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Great Expectations 1998

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I deliver perfection...|and don't brag about it! :D
{y:i}There either is or is not|{y:i}a way things are.
{y:i}The color of the day.|{y:i}How it felt to be a child.
{y:i}The feeling of saltwater|{y:i}on your sunburned legs.
{y:i}Sometimes the water is yellow.|{y:i}Sometimes it's red.
{y:i}The color in memory|{y:i}depends on the day.
{y:i}I won't tell the story|{y:i}the way it happened.
{y:i}I'll tell it the|{y:i}way I remember it.
Help! Help!
What's your name?
- Whisper. What's your name? Whisper!|- Finn.
- What's your last name?|- Bell.
- Where do you live?|- By the pier.
Do you have tools?
Do you know what bolt cutters are?|Do you or don't you?
I can find you|and gut you like a fish.
I'll pull out your insides|and make you eat them, hear me?
Be here tomorrow at dawn with bolt|cutters and food, or I'll kill you.
I'll kill you if you tell.
- Anyone! Your folks...|- They're dead.
If you tell anyone, the last sound|you hear will be your own scream. Go!
- Oh, it's you, Joe.|- Did I scare you?
- So you went out today?|- Yeah! I got a nice tan.
No fish.|Setting traps, like everybody.
- Where's the fire?|- Nowhere. Just got homework.
Maggie's on a kind of rant today,|so you be careful, okay?
- Are you coming home soon?|- In an hour.
If you finish your work,|we'll go to Carvel's.
You rest up. We've got|a gardening job tomorrow.
- Joe?|- Yeah?
Hey, Finn!|How do you smoke a swordfish?
Put the bill in your mouth|and light the tail.
I'll see you later.
y:i}I was raised with some|{y:i}freedom from my sister, Maggie.
{y:i}Joe was her man.
{y:i}They banned big fishing rigs|{y:i}that year, and we were poor.
{y:i}We got by on what Joe earned|{y:i}on charters and lawn work.
Come on, come here.|Come on!
Are you alone?
- You deaf? Are you alone?|- No.
You're not alone|or you're not deaf?
Here, I brought you|something to drink.
Here, I took this for you.
What's this?|Birth control pills?
Here, this too.
Percodan.|Attaboy, now you're talking.
What else?|Come on, come on, come on!
Do you bite your nails?
That's a bad habit.
People say the eyes|are the windows to the soul. Bullshit.
Hands. That's the sign of a gentleman.
Come on, let's go. Come on.
- What?|- Come on.
- In the boat.|- If I don't get home...
Fuck your uncle, get in the boat.|Pick up the anchor. Let's go.
Shut up and get in the boat.
- Where are we going?|- Mexico.
- What?|- Police boat.
Ahoy there!|Son, are you all right?
- Where are you headed?|- Nowhere.
Some lady thought she saw a raft|here yesterday.
A man on it wearing a prison suit.|Did you see anything like that?
- No.|- Tie up a line. We'll tow you in.
{y:i}That was the end of it.
{y:i}Perhaps you had an experience|{y:i}like that as a child and told no one.
{y:i}Perhaps you had a brush with|{y:i}a world so large you seldom...
{y:i}... or never saw it again.
Jesus! It's the land time forgot.|Nora Driggers Dinsmoor.
Wait here. I'll find out|what they want us to do.
- Is it all right if I look around?|- No! You stay put till I come back.
God knows what's in these weeds.
{y:i}Nora Driggers Dinsmoor,|{y:i}richest lady in the gulf.
{y:i}She lost her mind 30 years ago|{y:i}when her fiancÚ left her...
{y:i}... at the altar.
What's your name?
Hey, Finn!
We're out of here. She slipped me|$500 under the door.
Gas money, she called it.|Weirdest thing.
- What?|- Nothing. Can I ride with you?
You smell like fertilizer.
Really? I do?
- You've got the wrong number.|- You won't believe...
Yes, well, he just...|Did he do something bad?
I'll be glad to.|That sounds really...
You got it. Okay.
Three on Saturday. This Saturday?|And thank you so much, ma'am.
You won't believe|where we were today.
That was Nora Driggers Dinsmoor.
It was too good to be true.|She wants her money back?
She wants him. Finn!
The richest lady|in the state calls me...
...and wants my little brother|to play with her niece.
"Why"? The old bat liked you.|He's a likable kid, he's adorable.
Who cares? Joe, this is|a really good thing.
How'd she even know...?|Dinsmoor never met Finn.
She slipped this under the door.
What is it, Joe? God!
Do you like living with all|the dead people down here?
What's wrong with people here?|I'm tired of working so much.
They took away the nets.
{y:i}Convict Arthur Lustig|{y:i}was recaptured this evening.
