Casino Classic.
Get $500 free on the house!

Subtitles for X-Files 5x19 Folie A Deux.

English Subtitles for DivX Movies.

Request Or Post Subtitles You Cannot Find Here

Select one of the letters to view a proper section of titles list:

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


X-Files 5x19 Folie A Deux

Click here to download subtitles file for the movie "X-Files 5x19 Folie A Deux"

Click here to download the movie "X-Files 5x19 Folie A Deux"

Ads:
fotos de chicas borrachas
ÿþ1 00:00:02,969 --> 00:00:05,472 [ Many Voices Speaking At Once ] 2 00:00:13,430 --> 00:00:16,433 [ Line Ringing ] 3 00:00:16,933 --> 00:00:19,769 [ Man ] HELLO ? HELLO, MAY I SPEAK TO MR. ZACHARY LLOSA ? 4 00:00:19,769 --> 00:00:21,771 IT'S YO-SA, NOT LLO-SA. SPEAKING. 5 00:00:21,771 --> 00:00:23,773 HELLO, MR. YO-SA. 6 00:00:23,773 --> 00:00:26,276 I'M CALLING ON BEHALF OF THE VINYLRIGHT CORPORATION, 7 00:00:26,276 --> 00:00:29,279 WHICH WOULD LIKE TO PUT A CRISP $100 BILL INTO YOUR HAND... 8 00:00:29,279 --> 00:00:31,281 BY 5:00 TOMORROW EVENING. 9 00:00:31,281 --> 00:00:33,783 YEAH, LISTEN. I'M NOT REALLY INTERESTED AT THIS TIME. 10 00:00:33,783 --> 00:00:36,786 YES, SIR, $100, ALL FOR ALLOWING US THE PRIVILEGE... 11 00:00:36,786 --> 00:00:39,289 OF INTRODUCING YOU TO VINYLRIGHT SIDING, 12 00:00:39,289 --> 00:00:42,292 THE THOUSAND-YEAR SIDING THAT NEVER NEEDS PAINTING OR MAINTENANCE. 13 00:00:42,292 --> 00:00:44,294 LOOK, MAN, I'M REALLY NOT INTERESTED. 14 00:00:44,294 --> 00:00:47,297 MANUFACTURED IN AMERICA FROM SPACE-AGE POLYMERS, 15 00:00:47,297 --> 00:00:49,299 IT BEAUTIFIES WHILE IT PROTECTS, 16 00:00:49,299 --> 00:00:51,301 WHILE IT ADDS TO THE RESALE VALUE OF YOUR HOME. 17 00:00:51,801 --> 00:00:53,803 LOOK, I SAID I'M NOT INTERESTED. I HAVE TO GO NOW. 18 00:00:53,803 --> 00:00:56,823 - I HAVE TO GO. SORRY. -[ Dial Tone ] 19 00:00:59,292 --> 00:01:02,695 [ Fluttering Sound ] 20 00:01:14,157 --> 00:01:19,012 YO, GARY. DIAL AND SMILE, GARY. 21 00:01:19,012 --> 00:01:22,015 SEE, IF YOU'RE NOT SMILING, THEY CAN HEAR IT. 22 00:01:25,018 --> 00:01:28,188 IF YOU'RE NOT SMILING, THEY CAN HEAR IT. 23 00:01:28,188 --> 00:01:30,740 JERK. 24 00:01:30,740 --> 00:01:33,243 YES, MR. VALENZUELA, I'M CALLING ON BEHALF OF THE VINYLRIGHT CORPORATION. 25 00:01:33,243 --> 00:01:36,563 WE WOULD LIKE TO PUT A CRISP $100 BILL INTO YOUR HANDS... 26 00:01:36,563 --> 00:01:38,565 BY 5:00 TOMORROW EVENING. [ Phone Dialing, Line Ringing ] 27 00:01:38,565 --> 00:01:42,068 [ Woman ] HELLO ? M-MRS. EDITH LOACH ? 28 00:01:42,068 --> 00:01:44,037 YEP, THAT'S ME. HELLO, MRS. LOACH. 29 00:01:44,037 --> 00:01:46,539 I'M CALLING ON BEHALF OF THE VINYLRIGHT CORPORATION, 30 00:01:46,539 --> 00:01:49,042 WHICH WOULD LIKE TO PUT A CRISP $100 BILL INTO YOUR HAND... 31 00:01:49,042 --> 00:01:50,960 BY 5:00 TOMORROW EVENING. 32 00:01:50,960 --> 00:01:53,947 [ Mrs. Loach ] YOU WANT TO GIVE ME A HUNDRED DOLLARS ? WHY ? 33 00:01:53,947 --> 00:01:57,150 -[ Fluttering Sound ] -[ Mrs. Loach ] HELLO ? 34 00:01:57,150 --> 00:01:59,919 DID I WIN SOMETHING ? 35 00:01:59,919 --> 00:02:02,422 YES, MA'AM. ONE HUNDRED DOLLARS. 