Cut. Look, what's the problem here?
Remember, I want you to open the coffin a beat after you open your eyes.
Get him out of herel Come on! Raise the camera!
Joe, give me a hand. Something's the matter with him.
That's all right, Jake. Just relax.
We got you. Something's going on. Something's weird.
- Are you okay, babe? - Give him some air.
What's the matter? Speak to me. Come on, talk.
What's the matter?
I don't know. I don't know what happened.
I was in the coffin. I closed my eyes. I thought everything would be okay.
I opened my eyes, and the camera was right on top of me...
and I couldn't move.
It's no big thing. I just...
For a second there, I just couldn't move.
I don't know what happened. I'm sorry.
Nol What happened?
Get up there! Put some water on it!
This is great. That's terrific.
You got it under control?
Look, Jake, you really look exhausted, babe.
Why don't you take a shower and go on home. We lost the sun.
Let me try it one more time. I can do it.
I know you can, but we don't have any sun anymore.
Can I have nuts with that and a Manhattan?
- Yeah. - And fries.
- Right. - Rings.
- Anything to drink? - Two large Cokes with ice.
Onions on everything.
- That to go? - Yeah.
Keep the change.
You too. See you guys.
- Scully, how's that picture coming? - Good. Fine.
- Great. - I'll have a Jack Daniels, neat.
Are you serious? You quit drinking. Remember?
Just get the drink, Doug.
What's the matter?
They cut your big scene?
I thought you were a bartender, not a priest.
That's right. I'm a bartender.
Then keep the fucking glass filled.
Keep your own glass filled.
- I'm sorry. - That's cool.
Just don't pay any attention to me.
You need a place to stay?
Yeah, I guess I do.
What are you doing here? I thought you were working.
I am. I got a week off.
I figured I'd go to some interviews, stay busy.
- Great. - Do you know about any sublets?
- I'II check around. - Something available immediately.
- Not offhand. - What... Ho!
The whole world's here. You two know each other?
- Jake Scully, Sam Bouchard. - Hi. Nice to meet you.
- Right here. - I'll see you in class later.
- We got class today? - At 3:00.
- Right. - Good luck.
What have you been doing lately?
I just started a low-budget, independent horror film.
'Vampire's Kiss." I play the vampire.
Before that I did Petruchio in 'Taming of the Shrew."
You mean anything good?
You are working.
- That's good now, isn't it? - Yeah.
- Hi. Small town. - Yeah.
- Jack Scully. - Jake.
Give them hell.
I remember that it was dark.
I was just a little kid.
And the wall behind me was cold.
I was hiding. I was...
I was part of this game: Sardine.
I was it, and I was hiding.
Everybody was looking for me.
And there was humming.
I was behind the freezer in the basement.
And I had jammed myself in so hard behind the freezer...
that I couldn't move.
Uh-huh. What are you afraid of?
They're not gonna find me.
But they're not supposed to find you.
But I'm afraid because I can't move.
Why don't you cry out?
I can't. I'm afraid.
Besides, I'm the sardine. They're not supposed to find me.
Now particularize that.
Who can't find you?
My brothers. They're bigger than me.
First time they ever let me play.
If they're your brothers, they'll want to help you, right?
No. They won't let me play again.
- They're bigger than you are. - Yeah.
Will they hurt you?
They'll laugh at me for getting stuck behind the freezer...
and for crying out for help.
The big baby.
You are a baby.
Yeah, and you're afraid.
You must act.
I can't. I'm afraid.
- You'll never escape. - I know.
You've got to act!
Fuck the fear.
You've got to cry out for help! Come on!
Use your body! Cry for help!
You can do it.
I want you to cry out.
I can't. I'm a sardine.
Sardines in a can are dead.
They can't feel. They can't be afraid.
But you're alive and afraid.
You're not a goddamn dead sardine!
- This is crap. - Dig down deep!
- I can't. - Come on.
Leave the guy alone.
Do not interrupt this exercise.
This looks like a mind-fuck to me.
What is your name? You're not a member of this class, are you?
That's right. I'm not.
I thought this was a class for acting, not humiliation.
What gives you the right to fuck around with this guy's head?
- I think you better leave. - I think that's a good idea.
I want to act. Come on.
Class is out. Come on. Let's go.
I'm sorry, Will.
I can't do this today.
This is called an exit.
What a fool I am.
You're too hard on yourself.
Some of these guys can't get a job.
They put an ad in the trade. They call themselves teachers.
What do they teach us? How to be more fucked up than we are.
That's not it.
- Can we get another round? - Coming up.
- Thanks. - Check.
Are you married?
Me too, as of yesterday.
We weren't married, but it was almost the same thing.
I'm sorry. That's none of my business.
That's okay. It's just...
Sounds so stupid.
These things usually do.
Caught her in bed with another guy.
Can you believe that?
You had no idea?
Christ, I keep seeing it.
Carol lying there.
Her face was glowing.
- Her face was glowing? - Yeah.
How do you get a girl's face to glow?
