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Bellinin And The Spynx CD2

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He was always cruising,|looking for a big dick.
Who was his lover?
That old fag was all kissy-huggy|with the Chilean guy.
''The Indian''?
Of course, dammit!
-Where's he now?|-I don't know!
Ask those fucking ass peddlers!
That table over there,|but be careful.
Thank you.
Sorry for the delay, my dear.
Are you sure no one saw you|coming in here?
Sofia, you're too concerned.
Of course not.
I'm sure they see me|as the major suspect.
But it doesn't matter,|we've got to carry on with our plan.
Hi, what 's up!
With this honey here,|it will cost you more.
Get in the car so we can talk.
-We wanna ask you some questions.|-Dammit!
I knew it!
Look, no one here knows much|about that guy, Miguel.
-So you know he's wanted.|-This place's swarming with cops!
-Who are you, after all?|-Private detectives.
Oh, my!
What do you know about|''the Indian''?
He's a wild beast!
One day, just for the kick,|we called him ''Argentinian''.
He started punching everyone,|beating his own chest and saying:
''I'm Chilean! I'm Chilean!''
What about the doctor?
I know the same as you do.
He fell in love with him|and came off badly.
Do you have any idea where|the ''Chilean stud'' might be?
He's disappeared.
What sort of places|does he go to if not here?
He had an urge to prove|he was ''macho''.
He loved to hang around pretty women.
-Usually girls from the Cocktail.|-Do you remember their names?
It might be.
{y:i}I bet she's involved|{y:i}with ''the Indian''.
{y:i}-We need to find Fatima.|{y:i}-OK, but you wait in the car.
-I'm looking for Fatima.|-She's left. Come back tomorrow.
I need to see her tonight,|where does she live?
That information's priceless.|She left with someone, anyway.
What was he like?
That costs a lot more.
Dark, tall, lndian type.
{y:i}-So this is where she lives?|{y:i}-That's what the barman said.
It seems she won't be|back any time soon.
She makes you horny, doesn't she?
Is it because she's|a whore or an illusion?
-What are you talking about?|-Women are just an illusion, Bellini.
Caled said so and you wrote|it down in your report.
I was thinking about what|that bitch from Nirvana said.
And Silvia?
Was she a whore|or an illusion to you?
Listen up.
You'd better live your illusions|to the full before they vanish.
That 's so savage!|A promising night!
-Where were you tonight?|-You're hurting me!
-You think I like it?|-Who were with you?
A client.
Why?|Wanna be my pimp?
Who was this client?
It's none of your business.|But I brought you an information.
Won't you invite me in?
You picked a bad day.
-That girl is not for you.|-What do you have for me?
-You'll have to search me.|-Give me a break!
Come on.
Come on...
Not there...
Like this.
''Tomorrow at Trianon Park, next to|the drinking fountain, 11:45 p.m.''
What 's this?
-You'll have to see it for yourself.|-Listen up.
What 's the catch?
This message is from Juan.|I was with him tonight.
-Who's Juan?|-A friend who can help you.
Leave the police out,|go alone!
Any other demand?
If you call the cops,|we'll be fucked!
Don't screw up! I trust you.
There's something|I want you to listen to.
{y:i}I'm sure they see me|{y:i}as the major suspect.
{y:i}But it doesn't matter,|{y:i}we've got to carry on with our plan.
Sofia, Samuel was never|in love with my daughter.
It always seemed to me that he|didn't like the idea of marrying her.
Never mind that.
My parents first met each other|the very night they got engaged.
All through their marriage they|were respectful to one another.
Let me tell you something.
The other day my daughter...
saw Samuel getting into some|woman's car who apparently...
...doesn't belong to our community.|-My Samuel?
He'd never do that. He's engaged to|your daughter since he was born.
But is this the right time?
Samuel needs to marry a girl from|our community for his own good.
Besides, that was|my beloved husband's wish.
All right.|I'll talk to my daughter.