36 00:02:02,922 --> 00:02:05,925 ALL FOR ALLOWING US THE PRIVILEGE OF INTRODUCING YOU TO VINYLRIGHT SIDING, 37 00:02:05,925 --> 00:02:09,429 THE THOUSAND-YEAR SIDING THAT NEVER NEEDS PAINTING OR MAINTENANCE. 38 00:02:09,929 --> 00:02:11,681 MANUFACTURED IN AMERICA FROM-- 39 00:02:11,681 --> 00:02:14,334 [ Fluttering ] 40 00:02:14,334 --> 00:02:16,786 HELLO ? 41 00:02:16,786 --> 00:02:19,289 MANUFACTURED IN AMERICA FROM SPACE-AGE POLYMERS, 42 00:02:19,789 --> 00:02:22,292 IT BEAUTIFIES WHILE IT PROTECTS, WHILE IT-- [ Fluttering Continues ] 43 00:02:22,292 --> 00:02:24,511 WHILE IT-- 44 00:02:28,848 --> 00:02:31,301 HELLO ? HELLO ? 45 00:02:31,301 --> 00:02:33,803 [ Whispering ] MRS. LOACH, 46 00:02:33,803 --> 00:02:35,805 LISTEN VERY CAREFULLY. 47 00:02:37,307 --> 00:02:39,809 IT'S HERE ! 48 00:03:20,065 --> 00:03:24,069 [ Intercom Buzzes ] [ Woman ] SIR, AGENTS MULDER AND SCULLY ARE HERE. 49 00:03:24,069 --> 00:03:26,071 SEND THEM IN. 50 00:03:29,474 --> 00:03:32,110 - SIR ? - AGENTS, HAVE A SEAT. 51 00:03:32,110 --> 00:03:33,945 [ Door Closes ] 52 00:03:38,183 --> 00:03:41,053 I NEED YOU TO GO TO CHICAGO AS SOON AS POSSIBLE... 53 00:03:41,053 --> 00:03:42,888 TO PERFORM A THREAT ASSESSMENT. 54 00:03:42,888 --> 00:03:46,258 A THREAT ASSESSMENT FOR WHOM ? VINYLRIGHT. THEY MAKE SIDING. 55 00:03:46,758 --> 00:03:48,760 THEIR TELEMARKETING HUB IN OAK BROOK WAS THE FOCUS... 56 00:03:49,261 --> 00:03:54,466 OF AN ANONYMOUS AUDIOTAPED MANIFESTO, ONE WHICH THREATENED VIOLENCE. 57 00:03:54,466 --> 00:03:57,586 APPARENTLY, SEVERAL YEARS BACK, THEY HAD AN INCIDENT IN ANOTHER OFFICE, 58 00:03:57,586 --> 00:03:59,388 A DISGRUNTLED EMPLOYEE WITH A GUN. 59 00:03:59,388 --> 00:04:01,340 THEY FEEL THEY CAN'T BE TOO CAREFUL. 60 00:04:01,340 --> 00:04:04,109 WHY CAN'T THE CHICAGO FIELD OFFICE TAKE CARE OF IT ? 61 00:04:04,109 --> 00:04:07,312 BECAUSE I PREFER YOU DID. 62 00:04:07,312 --> 00:04:11,867 BECAUSE THE MANIFESTO CONTAINS BIZARRE OVERTONES, 63 00:04:12,367 --> 00:04:15,120 CLAIMS OF A PARANORMAL NATURE ? 64 00:04:15,120 --> 00:04:18,357 IT SPEAKS OF A MONSTER STALKING EMPLOYEES. 65 00:04:18,357 --> 00:04:21,343 YOUR INSIGHT INTO SUCH CLAIMS SHOULD AID... 66 00:04:21,843 --> 00:04:23,845 IN ASSESSING THE THREAT, IF ANY, POSED BY THIS PERSON. 67 00:04:23,845 --> 00:04:27,599 MONSTERS. I'M YOUR BOY. 68 00:04:30,836 --> 00:04:33,772 MUST HAVE DONE SOMETHING TO PISS HIM OFF. 69 00:04:33,772 --> 00:04:36,274 WHAT DO YOU MEAN ? GET STUCK WITH THIS JERK-OFF ASSIGNMENT. 70 00:04:36,274 --> 00:04:39,344 OR HAVE I FINALLY REACHED THAT MAGIC POINT IN MY CAREER... 71 00:04:39,344 --> 00:04:41,346 WHERE EVERY TIME SOMEBODY SEES BIGFOOT... 72 00:04:41,346 --> 00:04:43,348 OR THE VIRGIN MARY ON A TORTILLA, 73 00:04:43,348 --> 00:04:46,184 I GET CALLED OUT OF MY BASEMENT WARREN TO OFFER MY SPECIAL INSIGHT ON THE MATTER. 74 00:04:46,184 --> 00:04:50,555 YOU'RE SAYING "I" A LOT. I HEARD "WE." 75 00:04:50,555 --> 00:04:53,392 NOR DO I ASSUME THAT THIS CASE IS JUST A WASTE OF OUR TIME. 76 00:04:53,392 --> 00:04:56,328 NOT YOURS, ANYWAY. THERE'S NO REASON BOTH OF US SHOULD GO TO CHICAGO. 77 00:04:56,328 --> 00:04:58,330 I'LL TAKE CARE OF IT. MULDER ! 78 00:04:58,330 --> 00:05:00,332 I'M MONSTER BOY, RIGHT ? 