I got 16 years of good humping.
Not once did I get a glimmer, let alone a fucking glow.
- I'm sorry. That's tough. - No, you're right.
It's not that big a deal, really.
- You kicked the bitch out I hope. - I didn't.
- Why not? - It was her place.
You've been through the shitter.
- Where are you staying? - I got a friend with a floor.
You ready for some good news?
I got this five-week gig coming up.
Seattle Rep's doing a revival of 'Private Lives."
I've been house-sitting for a friend.
- He gives me a good deal on the place... - I've been looking for a sublet.
- Would this be available right away? - Wait here.
Let me make a phone call. Don't move.
- Do you like plants? - Sure.
- I can't believe this. - It's something, isn't it?
Be if ever so humble.
- This is unbelievable. - I know if's nof much.
- Can you handle this? - I've never seen anything like it.
- Your friend must really be loaded. - He's filthy with the stuff.
Anyway, here they are. Water them every day after 6:00.
- Right. - You got it?
- That's it. - Listen, this is really nice of you.
No thanks necessary. One struggling actor helping another.
- That's what it's all about. - Thank you.
- Just don't let the damn plants die. - You got it.
- Where is he anyway? - Alan?
- Yeah. - He spends a lot of time in Europe.
I got a well-stocked bar.
- Rotating bed. - "Rotating"?
Sauna and Jacuzzi in the back just beyond the walk-in closets.
As soon as I pack up, you can put your stuff away.
- Are you leaving now? - Yeah, l...
The hell with it. I got time for one more drink.
I'll still be able to catch the last flight.
What a setup. This is great.
- Sam, here's to a friendship... - Wait.
Let's do this right. Come here.
What a view.
That's just part of it.
There is one very special feature to this house.
- What are you looking at? - Where are you?
There she is.
I'd like you to meet my favorite neighbor.
- See her? - Whoa.
It gets better.
- What's she doing? - Just keep watching. You'II see.
- You want to get a little closer? - You bet.
- Oh, my God. - Focused?
- She's a little out of focus. Yes! - Yes? Hang on.
Does she do this a lot?
Like clockwork, every night.
What do you think?
- It's something, isn't it? - Yeah.
Lady does the same gig every night.
Did you get a look at her face?
Too bad. She is gorgeous. Shit.
- I gotta get going. - Can I help you?
Don't forget your scarf.
Here's the key.
Try not to make too many long-distance phone calls.
Thanks again. This is good of you.
- You're doing me a favor too. - Thank you.
- Take it easy. - Knock 'em dead!
They're already dead in Seattle.
The house is burning buf fhere's no one home
Where fhe hell have you been? I've been calling you all over fown.
I'm sorry, Frank. I've been having some real problems with Carol.
I've been staying at a friend's house.
You got a few more problems. Rubin fired you.
- What? - You don'f have a job anymore.
He gave me some bullshit about artistic differences.
What the hell happened?
Nothing. How can he do that?
They're doing it right now.
Can't we do something? Maybe I should talk to Rubin.
You better forget it. They've already hired another guy.
- How do you know? - He's my client.
Now bring them up.
You're loving every minute of it, sweetheart. It feels so good.
You're getting ready to take a nice chunk out of the neck.
Hands down. Good.
All right, cut!
Kill the water and steam.
I thought you were gonna give me another chance.
Look, I got a picture to make here. I got 25 days to make it.
I got no time to fuck around with a claustrophobic vampire...
who freezes every time he lies down in the coffin.
- I'm not claustrophobic. - Then what happened? Stage fright?
I don't know. It never happened before.
It's never gonna happen again. Good-bye. I gotta get back to work.
- You promised me another chance. - I lied.
- Don't you yell at me! - Big fucking deal.
- Get outta here! Beat it! - Listen...
Joe, get him outta here! You don't come in here yelling at me on my setl
- You don't have the right to lie to me. - There's the door.
Go onl Get out!
Get out the door, you fruitcake. What's wrong with you?
- He's the boss. - It's not fair.
What's everybody standing around for? Let's get back to work. Come on.
Just like clockwork.
There she goes.
Excuse me. Could you move, please? Please!
I gotta go. Thank you.
- Good morning, ma'am. - Thank you.
I have to see you.
What time did you call?
I'm never home till after 7:00.
Yes, he hit me again.
I've got to talk to someone.
The Beach Terrace Motel?
I'II wear something special.
- Security, please. - This is securify.
Please come over to Bellini's. I think we have a problem.
- May I help you? - No, thank you.
Did you see that guy?
- It's the cream Mercedes. - Wait here, please.
- Thank you. Here you are. - Thank you, ma'am.
- Can I have my car, please? - Yes, sir.
Thank you. Right away. As soon as possible.
Straight toward the beach, down the stairs.
You've got to come.
I need to talk to you.
I've got to talk to someone.
I need you.
Someone's following you.
No, it's not me.
Are you all right?
He got away.
You got the purse.
You better check it. He took something.
What's the matter?
I'm just out of breath.