{y:i}This concludes|{y:i}a four-day manhunt for Lustig...
{y:i}... the convicted murderer|{y:i}of Gene Valiente.
{y:i}Valiente, reputed mob boss|{y:i}of the Catalano family...
{y:i}... was gunned down in his home|{y:i}last Christmas.
{y:i}Lustig will be returned|{y:i}to death row...
{y:i}... and is scheduled to die|{y:i}by lethal injection March 16th.
Holy shit!
Hey, you look sharp.
- How do I smell?|- You smell clean. Tea time.
- Be polite. "Yes, ma'am", "No, ma'am".|- I will.
- Are you okay with this?|- He's great. Go ahead.
Say, "May I", "Please", all that stuff.
Oh, the gardener.
The design of this floor is|from the Alhambra in Spain.
The ceiling's gold leaf, real gold.
It's just like the Thousand|Wing ceiling at Venice's Accademia.
{y:i}Old Ms. Dinsmoor|{y:i}hadn't been seen in years.
{y:i}I'd heard she was crazy.
Go ahead.
Aren't you coming?
{y:i}But nobody knew how crazy.
{y:i}Her room smelled of dead|{y:i}flowers and cat piss.
Boom boom.
{y:i}Besame, besame mucho
{y:i}Each time I cling to your kiss|{y:i}I hear music divine
{y:i}Hold me my darling and say|{y:i}that you'll always be mine
{y:i}This joy's something new, my arms|{y:i}they're holding you
{y:i}I never knew this thrill before
{y:i}Whoever thought I'd be holding you|{y:i}close, whispering...
- Who are you?|- Finn, ma'am.
- What are you doing in my bedroom?|- I don't know.
Give me your hand.
- What is this?|- Your... Your boob.
My heart. It's my heart. It's broken.
- Can you tell?|- I'm sorry.
"Sorry." Come.
Shoo, shoo. Tabby, scram.
Wow! That's the biggest cat|I've ever seen.
- What do you feed it?|- Other cats.
Well, go ahead.|You can proceed.
- Dance.|- Huh?
I'd like you to dance. That's why|you're here. To entertain me.
Pony, foxtrot, frug,|Philly Dog, fandango. Anything.
I can't. I'm sorry, ma'am.
You "can't"? "I'm sorry, ma'am."
Or you won't? You dance.|Dance, dance, dance!
- Get out of here.|- Wait!
I can draw.
You can use my lipstick and eyebrow|pencil on the dressing table.
- Is tea ready?|- I'd like you to sit for a portrait.
- A portrait? By whom?|- That boy.
The gardener?|I'll be in my room.
Come back and sit.
And you. Come sit by me.
She's beautiful, isn't she?
What do you think of her?|Come on, whisper in my ear.
Come on.
I think she's a snob.
Anything else?
I think she's real pretty.
Anything else?
I think she doesn't like me.
But you love her.|She'll break your heart, it's a fact.
It's tragic, you're already in love.|And though I guarantee you...
...that the girl will hurt you|terribly, you'll still pursue her.
Ain't love grand?
- I'd like to go now.|- Have you finished?
Before I'm a teenager, please.
Can I go now?
Would you like to come again?|Would you like to see Estella again?
Poor boy, poor boy, poor boy.|This is yours, dear.
{y:i}The ways of the rich and all my|{y:i}longing, which began that day.
{y:i}To paint for the rich, to have|{y:i}their freedom, to love Estella.
{y:i}The things we cannot have.
Give this to your guardian.
Would you see Finn out, please?
Want some?
It's not poisoned.
{y:i}You remember it.|{y:i}You remember how it felt.
{y:i}And then I went home to draw it.
I'm going to work.|What are you going to do before bed?
Brush my teeth.
That's really beautiful, Finn.
Keep it up, okay?
{y:i}Maggie left that night.|{y:i}She never came back.
I'll see you when you wake up.
{y:i}Joe raised me.|{y:i}We never said a word.
{y:i}I visited Paradiso Perduto|{y:i}Saturdays.
Feel it, feel it, feel it, feel it.
{y:i}The money Dinsmoor paid|{y:i}kept me in paints and brushes.
{y:i}And there was Estella.
Smile. Smile.
Smi... All right, don't smile.
Yes, feel it!
Wonderful, wonderful!|Feel it in your bones.
- Where are you going?|- Cocktails at Rewald's.
Lane? Another cocktail,|and we'll be able to eat him.
Carl Rewald. Lane is his father.|Carl doesn't drink.
Cue balls. The whole family's pickled.|Who's your escort?
- Please, this is the '80s...|- I'll bring you.
Finn will make a fine date.
Oh, God!
Then it's done.
Fine, but you meet me there. 1115|North Ocean. Wear your dinner jacket.