I'm certain they'll learn|to love each other.
What a family!
No news since yesterday?
I need to inform the Rafidjians...
of the patriarch's sexual adventures.
You two go and get information about|Ana Cintia and ''the lndian''.
The company car's gone for good.
Broke down again?
-Yes, it did.|-Why don't you use yours?
Why didn't you tell her|about last night?
I know Lobo, she'd call the cops and|the meeting'd go down the drain.
There's something fishy.
Let me see that note.
-Who wrote this note?|-Juan.
-Who's Juan?|-Fatima's friend.
This is woman's handwriting.|Fatima must be involved.
We'll have to take the risk.
Are you coming with me?
Is Juan there?
-I've got no gun, man.|-Drop the knife!
-I told you to come alone!|-Shut up! Drop it now!
-Son of a bitch! Who's she?|-We work together.
-Help me. All the cops want my ass!|-Why should I help you?
Because Fatima said|I could trust you.
-And I didn't kill the old man!|-Let him go!
-You deny you were seeing him?|-No, that 's true.
Then he started with that love talk,|but I'm ''macho''! ''Macho''!
-Then my girlfriend got pregnant.|-Ana Cintia?
No, I made that name up|to get rid of him.
Told him she was leaving|and I wanted to marry her!
-Who was your girlfriend, anyway?|-Dinéia.
-Did she know about the doctor?|-Yes, that 's why she left me.
-Put the gun down or I'll kill him!|-Put it down, Beatriz!
-What happened, then?|-I was broke!
So I decided to get|some easy money from him.
I asked for US$100,000 so I wouldn't|tell everybody he was a faggot.
-Did he agree?|-Sure!
He was in love, would do|anything to see me again.
-We arranged to meet the next day.|-What happened?
When I got there I found|his body covered in blood.
-What about the money?|-Someone took it! Fuck!
The safe was empty, there was|nothing inside. They set me up!
-Dinéia knew of the blackmail?|-Yes...
but she wouldn't double-cross me.|She wasn't interested in his money.
Bellini, you can't believe him!
-Put the gun down or I'll kill him!|-Put it down, he's gonna kill me!
Put it down!
-What have you done?|-Nothing!
Police! Freeze!
-They work for me! Boris...|-Stop it! Stop it!
They're ours.
I had to kill him, Boris.
-What are you doing here?|-That 's my question.
You're paid to keep me informed,|not to act behind my back.
Behind your back? I tried to get|a clue to catch the real murderer.
Come on, if weren't for Beatriz|you'd be dead by now!
No, if weren't for her|we'd still have our best witness.
Witness? You can't have bought that!
The guy told him some tales|and Bellini bought them all.
Why would he do that? He could've|killed me with the car last night.
-For God's sake, don't be so naive!|-Stop it! That 's not the point!
Lobo!|Come take a look at this.
I want a detailed report from the|two of you by tomorrow morning.
-Wait! You owe me an explanation.|-I owe you nothing.
You double-crossed me!|I promised there'd be no cops.
If I can't trust my partner,|who else can I trust?
Try Fatima for a change.
Are you sure you|told me everything?
Of course! Have you tried|to reach ''the Indian's'' girlfriend?
-She simply vanished.|-We need to find her.
Bellini, I'm fed up with you.
You're here to answer questions,|not to ask them.
Mrs. Glaucia's here.
Mrs. Glaucia...
we were informed that this man...
is involved with the crime.
Can you try to remember|if you ever saw him?
Oh, God!
So you've seen him.
Could you tell us exactly|when you saw him?
I was going back|to the clinic after lunch...
when he walked by me.
I had the feeling I'd seen him.
- Now I remember.|-So you had met him before.
He had been to the clinic once.|I thought it was weird.
-He was kind of ill-favored.|-Did the doctor ever talk about him?
He said he was a Chilean researcher.
There must 've been him!
-How about the US$100,000?|-What?