Can you take me out of here?
- Here. - Thank you.
All right. Thank you.
I feel much better now. I'm fine.
I saw you back there and at the hotel.
- You've been following me. - Yeah.
Why? Did my husband hire you?
I can't. I can't do this.
Hello, Gloria. How are you?
Maybe you remember me. This is Jake.
I'm the guy that almost fucked you at the beach today.
No, that's terrible.
- Hello? - How are you doing?
Sam, how's everything?
Great. Everything okay over fhere?
Yeah. No problems.
How's our favorife neighbor? Sfill wifh fhe midnighf shows?
- Uh-huh? - You sound a liftle preoccupied.
I jusf called fo see how fhings were going.
By fhe way, any messages for me?
- Hello? Are you fhere? - Yeah.
I'm here. I'm sorry. There are no messages.
Goffa run. I'll be in fouch.
If you'd like fo make a call, please...
- Hello. - Look out! He's right behind you!
- Whaf? - My God!
Stopl You guys, stop!
What do you want? Are you crazy?
- There's a woman being killed. - What?
L.A. Cify Emergency. This is 911. Whaf are you reporfing?
This is L.A. Cify Emergency. Hello?
I'm sorry, I can'f hear you. Please...
Please tell me fhe nafure of your emergency.
No. Please, don't.
Get him off me! He's killing her!
I'm Detective McLean.
I'm in charge of this investigation.
I see you're an actor.
Ever been in anything?
'Emerald Point" and a "Hart To Hart" that was pretty good.
You make a living?
I got a real problem with you.
What do you mean?
I mean, you're my only witness to this murder...
and you're a peeper.
In my book, that's a pervert and a sex offender.
- What do you mean "a sex offender"? - Save it.
I ask the questions.
What about this Indian? When he snatched her pocketbook, you got it back.
- Is that right? - That's right.
Was anything missing?
I saw him take a credit card.
Not a credit card, a card key.
He used it to get into her house.
Did Gloria know it was missing?
She didn't say anything to me.
You talked to her?
Come on, you must have said something.
- It was just small talk, you know? - No, I don't know.
Did you come on to her?
Were you trying to do a number on her head?
Trying to freak her out with all you know about her?
- You're wrong. - Why were you following Gloria Revelle?
Because I got concerned when I saw that guy following her.
But you kept on her tail after this other guy disappeared.
I know, because...
- I guess I wanted to... - You wanted to what?
Where did you get them?
She dropped them in the trash.
- Who? - Gloria.
And you just picked them up?
- Yeah. - Why?
- I don't know. - Tell the truth.
You fucked her and kept them for a souvenir.
You didn't fuck her or you didn't keep them as a souvenir?
- No to both of them. - Are you just a harmless panty sniffer?
- You got a dirty mind. - That's a laugh.
You peep on her, follow her, fuck her and keep her panties as a memento.
Then you sit on the 50-yard line and watch her being slaughteredl
That's not what happened! I tried to save her!
Mm-hmm. Some save, Scully.
Remind me to never put my life in your hands.
Tell me about Alexander Revelle.
- What? - Alexander Revelle, Gloria's husband.
You knew him?
I never met him.
- You sure? - Yeah, I'm sure.
Was he around when Gloria got nailed?
Do you think he had something to do with it?
Gloria Revelle was a very rich lady.
When rich wives get dead, I usually go after the husband.
The only problem is you saw a thief.
An Indian killed Gloria Revelle.
I won't hold you, Scully.
We have witnesses to back up your story.
But I want you to think real hard about this.
As far as I'm concerned...
you're the real reason Gloria Revelle got murdered.
If you hadn't been so busy getting off by peeping on her...
if you had called the police about your blood brother, the Indian...
Gloria Revelle would still be alive.
Linda, we believe fhaf you have your own producfion company now.
Yes, Linda Shaw Enferprises.
Whaf are some of fhose enferprises?
We have a film 'Deep Ghosf' and 'The Mafing Game. '
- 'One Nighf af a Time. ' - Yes.
I believe you have a film opening fhis Friday af fhe Pussy Flick Theafer?
- Whaf is fhe fifle of fhaf? - Thaf's 'Bold Obsession. '
Tell us, Linda, whaf is your 'bold obsession'?
Sid, fhaf scripf was wriffen especially for me, because I am an exposifionisf.
You are an 'exposifionisf'? Do you mean an exhibifionisf?
- Yes, exhibifionisf. - Yeah, I'm sure.
I jusf gef so excited when I know fhey're all ouf fhere wafching me.
Of course they're ouf fhere wafching you.
- If gefs me so hof. - If does?
Whaf happens when you gef hof?
- If makes me wanf fo come. - You wanf fo come.
While you're coming, lef's wafch this clip.
Five minufes, Miss Body.
We've gof five minufes.
Eddie, where fhe hell are you? We need you on fhe sef.
- Come on. Lef's go. - 'Holly Does Hollywood. '
The X Cinema...
L.A. 's classiesf X-rated movie house.
