39:30] What is thy will, sir? [00:39:33] [00:39:39] That's your cue, Fred. [00:39:42] [00:39:45] Katherine, I... [00:39:47] I charge thee, tell|these headstrong women... [00:39:50] ...what duties they owe|their lords and husbands. [00:39:54] [00:39:59] I am ashamed that women|are so simple... [00:40:02] offer war where they should|kneel for peace. [00:40:05] Or seek to rule, supremacy and sway... [00:40:08] ...when they are bound to serve, love... [00:40:13] [00:40:14] ...and obey. [00:40:16] Why are our bodies soft|and weak and smooth... [00:40:20] ...unapt to toil and trouble in the world... [00:40:22] ...but that our soft conditions|and our hearts... [00:40:25] ...should well agree|with our external parts? [00:40:28] [00:40:29] So hold your temper, wives, and... [00:40:32] [00:40:33] And meekly put your hand beneath|your lord and husband's foot. [00:40:38] [00:40:39] In token of which duty, if he please... [00:40:45] [00:40:46] hand is ready. [00:40:48] [00:40:50] Ready may it do him ease. [00:40:52] [00:40:56] Ready. [00:40:58] [00:41:00] Lilli. [00:41:01] [00:41:04] Why, there's a wench! [00:41:07] Come on and kiss me, Kate. [00:41:10] [00:41:31] Come, Kate, and we'll to bed. [00:41:34] [00:41:36] A pox upon the life that late I led! [00:41:39] [00:42:09] [ENGLISH] [END] ******** End Script ********
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