- How much time have you got?|- None, I'm late! I'm dead. Wow!
That'll pass as a dinner jacket.
- This is a girl's.|- Keep it buttoned, no one will notice.
- Where did you get this?|- It's Maggie's.
- It's one of the only things she left.|- What a bitch!
- "What?" Come here.|- Jesus!
- Are you all right for money?|- Yeah, I'm good.
- A little nervous?|- Yeah, a little.
There you go.
You just be yourself, huh?
Come on, have fun.
- You're not on the list.|- Check the name Dinsmoor?
I did, sir. You're not on this list.|Please leave now.
Hi, Mrs. Lee!|Use your usual spot.
- Do you want to get me out of here?|- Yes.
Come on in.
- Where do you want to go?|- Your house?
All right. Let's go.
The moths are|from the Thousand Wing ceiling.
Joe's not here. He's...|He's playing dominoes.
- Is that your room?|- Yeah.
I wasn't really|expecting company... know.
- You still draw.|- Yeah.
They're hanging a couple|at Washington Federal.
The bank?
- Go to New York.|- New York?
Center of the art world.
Here, you'll end up painting|coconuts for tourists.
- When did you do this?|- A while ago.
I don't wear my hair like that|anymore.
But you should.
- I mean...|- Do you like it that way?
What else do you like?
How come we see each other|every week, but we never did anything?
- "Did anything"?|- Saw a movie, whatever.
You never asked.
And if I had?
I'm here, aren't I?
- Are you with anyone?|- Right this second?
- No, I mean like...|- Like a steady boyfriend?
- You could have anyone.|- No, I...
What about you?
- Why not?|- 'Cause I...
I just...
I know.
I know.
- What's wrong?|- Nothing.
- It's late. What time is it?|- It's 10:30. Where are you going?
I've got to get home.|I have a million things to do tonight.
Don't speak French.
Excuse me. Have you seen Estella?
{y:i}Dinsmoor was weirder than|{y:i}usual, but I had to see Estella.
I never come here. Never.
Do you know why?|Twenty-six years ago, I trusted.
I saved myself. I was a virgin.|It's funny, huh?
Those were the times,|that's how I was raised.
What kind of creature takes|such a thing, such a gift, a trust?
Who does this? Takes advantage|of a 42-year-old woman?
What kind of creature leaves|this woman waiting like a fool?
A man does this, so men must pay.|Am I right?
- Estella will make men weep.|- Do you know where she is?
She'll break them.|I taught her well.
When she returns, she'll cut through|them like a hot knife through butter.
- Returns?|- Oh, my dear boy!
Didn't you know?
She's left for school.|Switzerland for two years, then Paris.
Didn't she say goodbye?|I'm sure she meant to.
See you next week, dear.
{y:i}Seven years passed.
{y:i}I stopped going to Paradiso Perduto.
{y:i}I stopped painting.
{y:i}I put aside fantasy and the wealthy...
{y:i}... and the heavenly girl|{y:i}who did not want me.
{y:i}None of it would happen to me again.|{y:i}I'd seen through it.
{y:i}I elected to grow up.
Finn! This is Jerry Ragno.
Jerry, Mr. Ragno|is a lawyer in Miami.
And New York. We have|offices in Manhattan. So, Finn...
...I'm empowered by my client|to make your dreams come true.
Really? Any particular dream|or just all of them?
Have you ever shown your work?|No.
They had Finn's painting|at Washington Federal Bank.
Eight years ago. I gave all that up.|I don't understand what this is about.
How would you like a one-man show|at the Thrall Gallery?
My client, Erica Thrall, wants you|in New York for a one-man show.
Have you ever sent slides|to the Thrall Gallery?
I sent slides everywhere|in high school.
They made an impression.|A ticket to New York... $ 1000 for incidentals.
Sorry, they're all in hundreds.
The hundreds aren't the problem.|I just... I don't paint anymore.
{y:i}Whose business was it|{y:i}what I did with my life?
{y:i}Who'd gotten my life in order? Me.|{y:i}I was in control.
{y:i}And everything I wanted, I had.
Ms. Dinsmoor?|Are cocktails ready, Thomas?
No, it's me. It's Finn.
- I came...|Looking for Estella.
- That hook is in deep, isn't it, dear?|- I came to ask you a question.
After nearly 10 years|without a word, without a visit...'ve come to interrogate me.|How interesting.
- I'm sorry. Things happened.|- The love of your life left you.
It hurts, doesn't it?|Come closer.
I've gone red.
- I noticed. It's nice.|- And look at you.
All grown up. A man.
Ms. Dinsmoor, a lawyer named Ragno|came to see me.
- The spider.|- Do you know him?
"Ragno" means "spider" in Italian.|You must learn other languages.