This week, see fhe film fhaf everyone's falking abouf: 'Holly Does Hollywood. '
And does if well.
Screw Magazine says...
'Holly Body keeps fhis business where if belongs...
in fhe guffer. '
Says Eros Magazine: 'The 'Gone Wifh The Wind' Of Adulf Films. '
'Holly Does Hollywood' is a hedonisf's heaven.
Husfler Magazine gives if Husfler's highesf rafing.
'Ten nominations including Besf Picfure. '
Crifics Adulf Film Associafion.
Sfarring Holly Body.
'Holly Does Hollywood. ' Now playing at fhe X Cinema.
You home viewers...
can pick if up righf now af Tower Records' all nighf video sale.
Excuse me. Do you have 'Holly Does Hollywood"?
Yeah, we do. It's in our adult section. Follow me.
- On VHS? - Yeah, VHS. Whatever you want.
Half-inch, three-quarter, Beta.
- Is this what you're talking about? - That's it.
- Hello. Adulf Blue Films. - I was wondering if you could help me.
Are you the company that distributes "Holly Does Hollywood"?
- Yes. - I'm not some fucking stunt cock.
- I'm an actor. - You'II have to wait.
I have been waifing, for more than an hour.
Do you know how many picfures I've made wifh Holly?
Baby, I am sure you have made a lof.
I don't have to take this shit.
I got a reputation in this business.
If you wanf fo audition, sit down!
- I'm sorry. - That's okay.
- Can I help you? - How late are the auditions going today?
- Probably pasf 6:00. - Thank you.
You're welcome. Bye.
Mr. Corso, Jake Scully.
Pleasure to meet you.
Stand over there.
- You ready? - Yeah.
I like to watch.
Makes you hot, doesn't it?
Makes me hot too. Real hot.
Come over here. I'll show you how hot.
All right. Take off your clothes.
I want to take some pictures.
- What is it that we're watching? - I don't know.
Are you some kind of method actor?
Give if fo me one fime now
Relax Don'f do if
When you wanna go fo if
When you wanna come
When you wanna suck to it
Buf shoof if in fhe righf direcfion
Make making if your infenfion
Live fhose dreams
Scheme fhose schemes
- Goffa hif me - Hif me
Hif me wifh those laser beams
I like to watch.
Makes you hot, doesn't it?
Makes me hot too.
Come over here, and I'II show you how hot.
- Where's the come shot? - Huh? Come?
The come shot. I thought we were doing 'Body Talk" here, not 'Last Tango."
You were great out there. Really. Come on, I'II buy you a drink.
A drink? I don't even know you.
I'm talking business.
You know the mirror out there?
That was my idea.
So, you're a genius.
No, but I can make a better film than Corso, with my eyes closed.
Films cost money, you know.
I got money.
Then what are you doing in hard-core?
I wanted to meet you.
Because I think you're sensational. I think you're the best in the business.
I'll pay you top dollar. I'll give you points.
Whatever it takes.
- Really? - I want you in my picture.
- You're really serious? - Yeah, of course I am.
There are some things I like to get straight up front...
so there are no misunderstandings later on.
- I don't blame you. - I do not do animal acts.
I do not do S and M or any variations of that particular bent.
No water sports either.
I will not shave my pussy, no fist fucking...
and absolutely no coming in my face.
I get $2,000 a day, and I do not work without a contract.
Fine. I mean, that's no problem.
- I think we got a deal. - Cheers.
You ever do any specialty work?
What kind of specialty work are you looking for?
A woman alone, getting herself off.
It's got to be really hot.
Is that all?
I have a routine that is a sure ten on the peter-meter.
- I know. I've seen it. - Yeah?
A few times.
Yeah, I'm known far and wide...
for that little bit of business.
I want you to know I saw 'Holly Does Hollywood"...
and I think your acting is top drawer.
- My acting? - Yep.
You're fantastic. Really. Sensational.
I'II tell you something else.
- You have got a terrific... - Body.
Look at you.
- Kimberly, how are you? - I'm fine, just lovely.
Aren't you going to introduce me to your friend?
- Kimberly Hess. Hello. - Nice to know you.
So, Jake, you working?
Yeah, here and there. We have to run.
- It's great to see you though. - Right.
Jake and I worked together in the past.
- Really? - Yeah.
I thought I knew everybody in this business.
- Really? - Mm-hmm.
I don't see how someone could know everyone.
It's a funny business.
Anyway, I wanted to ask you...
have you heard of any roles that might be right for...
- No, I'm sorry. - I have. I have a tip for you.
- Really? - Yes, Simon La Farge is casting.
- You know him, right? - No.
No? Are you from outer space?
Just tell him that you ran into me. Here's his number.
You might want to firm up a bit before you go and see him.
One more thing. Do you mind working with ladies?
- Acting is acting, right? - That's right.
I think that's really admirable.
Me, myself, I can't get into it.
But, anyway, good luck and say hello to Simon for me.
- Good seeing you. - Sure. Thanks.