79 00:05:03,935 --> 00:05:07,722 THIS WAS FORWARDED TO US BY A LOCAL RADIO STATION. 80 00:05:09,724 --> 00:05:13,728 WHOEVER SENT IT WANTED THEM TO PLAY IT OVER AND OVER AGAIN, 24 HOURS A DAY. 81 00:05:14,229 --> 00:05:16,665 THEY ELECTED NOT TO. 82 00:05:16,665 --> 00:05:18,950 [ Man's Voice ] ATTENTION, PEOPLE OF ILLINOIS. 83 00:05:18,950 --> 00:05:22,354 THIS IS A WARNING OF THE UTMOST URGENCY. 84 00:05:22,354 --> 00:05:24,356 AT VINYLRIGHT, 85 00:05:24,856 --> 00:05:28,660 12340 WABASH TERRACE IN OAK BROOK, THERE IS A MONSTER-- 86 00:05:28,660 --> 00:05:32,314 AN EVIL ONE THAT PREYS ON THE PEOPLE THERE. 87 00:05:32,314 --> 00:05:35,750 BUT THEY CAN'T SEE IT BECAUSE IT HIDES IN THE LIGHT. 88 00:05:35,750 --> 00:05:39,971 I SEE IT. I KNOW WHERE TO LOOK. I CAN'T BE THE ONLY ONE. 89 00:05:41,356 --> 00:05:44,359 WE ALL MUST HUNT IT DOWN AND KILL IT. 90 00:05:44,359 --> 00:05:46,611 BECAUSE IF WE DON'T, 91 00:05:46,611 --> 00:05:49,915 IT WILL TAKE US ALL. 92 00:05:49,915 --> 00:05:52,751 [ Clicks Off ] YOU RECOGNIZE THE VOICE ? 93 00:05:52,751 --> 00:05:55,670 WE HAVE 96 EMPLOYEES. 94 00:05:55,670 --> 00:05:59,975 ANYWAY, I'M HOPING IT'S NOT ONE OF OUR PEOPLE. BUT I DON'T KNOW WHO ELSE IT WOULD BE. 95 00:05:59,975 --> 00:06:03,728 YOUR COMPANY HAD A VIOLENT INCIDENT IN ITS RECENT HISTORY ? 96 00:06:03,728 --> 00:06:06,097 WE HAVE A PLANT IN KANSAS CITY. 97 00:06:06,097 --> 00:06:10,602 BACK IN '94, ONE OF THE WAREHOUSE GUYS CAME IN WITH A GUN, THREATENED EVERYBODY. 98 00:06:11,102 --> 00:06:13,305 I THINK IT WAS OVER A WOMAN. 99 00:06:13,805 --> 00:06:15,807 MAY I BORROW THE TAPE ? KEEP IT. 100 00:06:15,807 --> 00:06:18,810 SO, I KNOW OUR HOME OFFICE HAS TO CALL YOU GUYS FOR INSURANCE REASONS. 101 00:06:19,311 --> 00:06:22,814 BUT THIS IS PROBABLY JUST A CRANK, RIGHT ? SOME GUY MAKING A JOKE ? 102 00:06:22,814 --> 00:06:26,701 IT'S BEST TO ERR ON THE SIDE OF CAUTION. CAN YOU HIRE SECURITY FOR THE BUILDING ? 103 00:06:26,701 --> 00:06:30,238 IF YOU THINK WE NEED TO. I'M ALSO CONDUCTING MY OWN INTERNAL INVESTIGATION-- 104 00:06:30,238 --> 00:06:32,491 INTERVIEWING EMPLOYEES, SEEING IF THEY'RE HAPPY. 105 00:06:32,491 --> 00:06:35,844 USE YOUR BEST JUDGMENT. I'LL BE IN TOUCH. 106 00:06:45,637 --> 00:06:48,640 SCULLY. HI, IT'S ME. I NEED YOU TO CHECK ON SOMETHING. 107 00:06:48,640 --> 00:06:51,643 WHAT ? IT'S A PHRASE-- "HIDING IN THE LIGHT." 108 00:06:51,643 --> 00:06:53,578 IT'S ON THIS TAPE THAT I'M LOOKING INTO. 109 00:06:54,079 --> 00:06:56,331 - THE CASE THAT'S A TOTAL WASTE OF TIME ? - YES, 110 00:06:56,831 --> 00:06:58,333 AND I DIDN'T SAY THAT IT WASN'T. 111 00:06:58,833 --> 00:07:01,336 "TO HIDE IN THE LIGHT" OR "HIDING IN THE LIGHT"-- SOME FORM OF THAT. 112 00:07:01,836 --> 00:07:05,557 I THINK IT'S IN AN OLD CASE FILE SOMEWHERE THAT I'VE GOT HIDDEN AWAY. 113 00:07:05,557 --> 00:07:07,692 WHICH ONE ? THERE'S HUNDREDS. 114 00:07:07,692 --> 00:07:09,961 I'M NOT SURE, BUT I APPRECIATE IT. 115 00:07:09,961 --> 00:07:12,264 [ Dial Tone ] 116 00:07:13,765 --> 00:07:15,767 [ Phone Hangs Up ] 117 00:07:15,767 --> 00:07:18,603 "HIDING IN THE LIGHT." 118 00:07:32,667 --> 00:07:35,670 [ Man ] NANCY AARONSON, COME TO MY OFFICE, PLEASE. 