We were told|that the day of the murder...
he went there for the money promising|to keep silent about the researches...
you just mentioned.
Look, I know nothing about this.
Mrs. Glaucia...
did you know your boss hired our|private eye agency services...
...a few days before the murder?|-What?!
He'd never tell me such things.
-Why? What 's going on?|-An investigation!
And I'm in charge of it!|You!
Get out of here|before I lose my temper!
Clovis! Take Bellini out!
{y:i}Fuck! The safe was empty, there was|{y:i}nothing inside. They set me up!
Thank God I found you.|Look, they're pushing me too much!
{y:i}-What do you mean?|-I don't know how to lie.
{y:i}-Take it easy!|-The police won't leave me alone.
I don't know what else to do!|They'll make me tell the truth.
{y:i}Calm down.|-I need to get away from here.
-And you got to help me!|{y:i}-And the missing money?
-What money?|{y:i}-Forget it.
{y:i}-I'll give you the tickets tomorrow.|-All right, darling.
-I'll see you tomorrow at 1O p.m.|{y:i}-At the boilers.
I'll call you later.
In spite of|Dr. Rafidjian's discretion...
...Mrs. Glaucia knew he came here.|-She followed him all the time.
The Rafidjian's mansion...
''To my dear aunt''.
She must be Mrs. Glaucia's sister|and the girl...
-And the boy?|-Samuel.
-What 's your point?|-The family.
That 's absurd!
-Why would they...|-I'd like to talk to them.
Take it easy, guys!|Let 's work as a team.
Excuse me.
I don't see how this can help you.
My experience says|the truth's found in the details.
This picture was taken here, a long|time ago. Around 15 years ago.
This is Samuel and she was...
she was his babysitter,|Mrs. Glaucia's sister.
And the girl?|Who's she?
-Her name was Paula.|-Was?
I don't get your point.|I haven't seen them for so long.
We have strong reasons|to believe that Paula...
is involved in the murder.
Please, don't keep any secrets.
The truth is about to come up.
Sooner or later.
Paula was daughter of|Mrs. Glaucia's sister.
She was a good girl, we liked her.
Specially Samuel.|They were always together...
even though Rafidjian|didn't like it at all.
You know, we avoid|mixtures in our family.
It was an innocent friendship,|but then one day...
my husband realized that the|girl's father was his own brother.
I tried to calm him down, but he had|no mercy. He told them to leave.
And then?
They disappeared.
I think they went to Mato Grosso.
Years later we were told that|Mrs. Glaucia's sister had died.
And the girl?
We never heard of her.
{y:i}Lobo, I'm gonna meet Mrs. Glaucia.
{y:i}Sorry for not telling you but I don't|{y:i}want the police spoiling it again.
{y:i}In case I don't see you again,|{y:i}this is my last report.
{y:i}In retaliation for ruining her life...
{y:i}Paula planned a revenge against the|{y:i}doctor using the Indian's blackmail.
{y:i}Using her aunt|{y:i}to find out the doctor's secrets...
{y:i}Paula and the sphinx neckless' owner|{y:i}killed him and blamed ''the Indian''.
{y:i}But they were careless.
{y:i}Mrs. Glaucia took the money.|{y:i}A fatal mistake.
Search his car!|Take him over there.
-What 's going on, Boris?|-Bellini's got himself in trouble.
-Accusing my assistant? You're nuts?|-OK, let 's see the facts.
The security guard called us|after he heard shots.
When we arrived, the secretary was|dead and Bellini was running away.
-For what reason would he do that?|-If you let me do my job...
I'll find the reason.
It's obvious they want|to incriminate Bellini.
Let 's examine the whole thing.
-What about Fatima?|-She must know who Paula is.
-So you two were arguing...|-I didn't even talk to her.
-You said you were following her.|-No, yesterday I went to the clinic...
-You trespassed? You're in trouble!|-She put the money back in the safe.
-Think I'm stupid? lt was empty!|-You didn't understand...