By the way...
what's the film about?
We need more comedians in our business.
What can I get you? Jack Daniels?
How about Jake Scully...
I don't want to talk any more business.
We had one of these in "Star Whores."
There's something I gotta tell you.
- What then? - I'm not a producer.
You're not a producer.
l... Hold up. I'm not...
Just a second.
I'm not interested in making a film with you.
- What are you interested in then? - You.
I saw you in the house those other nights.
You know, that show that you put on...
with the masturbation routine and all the diamonds and everything.
I was watching you from here.
You were the girl in the window. That wasn't Gloria. That was you.
What's it to you?
Just tell me if I'm right. That was you in the Revelle house.
I'm not saying that it was me, and I'm not saying that it wasn't me.
I'm saying, why are you interested in knowing?
I think that one of my crazy friends has played a practical joke on me.
You know how it is with the idle rich.
Tell me, were you the girl in the house?
- Yeah, that was me. - I knew it.
How did this thing get set up?
Tell me just to satisfy my curiosity.
One of my crazy friends set this up, but I don't know who.
Who hired you?
- You were the one I was playing to? - Yeah.
- And there's no part for me. - I'm sorry.
- This whole thing was a joke. - Yeah.
It was a practical joke on me.
Did Sam Bouchard set this whole thing up?
Did he hire you to do your routine?
He didn't tell me his name.
Whoever you talked to, what did he say?
This guy called me up and said he had seen my self-help routine...
in 'Holly Does Hollywood"...
and he wanted to hire me to do it in private.
He said that he had this friend who got off on peeping.
- He didn't tell you who he was? - No. He didn't tell me his name.
He just sent a messenger over with money...
and with a card key...
and a wig.
Please don't leave.
Just stay here for a second.
Can you hold on?
- Hello. - Lf's Sam.
- How are you doing? Can you hold on? - Sure.
Please, listen to this guy's voice.
Tell me if he's the one that hired you. Please.
Hello. I'm sorry. You got me in the shower. How are you doing?
- I'm afraid I got some bad news, pal. - What's that?
Seaffle Rep and I had some arfisfic differences.
I'm gonna be heading back fo L.A.
So I guess you'll have fo find anofher place fo crash.
- You gof some company fhere? - Actually, I do.
It's kind of a bad time to talk. You want to call back in 15 minutes?
- Yeah... - That was the guy who hired you?
- Yes, that was him. - Are you sure?
- Yes, I'm sure that was him. - Listen.
- God, you're really sick. - Listen to me very carefully.
I am not a film producer, and I am not a rich kid.
No, you're a jerk.
Holly, please listen to me for a second.
You were hired to do two nights' work, to do your routine and leave.
- Is that true? - Yes.
- Do you know why? - You just told me why.
You just told me some guy was playing a joke on you.
He wasn't playing a joke on you?
- Do you want to tell me what it was? - Yes.
The truth is a woman was murdered.
It's not funny. A woman was murdered. You and I were set up by a murderer.
He wanted to be sure I witnessed the murder.
That's why he hired you to do your routine.
Meanwhile, he arranged it so that I would be watching.
He wanted me to think that the girl who lived there, Gloria Revelle...
was the one getting off.
Meanwhile, he thought I would watch and keep watching.
Holly, are you listening to me?
Yes. I don't understand what you've said.
Listen, he's a murderer!
The man who hired you is a murderer! Come here.
Please, come here.
Do you remember where you did your routine?
- Yes. - You see that house down there?
- That window is where you were, right? - Yes.
- Now do you understand? - Yes, I understand.
I understand you're sick and you're a liar and you need professional help.
- I do not like being yelled at! - I'm sorry.
I should have known when you told me I had a terrific smile.
No real producer would tell me that in a million years.
Get out of my way.
- What? - Just come with me to the police.
To the police? Are you crazy? Listen to me, you weirdo...
- A woman was murdered! - I'm leaving! Don't follow me home!
I have friends who will break your legsl
Let go of me! God!
You weirdol There are so many weird people.
Can I have the Hollywood Police Department, please?
Fucking freaky actors.
That's what there is here.
I should have known when he didn't even know what a come shot was.
Yeah, Detective McLean, please.
Excuse me. Stop, please.
Thank you very much, ladyl
I was set up.
Yeah, Hollywood's busiest sex offender.
Cut it out. Just listen to me for a minute.
I got something important to tell you.
I know who killed Gloria Revelle.
Is this a confession?
Just pay attention.
A few days ago I was looking for an apartment.
Do you know any sublets that would be available right away?
I'll check around.
I noficed fhis guy, Sam Bouchard.
He was looking for somebody who needed a place fo sfay.
I fhoughf if was a coincidence fhat we kepf running info each ofher.
Anyway, now I realize he was fhrowing out a nef.
He was sizing me up for a parf fhaf he was casfing.
I want you to cry out for help!
I fif fhe bill perfecfly: lovesick sucker, ouf on his ass.
Shit. What a fool I am.
And you know what the part was?