119 00:07:36,171 --> 00:07:38,673 UH-OH. NOW I DID IT. 120 00:07:42,226 --> 00:07:45,479 NANCY. YEAH ? 121 00:07:45,479 --> 00:07:48,082 NANCY AARONSON, COME TO MY OFFICE, PLEASE. 122 00:07:48,082 --> 00:07:51,035 WHAT, GARY ? 123 00:07:51,535 --> 00:07:53,037 DON'T. 124 00:07:53,504 --> 00:07:55,489 DON'T WHAT ? 125 00:07:57,241 --> 00:07:59,693 GARY, I LOVE YOU, BUDDY, 126 00:08:00,194 --> 00:08:02,696 BUT YOU'RE REALLY, REALLY WEIRD. 127 00:08:14,592 --> 00:08:17,762 [ Fluttering ] 128 00:08:22,216 --> 00:08:25,186 [ Nancy Screaming ] 129 00:08:31,142 --> 00:08:33,210 DIAL AND SMILE, GARY. 130 00:08:46,357 --> 00:08:50,194 [ Man ] MARK BACKUS, COME TO MY OFFICE, PLEASE. 131 00:08:55,766 --> 00:08:59,203 [ Man ] MARK BACKUS, COME TO MY OFFICE, PLEASE. 132 00:09:06,210 --> 00:09:08,679 SEE ? 133 00:09:08,679 --> 00:09:12,766 NOTHING TO IT. 134 00:09:12,766 --> 00:09:16,170 HE JUST WANTS TO SAY HI TO EVERYBODY. 135 00:09:16,170 --> 00:09:19,807 HE'S GOING ALPHABETICALLY. 136 00:09:23,844 --> 00:09:26,730 HEY, GARY. GARY LAMBERT. 137 00:09:28,349 --> 00:09:31,919 ...WABASH TERRACE IN OAK BROOK, THERE IS A MONSTER, 138 00:09:31,919 --> 00:09:35,422 AN EVIL ONE, THAT PREYS ON THE PEOPLE THERE. 139 00:09:35,422 --> 00:09:38,626 BUT THEY CAN'T SEE IT BECAUSE IT HIDES IN THE LIGHT. 140 00:09:38,626 --> 00:09:40,928 I SEE IT. I KNOW WHERE TO LOOK. 141 00:09:41,345 --> 00:09:44,949 I CAN'T BE THE ONLY ONE. 142 00:09:44,949 --> 00:09:47,818 [ Rewinding ] 143 00:09:49,320 --> 00:09:52,323 URGENCY. AT VINYLRIGHT, 144 00:09:52,323 --> 00:09:55,142 12340 WABASH TERRACE IN OAK BROOK, 145 00:09:55,142 --> 00:09:59,480 THERE IS A MONSTER, AN EVIL ONE THAT PREYS ON THE PEOPLE THERE. 146 00:10:00,865 --> 00:10:03,817 BUT THEY CAN'T SEE IT BECAUSE IT HIDES IN THE LIGHT. 147 00:10:03,817 --> 00:10:06,820 I SEE IT. I KNOW WHERE TO LOOK. 148 00:10:06,820 --> 00:10:08,822 I CAN'T BE THE ONLY ONE. 149 00:10:08,822 --> 00:10:12,459 WE ALL MUST HUNT IT DOWN AND KILL IT. 150 00:10:12,459 --> 00:10:14,962 BECAUSE IF WE DON'T, 151 00:10:14,962 --> 00:10:16,997 IT WILL TAKE US ALL. 152 00:10:16,997 --> 00:10:18,949 [ Ringing ] 153 00:10:21,452 --> 00:10:24,288 MULDER. [ Scully ] "HIDING IN THE LIGHT." 154 00:10:24,288 --> 00:10:27,207 THAT WAS A PHRASE SPOKEN BY ONE JERROLD RESNICK... 155 00:10:27,207 --> 00:10:29,209 TO A LAKELAND, FLORIDA, POLICE INVESTIGATOR... 156 00:10:29,209 --> 00:10:32,212 ON AUGUST 9, 1992. 157 00:10:32,212 --> 00:10:34,214 WHAT WAS HE DESCRIBING ? 158 00:10:34,214 --> 00:10:36,216 WELL, MR. RESNICK WAS A DEACON OF HIS LOCAL CHURCH. 159 00:10:36,216 --> 00:10:38,719 AND APPARENTLY HE WAS CONCERNED THAT... 160 00:10:38,719 --> 00:10:41,005 THERE WAS AN EVIL PRESENCE AMONGST HIS PARISHIONERS, 161 00:10:41,005 --> 00:10:43,374 AND THAT HE ALONE WAS AWARE OF THAT FACT. 162 00:10:43,874 --> 00:10:46,877 HE WAS TRYING TO WARN THEM ? NOT AS SUCH. 163 00:10:46,877 --> 00:10:49,880 HE SHOWED UP FOR MASS ONE SUNDAY WITH FOUR HANDGUNS. 164 00:10:49,880 --> 00:10:52,299 HE BEGAN WOUNDING PEOPLE, SAYING, 165 00:10:52,299 --> 00:10:54,802 "THE AFFLICTED ONES WOULDN'T BLEED." 