You do not understand who you're|talking to! You're pissing me off!
I found this in his car! He's gotta|say where's the rest of the money!
-Arrest him!|-Drop your gun! Drop your gun now!
-Do as he says!|-Get in the car!
-Get in the hole!|-Do as he says! Go inside!
-Tell them to go!|-Go! Go!
Get down and stay there!
I need to see you.|Dinéia came by looking for me.
{y:i}She got pregnant, but found out|{y:i}about ''the Indian''and the doctor.
{y:i}That's why she left.
She felt depressed and|had a miscarriage.
{y:i}She met a socialworker|{y:i}and told her everything.
-Told her what?|-About the blackmail, dammit!
{y:i}One day before the murder,|{y:i}''the Indian'' told Dinéia everything.
-Where are you?|-I'm at work.
Meet me in my place in one hour.
All right.
{y:i}This is ''Garra 20''.
{y:i}Suspect escaped using exit behind|{y:i}the building. Roger that?
{y:i}Roger. Alert all stations.|{y:i}Murder suspect at large.
-Lobo?|{y:i}Got any news?
-Sofia's leaving.|{y:i}Good.
{y:i}I'll be right there|{y:i}to see the governess.
{y:i}She must know about Paula.
Do you want me to follow Sofia?
{y:i}No, stay there and let me know|{y:i}if someone returns.
-Excuse me.|-Yes?
-I'd like to see priest Rafidjian.|-Follow me, please.
{y:i}-Yes?|-Dora Lobo, private investigation.
{y:i}-Mrs. Sofia is not at home.|-Ismália?
{y:i}-Yes?|-Can I talk to you?
There's someone|here to talk to you.
-What is it about?|-He says he wants to convert.
Let him come in.
...searched for Paula many times.|-Did his parents know about it?
No. Not at all.
Her name's forbidden in this house.
So you're considering conversion.|Look...
from our point of view, if you're|Christian, you don't need to do so.
Well, I'm here|for another reason.
I'm not sure if Paula's his|new girlfriend.
Samuel's very reserved.
-And after he and his father...|-What happened?
When he realized his son was dating|a girl out of the community...
you know, something like that|is forbidden in this family!
-I know.|-So...
the doctor had promised his son would|marry Mr. Bogossian's daughter.
But Samuel said he loved a''Brazilian|girl'', as they call them here.
I had never seen|Dr. Rafidjian so upset.
I thought he was going to|strangle his own son!
don't remind me of that,|it 's too painful.
I need your help.
This is part of a past|that 's been burried. Forever.
Do you know what I mean?
She thought you|could do her a favor.
And he obeyed his father|even though he loved her so?
Poor boy, he was miserable for|months in a row. He hardly ate.
But he couldn't stand it for long.
You mean she never looked for you?
Never...|neither did I.
But Paula's mother kept in touch,|without her knowledge.
She sent letters...
many pictures of Paula...
Her fifteenth birthday.
That 's when she was sixteen.
During all this time she never|heard from her father.
After her mom died,|I didn't receive any more letters.
And my pain slowly faded away.
May I?
You said my daughter wanted me|to do something for her. What is it?
Pray for her.
I noticed he was happier,|more talkative.
So I asked him|if he'd seen her again.
He trusts me.
He smiled and showed me|the necklace he was wearing.
Yes, a necklace his girlfriend|had given him.
Are they still dating?
-I don't think so.|-Why not?
I haven't seen him|wearing that necklace.
Not since days before|his father died.
By any chance,|is this the necklace?
-Go ahead, Lobo.|-Meet me at the Rafidjian's mansion.
The case is over.
The guy's still missing and|nobody has any clues, dammit!
-Hello?|{y:i}-Boris, this is Bellini.
{y:i}Meet me at the Rafidjian's mansion.
We need reinforcement, let 's go.
Samuel, drop that...
Samuel... 's over.|-No!
Put your gun down!
Now give it to me.