The part of the witness.
He fold me fhere was fhis neighbor fhaf did fhis number on herself every nighf.
- See her? - He knew fhaf I would look.
- Nice, huh? - Yeah.
He knew I would keep looking. And if wasn'f Gloria.
If was Holly doing her roufine. Thaf's why I never saw her face.
You sound like a conspiracy nut: plots all around you.
Please, just listen to me for a second.
Sam Bouchard is Alexander Revelle.
He hired fhe Indian fo follow Gloria...
and snafch her purse and sfeal fhe card key fo her house...
and fhen sneak inside.
Then when she gof home...
the Indian opened fhe blinds so I could see him kill her.
Alexander Revelle set me up in this house to witness the murder.
He hired a porno acfress fo be fhe baif.
Can I have a ride, please?
Thanks a lot, you jerks!
Oh, my God.
I've been trying to build a case against the husband all along...
but the reason it hasn't panned out...
is because of your testimony that Gloria was killed by an Indian.
That's just it! Don't you see? That's what he wanted!
It looks like a burglary, but it's a murder...
with me set up to be the witnessl
I'm Alexander Revelle's alibi.
Listen. Stop, all right?
Just stop! Right therel
There has been an accident up there.
- Those people are probably very hurt. - Slow down, lady.
- Nobody's bothered to stop. - Get in the car.
It sounds crazy to me.
I know, but it's the truth.
Maybe you better come down here.
Pull it up. That's it. Pull your car right up there.
Stay in your car, please. There's nothing to look at.
We'll have it cleaned up in a couple minutes.
Get back in your car, sir.
Officer, there's a woman being killed in that Ford Bronco right there.
He's killing her. He just hit her in the back of the head.
We gotta do something to help her.
- Get back in your car. - He's killing her. He hit her.
- I don't have time to run you in. - Please!
He's getting away. Please call somebody on your radio.
Don't you understand? I saw him killing her!
- You fucking idiot! - All right, that's it, buddy.
- You're coming with me. - Call Detective McLean.
- He knows all about this. - All right.
Son of a...
Come here, you son of a bitch!
Are you okay?
Look what you did.
You ruined my surprise ending!
I gave you your part: the witness.
You were perfect. You played it to a T.
But that was it.
End of part.
Wrap Jake Scully.
You had to play the hero...
improvise all this crap about finding a body double...
and unmasking the Indian.
But you didn't think it through.
Sometimes heroes come to tragic ends.
What's the matter? A little short of breath?
What a terrible way to die.
Especially when you're so claustrophobic.
Wait a minute.
I'll give you another take.
The only problem is you've got to act.
Cut. Get him out of here. Move the camera out.
Joe, give me a hand. Jake, take it easy.
What's going on?
We're getting you out. That's all right.
We got you. Let go. Don't worry about it.
- Don't worry about nothing. - It's all right. We're here.
Give him some air. Talk to me.
Say something. Walk it off. Just go for a walk.
Just relax. Just breathe in.
All right, that's good. There you go.
What's the matter, babe?
Boy, you had us scared there. What's the problem?
Wait a minute.
- Get away from me. - Babe, just relax.
- We're just trying to help you. - I know.
I can help myself.
Listen, Scully, why don't you cool off?
Go on home, and we'll shoot this another time.
Don't lie to me.
If I don't get this shot, you'll fire me.
Don't be ridiculous. Why would I do a thing like that?
Save the speech, Rubin. I know all about your personal commitment to the actors.
I'm a little claustrophobic. You'II work around it, right?
Yeah, that's right.
- I don't like your attitude. - Yeah?
If I get this shot, you'll like it a lot better, right?
Let's do it!
You better get it right this time.
You're one pain in the ass I don't need.
- Okay, Joe. - Roll sound. Quiet.
And action I
Don't be so melodramatic.
What are you doing?
- What am I doing? I'm saving you. - From who?
- From... The Indian was Sam Bouchard. - Wait a minute.
Am I missing something? Is there somebody here that I don't see?
Yes! The dog knocked him in.
Come look. Come here.
Look, he must have knocked him in. He went...
I thought it belonged to Gloria, but it must have belonged to the husband.
That's why he never barked at the Indian when he tried to sneak in the house.
I think you're absolutely right. We should go to the police.
- Really? You believe me? - Yes. I believe you.
I believe you are a number one sicko and should be put away for life!
I know all about you guys.
I've seen about you on late-night television.
You're one of those necrophiliacs, a corpse fucker!
- I am not. - Yesl I turn you on, all right.
The only problem is that I'm still movingl
Unconscious is good, but dead is better, right?
Are you all right?
Here, take my hand.
Do not touch me.
I'm not dead yet.
I know this all seems crazy, but I'm trying to help you.
Are you gonna stay in there for the rest of your life?
Freeze. Don't move your hand, Jake.
- How does that look? - It looks great.
Good. Terrific. Hold that move. Let's 86 the bat.
That's a wrap on the bat. Get the bat out.
- I gotta hold the hand really still. - Help him out.