He represents an art gallery owner in|New York who wants to show my work.
You can draw. Can't dance|worth a shit, but you can draw.
Did you know anything about this?
- Estella is in New York.|- I doubt our paths will cross.
- So you're going?|- Should I?
I remember watching you|from that very window.
Scared little mouse scurrying across|my garden and through my front door.
Now another door opens.|What will our mouse do?
- I expect an invitation.|- I'm sorry?
To your opening, your show.
- What equipment are you flying?|- What?
Is it a wide body or a 767?
I've no idea,|I just hope it stays up there.
- You'd better get on.|- Yeah.
What happens if I get up there|and I can't deliver?
Finn. There's nothing harder|than being given your chance.
- At least that's what I hear.|- Yeah?
- Have you got change for a dollar?|- What?
Fuck you! Fuck you!|Fuck you, man! Fuck you!
{y:i}Well, then, there I was.
{y:i}Ms. Dinsmoor, as my secret benefactor,|{y:i}sent me to New York to draw.
{y:i}To have the girl, to have it all.
{y:i}And I looked out on the great city,|{y:i}as so many before, which held it all.
{y:i}And it was that close,|{y:i}and it was mine.
"Liebchen, guten Morgen." Are you still|holding the red and green Picasso?
I think I have somebody interested.|No, I can't say right now.
Just the Picasso.|{y:i}Fabelhaft. Danke.
Here's where you|show me your work, darling.
- I told you, I don't have any.|- Then you'd better get busy.
Why am I here?|You saw some slides?
I gave Keith Haring a show|after he drew a sketch in my hand.
But which paintings did you like?
I saw the beginning of something,|and here you are.
Annette, Sotheby's.
What you do is up to you. Stay and|paint or enjoy the sights and go home.
Either way, I always enjoy|meeting a young painter.
Look, I mean, I'll do it.
I said that I'll do the paintings.
Wonderful. Call Marcy|when you have something for us.
{y:i}And I could still draw.
{y:i}Nothing had lessened it as much|{y:i}as I had abused it, abandoned it.
{y:i}It was a gift, and it was still mine.
{y:i}And everything else was less real.
{y:i}What can it mean?|{y:i}That picture of the world.
{y:i}But when it's true, we recognize it|{y:i}in ourselves, in others.
{y:i}We recognize it, like love,|{y:i}completely undeserved.
You're drooling.
So, Finn Bell.|In New York.
That's right.
I thought I saw you last Christmas.|I was driving down 5th.
I just got here.
Actually, now that I see you,|this guy was bigger.
- He's bigger.|- Fatter.
- He had long hair.|- You thought it was me?
- I hadn't seen you in years.|- It has been a while.
And here we are.
- I have to run.|- Wait, maybe we could...
Tomorrow at the Borough Club|around 6. I'm meeting some friends.
If you're free, that is.
I'm free.
I'm glad you're here.
{y:i}A long time ago there lived|{y:i}two brilliant artists. True geniuses.
{y:i}One day one of them|{y:i}was painting out in the forest...
{y:i}... and he came upon this dog|{y:i}who was crying, obviously lost.
{y:i}A puppy.|{y:i}Yes, sure. A puppy, fine.
{y:i}He couldn't concentrate anyway,|{y:i}so he scooped the puppy up...
{y:i}... and took him into town|{y:i}to find its owner...
{y:i}... who turned out to be|{y:i}the prince of the kingdom...
{y:i}... who was eternally grateful|{y:i}and very wealthy.
That artist's name was Michelangelo.|True story.
The other artist's name was... Nobody|knows, he was never heard from again.
Right, that's so true, Walter.
Can I smoke?
- It's your last one.|- That's all right.
So you... Cigarette, please.|You're from Florida too?
- Yes.|- Everybody is from Florida.
I'm not, I hate Florida.|Too much sun.
Actually, Finn was my childhood...
What were you exactly?
He was my first love.
If that's what you say.
He painted a beautiful portrait of me|when I was 10.
I sat for a portrait once. Electric.
You sucked off de Kooning!
- I'd like to paint you again.|- Would you?
I want to paint your portrait.
- What do you think, sweetheart?|Me?
Well, gee.
Do you charge by the inch|or by the hour?
- What?|- How do you price your art?
By its size, square footage,|or the time it takes to make...
...the art?
I've actually never sold a painting.
Excuse me, sir!|Please, sir. Excuse me, sir.
That's a club jacket you have on,|this is your jacket.
Let me help you.
Thank you.
- What are you doing here?|- Don't you want to paint me?
You've slept all day.|It's time to work.
- Do you want to do it right now?|- Mm-hm.
How did you get in here?|They just let you in, huh?
It's not top-of-the-line security.