-Nice necklace.|-Shut up!
What 's your problem?
He never understood what this|meant to me. I tried to explain.
But he never listened to me!
I told you I don't want|to talk about it!
Listen to me!
-I know you have a lover.|-Shut your mouth!
I was suspicious...|he had a secret.
Your father had someone, why|wouldn't you have the girl you loved?
What 's all this money for?
What are you doing here?
-I know you have a loverboy.|-What?
She planned everything, didn't she?
No? Let 's see.
Paula used her own aunt|to follow your father.
She found out he'd been|to a private eye agency.
She couldn't miss that chance.
A disguise. She came first|and fast to avoid suspicions.
She even asked you to follow me,|but that didn't work.
To discover your dad's secrets...
she had to stick to the investigation.
Blackmailing turned into murder.|Premeditated!
Then you just needed to kill the|right people, eliminate all clues...
and get a new suspect, right?
You're brilliant, detective.|You're gonna go far.
I'm lucky not to have a strong|opponent like you.
You know damn well|how to manipulate people.
-Some are easier than others.|-Shut up, both of you!
Don't you think you went too far|with this ''perfect revenge''?
What 's next? Leave three corpses|behind and call the cops?
Leave the creative job to me.|I'm good at that.
-The case is over, detective.|-There's something else.
Did you sleep with him?
Didn't you tell him? I thought|it was part of the plan.
Shoot, dammit!
Am I part of your revenge?
I thought it 'd work between us.
We both know what|it feels like to be rejected.
And what it feels like|to live with this pain.
We're survivors, Bellini.
It was nice meeting you, detective.
-Bellini...|-Call an ambulance!
How are you feeling?
They found Juan.|You won't believe it.
I do.
He's only six years old...
his father was ''the Indian''. His|mother, one of the Cocktail dancers.
Apparently your friend Fatima used|to take care of him, now and then.
There's no doubt left.
Considering all the evidences,|Samuel committed all the murders.
Where's she?
She simply vanished...
no clues, nothing.
You still owe me one.
You picked a great day.
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Beast Cops
Beast From 20,000 Fathoms The 1953
Beast Within The
Beast of War The
Beating Of The Butterflys Wings The 2000
Beatles Anthology The Episode1
Beatles Anthology The Episode2
Beatles Anthology The Episode3
Beatles Anthology The Episode4
Beatles Anthology The Episode5
Beatles Anthology The Episode6
Beatles Anthology The Episode7
Beatles Anthology The Episode8
Beatles Anthology The Special Features
Beatles The - A Hard Dayss Night
Beatles The First US Visit The
Beau Pere - Stepfather - Bertrand Blier 1981
Beautiful Creatures
Beautiful Girls
Beautiful Thing
Beautiful Troublemaker The (1991) CD1
Beautiful Troublemaker The (1991) CD2
Beautiful Troublemaker The (1991) CD3
Beautifull Mind A CD1
Beautifull Mind A CD2
Beauty And The Beast
Beauty and the Beast (Disney Special Platinum Edition)
Beavis and Butt-head Do America (1996)
Bedford Incident The
Bedroom Key The CD1
Bedroom Key The CD2
Before Night Falls 2000 CD1
Before Night Falls 2000 CD2
Before Sunrise
Before Sunset 2004
Beguiled The
Behind Enemy Lines 2001
Behind The Sun (Walter Salles 2001)
Being John Malkovich
Being There (1979) CD1
Being There (1979) CD2
Belle Epoque CD1
Belle Epoque CD2
Belle and La Bete La (1946)
Bellinin And The Spynx CD1
Bellinin And The Spynx CD2
Bells Of St Marys The (1945)
Belly Of The Beast
Belly of an Architect The
Ben-Hur CD1
Ben-Hur CD2
Bend It Like Beckham
Bend of the River 1952
Beneath the Planet of the Apes
Benny and Joon
Best years of our lives 1946
Bet on My Disco
Better Off Dead 1985