166 00:10:54,802 --> 00:10:57,037 HE COMMITTED SUICIDE A WEEK LATER IN HIS CELL. 167 00:10:57,538 --> 00:11:00,040 SCULLY, AT THE RISK OF YOU TELLING ME "I TOLD YOU SO," 168 00:11:00,541 --> 00:11:02,643 I THINK IT'S TIME FOR YOU TO GET DOWN HERE AND HELP ME. 169 00:11:03,143 --> 00:11:05,112 I TOLD YOU SO. 170 00:11:16,440 --> 00:11:19,944 HELLO ? HELLO ? 171 00:11:30,304 --> 00:11:32,990 [ Mouthing Words ] 172 00:11:32,990 --> 00:11:36,360 [ Rifle Bolt Clicks ] WHO ARE YOU ? 173 00:11:53,377 --> 00:11:57,865 [ People Chattering ] [ Helicopter Blades Whirring ] 174 00:12:02,253 --> 00:12:04,539 [ Siren Wailing ] 175 00:12:04,539 --> 00:12:08,626 WHO'S THE AGENT IN CHARGE ? AGENT RICE. TALL GUY IN THE SUIT. 176 00:12:09,010 --> 00:12:11,512 I'M SCULLY, AGENT MULDER'S PARTNER. WHAT CAN YOU TELL ME ? 177 00:12:11,512 --> 00:12:13,514 NOT MUCH. TV NEWS GOT THE CALL. 178 00:12:13,514 --> 00:12:17,268 THAT MAN'S VOICE TOLD THEM THEY WERE GONNA NEED TO BROADCAST A STUNNING REVELATION. 179 00:12:17,268 --> 00:12:19,604 SINCE THEN, WE KEEP RINGING THE PHONES, BUT NOBODY ANSWERS. 180 00:12:19,604 --> 00:12:21,989 - WHO'S INSIDE ? - WE CAN'T BE SURE OF THE TOTAL. 181 00:12:22,490 --> 00:12:24,275 IT HAPPENED OVER LUNCH HOUR, SO IT COULD HAVE BEEN WORSE. 182 00:12:24,275 --> 00:12:26,694 THE LOT'S ONLY GOT 18 CARS IN IT. 183 00:12:26,694 --> 00:12:28,946 ONE OF THEM'S A RENTAL, REGISTERED TO AN AGENT MULDER. 184 00:12:28,946 --> 00:12:31,399 - WE'RE ABOUT TO TRY HIM ON HIS CELL PHONE. - NO. 185 00:12:31,399 --> 00:12:33,367 NOT UNTIL WE GET A CLEARER IDEA OF THE SITUATION. 186 00:12:33,367 --> 00:12:36,721 THERE'S A SMALL CAFETERIA IN THE BUILDING. WE THINK OUR GUY'S GOT EVERYONE BARRICADED. 187 00:12:36,721 --> 00:12:39,724 HE COULDN'T HAVE PICKED A BETTER SPOT. ONE DOOR, NO WINDOWS. 188 00:12:39,724 --> 00:12:43,094 WE'RE NOT GONNA GET A CLEARER IDEA OF THE SITUATION UNLESS SOMEONE IN THERE TALKS TO US. 189 00:12:43,094 --> 00:12:47,014 IF YOU MAKE A PHONE CALL RIGHT NOW, IT COULD COMPROMISE AGENT MULDER. 190 00:12:47,014 --> 00:12:48,849 SIR, WE NEED TO FIND ANOTHER WAY. 191 00:12:52,770 --> 00:12:55,423 [ People Screaming ] [ Gary ] MOVE ! 192 00:12:59,660 --> 00:13:02,163 NOW GET DOWN. DOWN. 193 00:13:03,164 --> 00:13:06,667 EVERYBODY STOP CRYING. 194 00:13:06,667 --> 00:13:09,170 JUST SHUT UP ! 195 00:13:10,671 --> 00:13:13,674 EVERYBODY NEEDS TO BE AFRAID OF HIM. 196 00:13:13,674 --> 00:13:16,460 HE'S THE ONE THAT'S OUT TO GET YOU. I'M PROTECTING YOU. 197 00:13:16,460 --> 00:13:18,746 GARY, WHAT ARE YOU TALKING ABOUT ? SHUT UP ! 198 00:13:20,698 --> 00:13:22,700 I'M NOT ADDRESSING YOU. 199 00:13:22,700 --> 00:13:26,203 I'M ADDRESSING THE ACTUAL PEOPLE OVER HERE, OKAY ? 200 00:13:26,704 --> 00:13:28,706 I'M NOT TALKING TO YOU... 201 00:13:28,706 --> 00:13:31,959 OR YOU OR YOU ! 202 00:13:31,959 --> 00:13:35,429 WHY SHOULD WE BE AFRAID OF MR. PINCUS, GARY ? 203 00:13:35,429 --> 00:13:38,599 I'D REALLY LIKE TO HEAR WHAT YOU HAVE TO SAY. 204 00:13:40,568 --> 00:13:43,070 WHO ARE YOU, ANYWAY ? MY NAME IS MULDER. 205 00:13:43,070 --> 00:13:45,957 YOU SAID THAT ALREADY. WHAT ARE YOU DOING HERE ? 206 00:13:45,957 --> 00:13:49,210 - APPLYING FOR A JOB. -[ Gary Chuckles ] OH, MAN. 207 00:13:50,628 --> 00:13:52,463 DID YOU COME TO THE WRONG PLACE. 