- Do you want me sitting or standing?|- Both. I mean, whatever.
I have to go. I have dinner|in one hour and I look a mess.
- What are you doing?|- You forgot your shoes.
What is it like not to feel anything?
Get the fuck out of here!
Say there was a little girl.
And from the time she could|understand, she was taught to fear.
Say she was taught to fear daylight.
She was taught it was her enemy,|that it would hurt her.
And then one sunny day... ask her to go outside and play,|and she won't.
Can you be angry at her?
I knew that girl, saw the light|in her eyes. That's still what I see.
We are who we are.|People don't change.
Yeah, hold on.
- What is it? Yeah?|- Hi, Finn.
- Walter.|- I know.
Is this a bad time for you?
- I can...|- It's all right, come on in.
- Are you sure?|- Yeah, come on in.
Thank you.
- What are you doing here?|- Estella said she posed for you.
And I...
...was curious. Wow!
- You're really good.|- I had a good subject.
Yeah, I'll say. She is incredible.
I've got to be insane, right?
- Why?|- To risk losing her.
God, look at that one!|Look at this.
And I still can't commit.|That's certifiable, right?
You don't look crazy to me.
I feel like a cliff diver|in Acapulco.
I'm right at the edge, I'm supposed|to leap, the tide is high...
...and I think your friend Estella|is trying to give me a little shove.
- What do you mean?|- You know, these, you...
It's her charming little version|of a wake-up call.
But, you know, I understand.|I'm dragging my feet.
I'm sorry you got pulled into this mess.|She doesn't want to hurt you.
In fact, I know that she|really cares about you. Really.
It's just who she is, you know?
But I love her.
I don't know. You know her longer|than I. Any advice for me?
What do you think I should do|about me and Estella?
I think you two are perfect together.
Well, thank you.
I should get out of your hair.|I appreciate your time.
You're really good. I look forward|to seeing your show.
{y:i}Next week, I received a|{y:i}postcard from Ms. Dinsmoor.
{y:i}A beach with palm trees, it|{y:i}said, "How's my little mouse doing?"
{y:i}What were her plans for me?|{y:i}Why was she promoting me?
{y:i}What could her reason be, if not|{y:i}to make me equal with Estella?
{y:i}That same day,|{y:i}I got a call from Ragno.
- Hello?|In here.
What do you think of the digs?|- It's cozy.
It's yours.
- What do you mean?|- You open in 10 weeks.
We can reschedule, if...|- No, I'll be ready.
You're moving here.|We've got food, paint, canvas.
Anything else, just ask Erica.
Do you know what I'd like? I'd like|some money. Some living expenses.
- I don't believe...|- Done.
- Anything else?|- Some publicity for my show.
No one's actually heard of you.
"Fisherman from the Gulf Coast|Lands on Manhattan's Art Scene"?
- My, aren't we media savvy.|- We learn.
Call Marion, she'll know.|- Toast in my absence, I'm late.
She's a barrel of laughs.
An artist dropped out,|she had to redo her schedules.
It's like someone wants|to turn this frog into a prince.
What do you mean?|You know what I mean.
It appears as if I have|a fairy godmother.
Aren't you too old to believe|in fairy godmothers?
Whatever you say, Spider man.
"Ragno" means "spider" in Italian.
See you at your opening. "Ciao."
{y:i}I was born again. Why not?|{y:i}I had never asked for anything.
{y:i}If Dinsmoor, the art world and|{y:i}the world chose to adopt me...
{y:i}... I could take it.
{y:i}New York held it out, and I'd take it|{y:i}and say thanks.
{y:i}You would too.
{y:i}I was an orphan, raised by my|{y:i}sister Maggie and her boyfriend Joe.
Maggie took off|when I was still a kid.
Joe was a big drug smuggler.
Spent the '70s|in the Raiford Penitentiary.
I came home one day,|I found him dead on the couch.
He had OD'd.
They took the apartment away,|so I spent the next years in a car.
It wasn't that bad.|It was a big car, a '68 Riviera.
It's a miracle you survived.
- Do you like my paintings?|- Yeah.
Why don't you tell me|about this beauty right here.
That's some girl I knew|back in Florida.
I used to have a huge crush on her.|Now I can't even remember her name.
- This one looks a lot like the girl.|- It's the same girl. She grew up.
- And you don't remember her name?|- No.
Delicious. It's all coming|together, as I promised.
Finn frenzy! Lmagine what will happen|when they see your wonderful work.
Your beloved per diem...
...and an invitation|to the Hamilton Museum benefit.
Toss that.
I killed a publicist for this.|It is the event.
Old money, new money, big money.
Everyone will be there,|including you.
Erica!|- These are Finn's new paintings.
- It's for you.|- If you don't like the portraits...