Better Than Chocolate
Better Tomorrow 2 A CD1
Better Tomorrow 2 A CD2
Better Tomorrow 3 A
Better Way To Die A
Between Heaven and Hell
Beverly Hillbillies The 1993
Beverly Hills Ninja
Beyond Borders CD1
Beyond Borders CD2
Beyond The
Beyond The Clouds
Bez konca (No End 1985) CD1
Bez konca (No End 1985) CD2
Biches Les (Claude Chabrol 1968)
Bicho de sete cabezas
Bichunmoo CD1
Bichunmoo CD2
Big Blue The CD1
Big Blue The CD2
Big Bounce The
Big Chill The
Big Daddy
Big Deal on Madonna Street (1958)
Big Fat Liar
Big Fish 2003
Big Hit The
Big Lebowski The
Big Mommas House
Big Nihgt
Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
Biker boyz
Billy Elliot
Billy Madison 1995
Biloxi blues
Bingwoo 2004 CD1
Bingwoo 2004 CD2
Bio Dome
Bio Hunter
Bio Zombie
Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
Bird People in China The 1998 CD2
Bird on a wire
Bishops Wife The 1947 CD1
Bishops Wife The 1947 CD2
Bite the bullet
Bitter Sugar (Azucar amarga)
Black Angel
Black Sabbath
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
BlackAdder 1x3 - The Archbishop
BlackAdder 1x4 - The Queen of Spains Beard
BlackAdder 1x5 - Witchsmeller Pursuivant
BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
BlackAdder 2x2 - Head
BlackAdder 2x3 - Potato
BlackAdder 2x4 - Money
BlackAdder 2x5 - Beer
BlackAdder 2x6 - Chains
BlackAdder 4x1 - Captain Cook
BlackAdder 4x2 - Corporal Punishment
BlackAdder 4x3 - Major Star
BlackAdder 4x4 - Private Plane
BlackAdder 4x5 - General Hospital
BlackAdder 4x6 - Goodbyeee
BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Christmas
Black Hawk Down
Black Mask
Black Mask 2
Black Orpheus
Black Rain CD1
Black Rain CD2
Black Sheep
Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
Blackout The 1997 CD2
Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
Blade Runner (1982 Original Cut) CD2
Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
Blazing Sun (1960) CD1
Blazing Sun (1960) CD2
Bless The Child
Blind Beast
Blind Chance (1987) CD1
Blind Chance (1987) CD2
Blind Spot Hitlers Secretary (2002)
Blind date
Blob The 1988
Blood Crime
Blood Wedding (1981)
Blood Work
Blood and Black Lace
Blow 2001 CD1
Blow 2001 CD2
Blow Dry 2001
Blown Away 1994 CD1
Blown Away 1994 CD2
Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
Blue Max The CD1
Blue Max The CD2
Blue Moon
Blue Planet The 1
Blue Planet The 2 - The Deep
Blue Planet The 3 - Open Ocean
Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
Blues Brothers The (1980) CD1
Blues Brothers The (1980) CD2
Blues Harp
Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
Body Heat
Body The
Boiler Room
Bola El
Bone Collector The
Bonnie and Clyde
Book of Fate The
Book of Pooh The
Boondock Saints The
Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
Boucher Le
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
Bride with White Hair The
Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Brothers The
Buena Estrella La (Lucky Star)
Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
Bugs Bunny - Bully for Bugs (1953)
Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
Bugs Bunny - Haredevil Hare (1948)
Bugs Bunny - Long Haired Hare (1949)
Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
Bugs Bunny - Tortoise Wins by a Hare (1943)
Bugs Bunny - Wabbit Twouble (1941)
Bugs Bunny - Water Water Every Hare (1952)
Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952)
Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
Bugs Bunny and Yosemite Sam - Big House Bunny (1950)
Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950)
Bugs Bunny and Yosemite Sam - High Diving Hare (1949)
Bugs Life A
Bullet Ballet
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The