208 00:13:52,463 --> 00:13:55,366 I GET THAT. 209 00:13:55,866 --> 00:13:58,703 WHY SHOULD WE BE AFRAID OF MR. PINCUS, GARY ? 210 00:13:58,703 --> 00:14:01,489 BECAUSE HE'S A MONSTER. 211 00:14:02,490 --> 00:14:04,492 ONLY YOU CAN'T SEE THAT... 212 00:14:04,492 --> 00:14:07,278 BECAUSE HE'S CLOUDED ALL YOUR MINDS. 213 00:14:07,278 --> 00:14:09,597 BUT HE MEANS TO TAKE US ALL, 214 00:14:09,597 --> 00:14:11,449 ONE BY ONE. 215 00:14:11,449 --> 00:14:17,154 HARVEST OUR SOULS. MAKE US INTO HIS ZOMBIES. 216 00:14:17,154 --> 00:14:19,690 ROBOTS MADE OUT OF MEAT. 217 00:14:19,690 --> 00:14:21,993 [ Women Sobbing ] GOD ALMIGHTY. 218 00:14:21,993 --> 00:14:25,096 GARY, I WANT TO BELIEVE THAT YOU'RE PROTECTING US, BUT, UH, 219 00:14:25,096 --> 00:14:27,932 I'M KIND OF AFRAID OF THAT RIFLE. 220 00:14:27,932 --> 00:14:32,269 IT MAKES IT HARD FOR US ACTUAL PEOPLE TO CONCENTRATE ON WHAT YOU'RE SAYING. 221 00:14:32,269 --> 00:14:35,656 WHY ARE YOU TALKING TO ME LIKE I'M A THREE-YEAR-OLD ? 222 00:14:35,656 --> 00:14:39,293 DON'T ACT LIKE YOU UNDERSTAND WHAT I'M TALKING ABOUT, 223 00:14:39,293 --> 00:14:41,295 BECAUSE YOU DON'T. 224 00:14:42,797 --> 00:14:45,599 BUT YOU WILL. 225 00:14:52,840 --> 00:14:55,843 [ Fluttering ] 226 00:14:55,843 --> 00:14:58,846 SHH ! 227 00:14:58,846 --> 00:15:01,148 EVERYBODY HOLD THEIR BREATH. 228 00:15:06,871 --> 00:15:09,156 OH, YOU SONS OF BITCHES. 229 00:15:09,156 --> 00:15:11,959 OH, GARY ! WHAT ARE YOU DOING ? 230 00:15:11,959 --> 00:15:14,145 - GARY ? - [ Automatic Gunfire ] 231 00:15:14,145 --> 00:15:17,898 [ Man Over Police Radio ] SHOTS FIRED. SHOTS FIRED. 232 00:15:17,898 --> 00:15:20,084 EVERYBODY, HOLD YOUR FIRE ! WHAT'S GOING ON ? 233 00:15:20,084 --> 00:15:22,737 [ Man ] HE MADE US. HE'S SHOOTING. SOUNDS LIKE AN AK. [ Gunfire Continues ] 234 00:15:22,737 --> 00:15:25,573 WE GOT TO FIND OUT WHAT THE HELL'S GOING ON IN THAT BUILDING. 235 00:15:25,573 --> 00:15:27,458 I'M CALLING YOUR PARTNER. NO ! 236 00:15:27,458 --> 00:15:29,760 IF IT WAS SAFE TO DO SO, HE WOULD HAVE CALLED US ALREADY. 237 00:15:29,760 --> 00:15:33,147 AGENT SCULLY, WE DON'T HAVE A LOT OF OPTIONS HERE. 238 00:15:33,147 --> 00:15:35,032 [ Gunfire Continues ] 239 00:15:35,533 --> 00:15:38,502 [ People Screaming ] 240 00:15:55,202 --> 00:15:57,655 [ Cell Phone Ringing ] 241 00:16:00,024 --> 00:16:01,859 IT'S JUST MY CELL PHONE. LET ME GET IT. 242 00:16:01,859 --> 00:16:03,978 PUT YOUR HANDS BEHIND YOUR HEAD. 243 00:16:05,262 --> 00:16:08,099 [ Ringing ] 244 00:16:13,971 --> 00:16:16,924 [ Ringing Continues ] 245 00:16:30,421 --> 00:16:33,557 [ Ringing Continues ] 246 00:16:44,568 --> 00:16:47,872 [ Ringing Continues ] 247 00:16:52,009 --> 00:16:55,362 F.B.I. ? YOU HAPPY NOW ? 248 00:16:57,097 --> 00:16:59,216 HUH ? YOU WANT TO MESS WITH ME SOME MORE ? 249 00:17:02,903 --> 00:17:06,474 [ Rice ] HELLO ? HELLO ? IS ANYBODY ON THE LINE ? 250 00:17:06,474 --> 00:17:08,759 WE HEARD GUNFIRE. IS EVERYONE ALL RIGHT ? 251 00:17:08,759 --> 00:17:11,111 I JUST SHOT A ZOMBIE. 252 00:17:11,612 --> 00:17:13,364 EVERYBODY THINKS I KILLED HIM, BUT I DIDN'T. 253 00:17:13,364 --> 00:17:17,134 - WHO AM I SPEAKING TO ? - THE GUY THAT'S GONNA START KILLING ACTUAL PEOPLE... 