Don't jump.
Would you save me?
Not in this suit.
How are you?|Good. And you?
Pretty well.
Good-looking suit!|Good-looking day!
It is.
Seen "New York Magazine"?|Are you in it?
It's just a little piece. It's|nice. You didn't see it?
Thrall thinks that the show|will get good reviews.
I don't want to jinx it,|but what does she know?
The curator from the Whitney|came by. That was exciting.
Wow! I'll say I knew you when.
Walter asked me to marry him.
He wants to marry me.
- Really?|- Yeah.
Why are you telling me this?
I just... I wanted to know|if you had anything to say.
Sounds wonderful.
I wish you both the best of luck.
- I've got to go. I've got to...|- Finn.
- I've got some business.|- Finn, wait.
{y:i}Why had she told me?
{y:i}She told me to wound me,|{y:i}or out of habit or to drive me mad.
{y:i}I didn't care if it was a clue or it|{y:i}was a plea or it was a tease.
{y:i}No. She told me so I would stop her,|{y:i}and of course I would.
Fashionably late. I have hordes|of people to meet you.
This is the senator.|Finn! Sorry, senator.
{y:i}As the evening mists|{y:i}Were rising
Finn! So good to see you.|A friend of mine is decorating...
- Have you seen Estella?|- No.
Very interested in getting|some art. Interested?
I wanted to call you.|Congratulations on your success.
You're all over the place.
The boy with the hands.|I saw your spread. Anton Le Farge.
Be nice to Anton,|he has a lot of empty wall space.
I'm taking my time.
You should get to Finn|while his rates are reasonable.
How did we say you should price|your art? Was it by canvas size or...?
By its beauty.
- There you are.|- I have to talk to you.
- We've got to go, we're late.|- We just got here.
We're to meet the Barrows|at Kelly and Ping's 10 minutes ago.
Good night, kids. Have fun.|Congratulations again, Finn.
This is the artist I was telling you|about. Senator Elwood, Finn Bell.
Thrall has told me|so much about you.
- What about my friend?|- Not now.
Thrall is a loser in this town,|I can introduce you to...
- Sorry.|- It's all relationships, isn't it?
Don't touch me.
Can I get you a taxi, sir?
Excuse me, sir. Sir! Sir!
Hey, Finn! This is Finn.|How do you do?
- Can I offer you a chair or a towel?|- Would you like to dance?
Do you know him?|Yes.
- Is everything okay?|- Yes.
I want you inside me.
I have to go home,|I owe my aunt a visit.
But you'll be back?
For your show? Of course.
I do love the way you dance.
- Have you seen Estella?|- I'll send her over when she arrives.
- Congratulations! Great job.|- It's wonderful, Finn.
- So...|- Look who's here.
- All your dreams come true?|- We'll see.
I want you to meet some people.
- Have you seen Estella?|- No.
There's a very important guy here,|Carter Macleish, he's a critic.
- Congratulations!|- Thanks.
Nice to see you!
We'll be right back. Thanks.
- Is Clemente here?|- Carter. Nice to see you.
- Finn Bell, Carter Macleish.|- Congratulations.
Ruth you know. It's a most impressive|show, wouldn't you say?
It is that!
Richard! Richard! Will you do|a photo of us? Carter, come on.
Finn! Finn!
What is that?|Do another one.
- I think you have a fan here.|- I'm sorry, will you excuse me?
Hey, Finn! How are you doing?|Surprise, surprise!
- What are you doing here?|- Where did you think I'd be?
I had to change in my car.|It's a rental tux, but what the hell.
It looks good.|Do you want to get a juice?
It's Jerry, huh? Hey, Jerry!
Jerry! You son of a bitch,|you weren't bullshitting, were you?
Erica Thrall,|my Uncle Joe.
Miss Thrall, hi. This is|your place, right? It's very nice.
- Carter Macleish.|- Are you also from Florida?
- Yes. I operate a fishing boat.|- This is Ruth.
- Hi.|- Hey, Ruth.
Look at me!
Uncle Joe, the drug smuggler?|I thought you were dead.
- Drugs?|- No, she's thinking about...
No, I've been sober|for a good, long time now.
Carter can't believe|it's your first show.
- No, it's not.|- What do you mean?
Finn had a show at the Washington|Federal a couple of years ago.
- You know the Washington Federal?|- No.
- It's not a gallery.|- It's a bank. Savings and loan.
- A bank?|- This is my first gallery show.
And you're self-taught?
That was a gift.|Finn always had it.
Seven months old, his sister and I took|him to the beach. He drew in the sand.
One night he took Maggie's best|perfume and drew with it in the street.
He poured it all out,|and then he lit it...
Just up in flames. The most beautiful|designs you ever saw. Just...