- Turn the water off. - Can I slip out?
Wait till we get the bar in there. Wait till we get the stand in here.
- Okay, sweetheart. - Between the bottom two fingers.
Good. Okay, sweetheart, you can slide out.
Don't move the hand. Freeze the hand.
Makeup. Let's get a touch-up for Jake.
Don't move the hand. Keep the hand very still.
Don't move the bar!
- I'm sorry. - Did the bar move?
- You're doing a great job. - Did I flash the teeth long enough?
Best teeth flashing I've ever seen. It looked beautiful, babe.
I'm so glad I fired that other asshole.
This part was made for you. I mean it. You look sensational.
- This bar is falling. - That looks good.
- You holding up? - Yeah.
Just a little longer. Okay, girls, step out. Step back.
Let's bring in the body double.
- Thanks. - The hair looks good.
Is that as hot as that water gets?
Slide in there, sweetheart.
- Don't move the bar. It's important. - I know.
Hi. I'm Mindy. Pleased to meet you.
- Nice to meet you. - Listen, be very, very careful.
My breasts are very tender.
I've got my period.
We good here?
I'm gonna... Just bring your body up like this.
My hand is right here. I can't move my hand.
Keep your hand exactly still. Let's shoot it.
Let's slide the bar out.
Drop the camera. Let's get the camera down.
Wait till we're in position.
Can you bring your body up to my hand?
Quiet, please! I'm trying to think.
You're gonna get a lot of dates when this comes out.
Here we go. Action.
Action with the hand.
Is that too hard?
BBC - The Blue Planet (1 of 8) - Ocean World
BBC - The Blue Planet (2 of 8) - The Deep
BBC - The Blue Planet (3 of 8) - Open Ocean
BBC - The Blue Planet (4 of 8) - Frozen Seas
BBC - The Blue Planet (5 of 8) - Seasonal Seas
BBC - The Blue Planet (6 of 8) - Coral Seas
BBC - The Blue Planet (7 of 8) - Tidal Seas
BBC - The Blue Planet (8 of 8) - Coasts
Babi Leto - Autumn Spring (2002)
Baby Geniuses 2 2004
Babylon 5 - 2x01 - Points of Departure
Babylon 5 - 2x02 - Revelations
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Babylon 5 - 2x04 - The Long Dark
Babylon 5 - 2x06 - Spider in the Web
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Babylon 5 - 2x08 - A Race Through Dark Places
Babylon 5 - 2x09 - The Coming of Shadows
Babylon 5 - 2x10 - Gropos
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Babylon 5 - 2x12 Acts of Sacrifice
Babylon 5 - 2x13 - Hunter Prey
Babylon 5 - 2x14 - There All the Honor Lies
Babylon 5 - 2x15 - And Now For A Word
Babylon 5 - 2x17 - Knives
Babylon 5 - 2x18 - Confessions and Lamentations
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Babylon 5 - 2x20 - The Long Twilight Struggle
Babylon 5 - 2x21 - Comes the Inquisitor
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Babylon 5 - 3x14 - Ship of Tears
Babylon 5 - 3x16 - War Without End (Part I)
Babylon 5 - 3x17 - War Without End (Part II)
Babylon 5 - 3x18 - Walkabout
Babylon 5 - 3x19 - Grey 17 is Missing
Babylon 5 - 3x20 - And the Rock Cried Out No Hiding Place
Babylon 5 - 3x21 - Shadow Dancing
Babylon 5 1x01 Midnight on the Firing Line
Babylon 5 1x02 Soul Hunter
Babylon 5 1x03 Born to the Purple
Babylon 5 1x04 Infection
Babylon 5 1x05 The Parliament of Dreams
Babylon 5 1x06 Mind War
Babylon 5 1x07 The War Prayer
Babylon 5 1x08 And The Sky Full Of Stars
Babylon 5 1x09 Deathwalker
Babylon 5 1x10 Believers
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Babylon 5 1x12 By Any Means Necessary
Babylon 5 1x13 Signs and Portents
Babylon 5 1x14 TKO
Babylon 5 1x15 Grail
Babylon 5 1x16 Eyes
Babylon 5 1x17 Legacies
Babylon 5 1x18 A voice in the wilderness - Part 1
Babylon 5 1x19 A voice in the wilderness - Part 2
Babylon 5 1x20 Babylon squared
Babylon 5 1x21 The Quality Of Mercy
Babylon 5 1x22 Crysalis
Babylon 5 3x01 Matters of Honor
Babylon 5 4x01 - The Hour of the Wolf
Babylon 5 4x02 - What Ever Happened to Mr Garibaldi
Babylon 5 4x03 - The Summoning
Babylon 5 4x04 - Falling Towards Apotheosis
Babylon 5 4x05 - The Long Night
Babylon 5 4x06 - Into the Fire
Babylon 5 4x07 - Epiphanies
Babylon 5 4x08 - The Illusion of Truth
Babylon 5 4x09 - Atonement
Babylon 5 4x10 - Racing Mars
Babylon 5 4x11 - Lines of Communication
Babylon 5 4x12 - Conflicts of Interest
Babylon 5 4x13 - Rumors Bargains and Lies
Babylon 5 4x14 - Moments of Transition
Babylon 5 4x15 - No Surrender No Retreat
Babylon 5 4x16 - The Exercise of Vital Powers
Babylon 5 4x17 - The Face of the Enemy
Babylon 5 4x18 - Intersections in Real Time
Babylon 5 4x19 - Between the Darkness and the Light
Babylon 5 4x20 - Endgame
Babylon 5 4x21 - Rising Star
Babylon 5 4x22 - The Deconstruction of Falling Stars
Babys Day Out
Bachelor and the Bobby-Soxer The
Back To Bataan
Back To The Future 1
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Back to School (Alan Metter 1986)
Back to the Future II
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Backfield in Motion
BadBoys TrueStory 2003 CD1
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Bad Guy 2001
Bad Santa (unrated)
Bad Seed The 1956
Bad Timing (Nicolas Roeg 1980)
Bad and the Beautiful The
Balanta 1992 (The Oak)
Ballad Of A Soldier 1959
Bamba La (1987)
Band of Brothers 01 - Currahee
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Band of Brothers 04 - Replacements
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Band of Brothers 09 - Why We Fight
Band of Brothers 10 - Points
Band of Outsiders
Bande des quatre La 1988 CD1
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Bao biao (1969) - Have sword Chang Cheh
Bao lian deng (1999)
Bar El Chino 2003
Baramui Fighter CD1
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Barberella - A Queen Of The Galaxy