254 00:17:17,134 --> 00:17:20,104 IF YOU DON'T PUT ME ON THE DAMN TV ! 255 00:17:20,104 --> 00:17:23,641 I THINK HE JUST SHOT A HOSTAGE. WHO ? 256 00:17:23,641 --> 00:17:26,010 HE'S STILL ASKING FOR HIS 15 MINUTES OF FAME. 257 00:17:28,846 --> 00:17:30,681 GIVE IT TO HIM. 258 00:17:30,681 --> 00:17:34,084 GET IT OUT OF SIGHT. 259 00:17:37,104 --> 00:17:39,823 YOU WANT TO KNOW WHY IT JUMPED AT ME LIKE THAT ? 260 00:17:39,823 --> 00:17:41,892 IT'S NOT AN "IT," GARY. 261 00:17:41,892 --> 00:17:43,894 IT'S A "HE." IT'S A MAN YOU JUST KILLED. 262 00:17:46,813 --> 00:17:49,233 - WHAT WAS HIS NAME ? - MARK BACKUS. 263 00:17:49,233 --> 00:17:51,218 WRONG ! 264 00:17:51,718 --> 00:17:54,221 IT STOPPED BEING MARK BACKUS WHEN HE TURNED IT INTO A ZOMBIE. 265 00:17:54,221 --> 00:17:59,243 AND THEN HE INSTRUCTED IT BY MEANS OF MENTAL TELEPATHY TO ATTACK ME. 266 00:18:03,580 --> 00:18:06,016 AND SO I SHOT IT. 267 00:18:06,016 --> 00:18:08,268 I HAD NO CHOICE. 268 00:18:10,637 --> 00:18:13,390 BUT IT DOESN'T MATTER, BECAUSE IT WAS ALREADY DEAD. 269 00:18:13,390 --> 00:18:16,226 HE WANTS US ALL LIKE THAT. 270 00:18:16,727 --> 00:18:19,012 INSECTS, NOT PEOPLE. 271 00:18:19,012 --> 00:18:22,416 MINDLESS DRONES. 272 00:18:22,916 --> 00:18:25,419 HE WANTS TO TAKE AWAY WHO WE ARE. 273 00:18:26,820 --> 00:18:29,823 TO CONTROL US, 274 00:18:29,823 --> 00:18:32,326 SO WE'LL BE HIS EYES AND EARS... 275 00:18:32,326 --> 00:18:35,329 AND SPY ON EACH OTHER AND HELP HIM DO HIS DIRTY WORK. 276 00:18:35,829 --> 00:18:40,167 GARY, IF I'M THE MONSTER, 277 00:18:40,167 --> 00:18:42,419 WHAT DO YOU NEED THESE PEOPLE FOR ? 278 00:18:44,771 --> 00:18:47,541 WHY DON'T YOU JUST LET 'EM ALL GO ? 279 00:18:47,541 --> 00:18:52,012 YOU JUST WAIT TILL I PUT YOU ON TV. 280 00:18:52,012 --> 00:18:54,081 THEN THEY'LL SEE WHAT YOU ARE. 281 00:18:56,583 --> 00:18:59,086 [ Cell Phone Ringing ] 282 00:19:00,837 --> 00:19:03,907 ANSWER THE PHONE, GARY. 283 00:19:05,909 --> 00:19:08,412 [ Ringing ] 284 00:19:08,412 --> 00:19:10,781 DIAL AND SMILE. 285 00:19:11,281 --> 00:19:14,051 [ Rice ] OKAY. WE'RE SENDING YOU THE CAMERAMAN NOW. JUST STAY CALM. 286 00:19:14,051 --> 00:19:17,054 FINALLY. LET'S DO IT. 287 00:19:18,972 --> 00:19:20,841 [ Phone Beeps ] 288 00:19:20,841 --> 00:19:23,944 WARREN, THAT IS EXACTLY WHAT WE'RE HEARING. 289 00:19:23,944 --> 00:19:29,232 ALL YOU PEOPLE PUT YOUR BUTTS AGAINST THE DOOR. HURRY IT UP. GO ! 290 00:19:29,232 --> 00:19:32,152 YOU. GET OVER BY THE CAMERA. MOVE IT ! 291 00:19:32,152 --> 00:19:34,554 ...MOMENTARILY TO AN ACTUAL LIVE FEED-- 292 00:19:34,554 --> 00:19:39,309 THIS PERSON OR PEOPLE MAY HAVE SOMETHING IMPORTANT TO SAY. 293 00:19:39,309 --> 00:19:43,013 SEE WHO'S GETTING HURT IF YOU BUST DOWN THIS DOOR ? 294 00:19:43,013 --> 00:19:45,849 APPARENTLY, SO FAR THERE'S BEEN VERY LITTLE COMMUNICATION... 295 00:19:45,849 --> 00:19:49,336 - BETWEEN THE POLICE AND THE PEOPLE INSIDE THE BUILDING. - IS HE GETTING THIS ? 296 00:19:49,336 --> 00:19:52,122 YEAH. CLOSED CIRCUIT IS BOUNCING IT RIGHT BACK INTO THE BUILDING. 