- Are you all right?|That's my fault.
Your trousers, are they all right?
Just leave it, Joe.
Erica, it's fine.
Joe, just leave it!
I'm sor...
- I'm sorry.|- Yeah, it's just...
Oh, man. Excuse me, I'm sorry.
Excuse me.
Joe. Joe!
Jeez, I'm...
Listen, I'm going to head out,|because I'm starving.
I'm going to find a McDonald's|or something and...
So you go back in, and I'm going|to talk to you later.
Joe! Come on, I mean...
Joe, listen. This is work.
Sure. Come on, I get it.
You dazzle them.
Go ahead.
Jeez, I'm proud of you, Finn.
And I always have been.
So, just...
Go see if they know|how to smoke a swordfish.
{y:i}The night|{y:i}all my dreams came true.
{y:i}Like all happy endings it was|{y:i}a tragedy, of my own device.
{y:i}For I'd succeeded.|{y:i}I'd cut myself loose.
{y:i}From Joe, from the past,|{y:i}from the gulf, from poverty.
{y:i}I had invented myself.
{y:i}I had done it cruelly,|{y:i}but I had done it. I was free.
I did it! I did it!
I am a wild success!
I showed them all! All my paintings.
You don't have to be embarrassed|by me anymore. I'm rich!
Isn't that what you wanted?|Isn't it great? Are we happy now?
Don't you understand that|everything I do, I do it for you?
Anything that might be|special in me is you.
Finn! What a lovely surprise!
- What are you doing here?|- I own this house. I was born here.
- I haven't been here for ages.|- Where's Estella?
Since I had to come up for the event,|I figured, "Why not stay there?"
- What event? My opening?|- No. Estella's wedding.
- What?|- You were the catalyst.
The fool wouldn't commit to Estella,|but then you came on the scene.
- I don't believe it.|- Storybook, isn't it?
At first you were practice for her,|a teaching device.
Throw a mouse in with the snake,|teach it to hunt, swallow food whole.
I must say, you didn't provide|much of a challenge.
Now, now.
You enjoyed it.
And I warned you, years ago.|I didn't have to do that.
I told you the girl|would hurt you terribly. Didn't I?
You chose not to listen.
I suggest you look on the bright side.
We are together, joined.|You, Estella and I.
A pyramid of pain.
It's not love, but it is a bond.|We are together.
Give me your hand.
Do you know what this is?
It's my heart.
And it's broken.
Can you feel that?
I'm sorry.
I'm sorry.
What have I done?!
{y:i}The girl, the money, fame, revenge.
{y:i}They had been Dinsmoor's|{y:i}sick obsessions.
{y:i}And now they were mine.
He's not under the car, Jojo.|How are you?
- Who's this kid?|- Don't worry about him. Keep looking.
Listen, listen.|Can I just talk one second?
Can I call the police on your|phone? Some armed guys are chasing me.
All right, come on.
Here you go.
Hello? There are some|armed gentlemen chasing me.
Could you send some police to...?|What's the address?
111 Greenwich.|111 Greenwich Street.
Arthur Lustig. Could you send them|as soon as you can, please?
Thanks. Arthur Lustig.
So the police are coming?|And these guys, they're after you?
This is a great place.|Are you an artist?
Yes, I am.|Tonight was my opening.
What's your name?|Finnegan Bell.
- Like Finn?|- Exactly.
I'm sorry, do I know you?
I don't think so.
- You don't remember me, do you?|- No.
Look, I don't know...
Whisper! Whisper! Whisper!
That's right, my boy. It's me.
Look at you. Look at you!|You're all grown up.
Don't you want to know|what happened to me?
After I left you,|they caught me.
I escaped again, and I relocated...
...many years abroad.|Until now. Until now.
I'm glad things|worked out for you.
Fucking glad.
It's great.
Who's that handsome young man over|there? You did think about me!
You scared the shit out of me.
I like that. Yeah, I like that.
That's really good.|How much is it?
- Is it for sale?|- Actually, the whole show sold out.
- Congratulations.|- Thanks, I'm lucky.
No, you're not lucky.|You deserve your success.
You're a talented young man.|You're a fine artist.
Your whole...|This place is...
Might I ask a personal question?
- What does a place like this cost?|- The rent?
I don't know.|It's taken care of.
Oh, yeah? Could I ask who by?
- A lawyer. Why?|- No reason. I'm happy for you.
- Do you mind if I have a drink?|- The cops will be here any minute.
- They're always late.|- It is late.
- I'm sure you understand.|- Understand?
You're sure I would understand what?
The police|will be here any minute.
- No, they won't.|- They won't. Why not?
- I didn't call them.|- You didn't?
I pressed my finger on the button.
- Why?|- They're looking for me too.