Bare Bea 2004
Barefoot Gen 1983
Barrio 1947 25fps
Basara The Princess 1992 CD1
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Batman - Mystery of the Batwoman
Batman - The Movie
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Batman and Robin
Batoru Rowaioru II - Requiem (2003) CD1
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Battle Hymn 1957
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Battle Royale 2 (2003)
Battle for the Planet of the Apes
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Battlestar Galactica 01x01 - 33
Battlestar Galactica 01x01 - Litmus
Battlestar Galactica 01x01 - Water
Battlestar Galactica 01x03 - Bastille Day
Battlestar Galactica 01x04 - Act of Contrition
Battlestar Galactica 01x05 - You Cant Go Home Again
Battlestar Galactica 01x07 - Six Degrees of Seperation
Battlestar Galactica 01x08 - Flesh and Bone
Battlestar Galactica 01x09 - Tigh Me Up, Tigh Me Down
Battlestar Galactica 01x10 - The Hand of God
Battlestar Galactica 01x11 - Colonial Day
Battlestar Galactica 01x12 - Kobols Last Gleaming Part 1
Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2
Bean - The Ultimate Disaster Movie
Beast From 20,000 Fathoms The 1953
Beast Within The
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Beating Of The Butterflys Wings The 2000
Beatles Anthology The Episode1
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Beatles Anthology The Episode3
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Beatles Anthology The Episode5
Beatles Anthology The Episode6
Beatles Anthology The Episode7
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Beatles Anthology The Special Features
Beatles The - A Hard Dayss Night
Beatles The First US Visit The
Beau Pere - Stepfather - Bertrand Blier 1981
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Beavis and Butt-head Do America (1996)
Bedford Incident The
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Being John Malkovich
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Belle and La Bete La (1946)
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Bells Of St Marys The (1945)
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Beneath the Planet of the Apes
Benny and Joon
Best years of our lives 1946
Bet on My Disco
Better Off Dead 1985
Better Than Chocolate
Better Tomorrow 2 A CD1
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Better Tomorrow 3 A
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Between Heaven and Hell
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Beyond The Clouds
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Biches Les (Claude Chabrol 1968)
Bicho de sete cabezas
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Big Bounce The
Big Chill The
Big Deal on Madonna Street (1958)
Big Fat Liar
Big Fish 2003
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Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
Billy Madison 1995
Bingwoo 2004 CD1
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Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
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Bird on a wire
Bishops Wife The 1947 CD1
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Bite the bullet
Bitter Sugar (Azucar amarga)
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
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BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
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BlackAdder 4x1 - Captain Cook
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BlackAdder 4x3 - Major Star
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BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
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BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Hawk Down
Black Mask 2
Black Rain CD1
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Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
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Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
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Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
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Bless The Child
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Blind Spot Hitlers Secretary (2002)
Blob The 1988
Blood Wedding (1981)
Blood and Black Lace
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Blue Collar Comedy Tour The Movie
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Blue Planet The 1
Blue Planet The 2 - The Deep
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Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue juice 1995
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Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Bone Collector The
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Book of Fate The
Book of Pooh The
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Bourne supremacy The-1CD
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Bride with White Hair The
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Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Buena Estrella La (Lucky Star)
Bugs Bunny - Baseball Bugs (1946)
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Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
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Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
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Bugs Bunny and Elmer - Rabbit of Seville (1950)
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Bugs Life A
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The