They are?|And those guys down there?
Old associates. They have a beef about|something they should've figured out.
- You should leave.|- Let me finish my drink.
Just give me a minute.
It's so good to see you.
You don't know how happy it makes me|to see how you've turned out.
You grew up. Little Finn.
You're a grownup.|You're a man now.
A famous artist.
You live this life.
Mix with all kinds of|interesting people.
I'm very impressed, and nobody|deserves it better than you.
I remember when you were a little|kid. A good-hearted little kid.
Little Finn.
The one person who did a really|pure and good thing for me.
Congratulations on your success,|on your show, on everything.
To you.
Thank you. I appreciate that.
I do.
It's just that... the truth is,|it's making me really uncomfortable.
Would you mind?
I don't want you feeling badly.|I don't want you feeling badly.
I just came to see you, say hello.|Now I'm happy.
If it was another night, we...
This is great.|This is the way it should be.
This is the way it should be.
Ragno did a good job.
Hey. Hey.
Don't go down there. Those guys|are there. There's a better way.
You know where you're headed?|JFK.
So where are you going?|Paris, city of lights.
Come with me to Paris.|I'll get a ticket on the Concorde.
I can't go to France.|You will love Paris.
{y:i}I love Paris in the springtime|{y:i}I love Paris in the fall
Paris is a beautiful city, a|city of culture, a magnificent city.
It's got elegance, beauty.
You gotta go to Paris.|You won't regret it.
Every artist must go to Paris|at least once.
The streets, the romance,|the women. The women...
- You should come.|- I can't go to France.
Do you hear that shrieking?|The subway's wheels...
- Is that you? Arthur!|- You look like Howard Hughes.
- Have you been on a desert island?|- I've been on vacation.
You're heavier.|I got fat. I got kids too.
Age catches up with you.
Arthur, Tommy wants to invite|you to the club for old time's sake.
- Give me Tommy's number...|- We'll come over.
- All right, two minutes.|We're coming there, Arthur.
We'll wait right here.
Come on!
What are you doing there?|You told me to come over here.
I thought you wanted me|to come over here.
Tommy's not going to like this.
Come here!
Sorry, guys.
You have this much fun|with your artist friends?
- Is this fun? You're having fun?|- Are you going to miss me?
- Why don't you come?|- I can't go to Paris.
{y:i}I love Paris in the springtime|{y:i}I love Paris in the...
No, no, I'm not hurt.
- You're hurt bad.|- Stay, stay. Attaboy.
Oh, jeez.
I did a lot of bad things in my life.|A lot of bad things.
But the one good thing... that any money I had,|anything I had...
...and I made bullshit money,|I gave to you.
All for you.
The one good thing I did...
I set you up, I sent you to New York.|I did it all.
- I bought that show.|- All my paintings?
You're a great artist.
Open up my suitcase.|Open my suitcase.
What do you want?|Pull out the paper bag.
Pull it back. That's it.
Remember this?
See this?
Very special.
Look at this.
It's beautiful.
- What time is it?|- It's almost 6:00.
We've still got time.
{y:i}Perhaps he should have died|{y:i}those years ago back in the gulf.
{y:i}But he'd lived to be my benefactor.|{y:i}For good and ill.
{y:i}I went to Paris, worked there...
{y:i}... and received everything|{y:i}I thought I wanted.
{y:i}I heard about Estella from|{y:i}time to time. She was divorced.
{y:i}The years went by.
{y:i}And then one day, I went home.
Hi. I'm Finn.
You dog! You dog. Why didn't you|tell us you were coming?
- Who is he?|- This is Jesse and Clemma.
And you came in time to do the|dishes. Are you hungry?
{y:i}Joe told me Ms. Dinsmoor|{y:i}had died alone some years back.
{y:i}Her body lay there|{y:i}undiscovered for a month.
{y:i}The mansion was due to be|{y:i}torn down for a housing tract.
{y:i}I sat there and thought back|{y:i}over the things I'd done.
{y:i}Over my life.
{y:i}And where, in that brief,|{y:i}violent time, it had gone.
{y:i}And then, she came back again.
Is that you?
Is that your little girl?
Oh, God.|She's beautiful.
What are you doing here?
I brought her|to show her this place.
What's left of it.
- Have you been here often?|- No.
No, me neither.
So, you're doing great.|I hear all about you.
I'm doing all right.
Things have been different for me.
For a long time I'd get...
I think about you.
A lot lately.
I'm glad.
Can you ever forgive me?
Don't you know me at all?
{y:i}She did know me.
{y:i}And I knew her.
{y:i}I always had, from the first instant.
{y:i}And the rest of it, it didn't matter.
{y:i}It was past.
{y:i}It was as if it had never been.
{y:i}There was just my memory of it.
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