297 00:19:52,122 --> 00:19:54,324 HE THINKS HE'S GONNA BE A STAR. 298 00:19:54,324 --> 00:19:56,493 ALL RIGHT. SHOW US THE ROOM. 299 00:19:56,493 --> 00:20:00,313 [ Gary ] WHAT ARE YOU DOING ? [ Man ] HOLD ON. MY BATTERY CABLE'S TWISTED. 300 00:20:00,313 --> 00:20:03,817 WELL, UNTWIST IT ! AND HURRY THE HELL UP ! 301 00:20:03,817 --> 00:20:06,103 THERE ! RIGHT THERE ! THE EXTERIOR WALL'S CLEAR. 302 00:20:06,103 --> 00:20:08,071 ENTRY TEAM INTO POSITION. 303 00:20:14,528 --> 00:20:16,813 LIE DOWN ON THE FLOOR. 304 00:20:17,314 --> 00:20:19,716 DO IT ! 305 00:20:21,668 --> 00:20:24,971 [ Newswoman Chattering ] ALL RIGHT. PUT ME ON. 306 00:20:26,306 --> 00:20:28,108 OKAY. WE'RE GONNA CUT INSIDE. 307 00:20:28,108 --> 00:20:30,861 YES, HERE IT IS. HERE WE GO. 308 00:20:32,279 --> 00:20:34,197 [ Clears Throat ] 309 00:20:37,784 --> 00:20:40,787 PEOPLE OF AMERICA, 310 00:20:40,787 --> 00:20:43,623 A MONSTER WALKS AMONG YOU. 311 00:20:43,623 --> 00:20:45,492 GO, PAN OVER. 312 00:20:48,712 --> 00:20:51,164 GET UP. 313 00:21:00,857 --> 00:21:04,478 - NOW I'LL SHOW IT TO YOU. - NO, GARY. 314 00:21:04,478 --> 00:21:07,330 - GET OUT OF THE WAY. - DON'T DO THIS. 315 00:21:07,330 --> 00:21:10,016 GET OUT OF THE WAY. 316 00:21:10,016 --> 00:21:12,102 DON'T DO THIS, GARY. 317 00:21:14,071 --> 00:21:16,406 - GET OUT OF THE WAY ! - PUT DOWN THE RIFLE. 318 00:21:16,406 --> 00:21:19,976 GET OUT OF THE WAY NOW ! 319 00:21:22,896 --> 00:21:25,398 [ Fluttering ] 320 00:21:25,398 --> 00:21:27,400 THERE ! 321 00:21:27,400 --> 00:21:30,220 LOOK AT IT ! 322 00:21:30,720 --> 00:21:33,690 LOOK AT IT ! 323 00:21:44,751 --> 00:21:46,470 SEE ? 324 00:21:48,789 --> 00:21:51,691 [ Rumbling ] 325 00:22:02,619 --> 00:22:05,288 [ Shot Fires ] [ Groans ] 326 00:22:05,288 --> 00:22:07,073 [ Women Screaming ] 327 00:22:13,213 --> 00:22:15,715 [ Men Shouting ] 328 00:22:37,220 --> 00:22:40,223 [ Man ] LINE UP AGAINST THE WALL ! 329 00:22:45,011 --> 00:22:47,514 NOW YOU KNOW. 330 00:23:04,581 --> 00:23:06,633 [ Woman Over Police Radio, Indistinct ] 331 00:23:08,135 --> 00:23:10,137 [ People Chattering ] 332 00:23:15,559 --> 00:23:18,095 YOU LOOK EXHAUSTED. NO, I'M FINE. 333 00:23:18,095 --> 00:23:21,565 AGENT RICE HAS THE SITUATION IN HAND. LET'S GET YOU OUT OF HERE. 334 00:23:27,738 --> 00:23:29,740 MULDER ? 335 00:23:34,378 --> 00:23:36,380 I CAN'T BEGIN TO THANK YOU. 336 00:23:36,880 --> 00:23:38,882 I OWE YOU MY LIFE. WE ALL DO. 337 00:23:40,384 --> 00:23:43,904 DO YOU HAVE ANY IDEA WHY HE FIXATED ON YOU THE WAY HE DID ? 338 00:23:44,404 --> 00:23:45,906 NO. NOT AT ALL. 339 00:23:46,406 --> 00:23:48,909 I FEEL LIKE I BARELY EVEN KNEW THE MAN. 340 00:23:48,909 --> 00:23:51,061 I MEAN, I TRY TO BE A GOOD GUY TO WORK FOR. 341 00:23:51,562 --> 00:23:54,064 YOU MENTIONED ANOTHER INCIDENT WITH ANOTHER EMPLOYEE... 342 00:23:54,064 --> 00:23:56,767 AT A PLANT IN KANSAS CITY IN 1994 ? 343 00:23:56,767 --> 00:24:00,504 - YES. - WERE YOU AT THAT PLANT AT THAT TIME ? 344 00:24:00,504 --> 00:24:03,190 I WASN'T THERE WHEN IT HAPPENED, BUT YEAH. 345 00:24:03,190 --> 00:24:05,275 DIDN'T I MENTION THAT ? 346 00:24:05,275 --> 00:24:08,395 WHAT ABOUT LAKELAND, FLORIDA ? HAVE YOU EVER LIVED THERE ? 347 00:24:09,846 --> 00:24:12,099 I'VE BEEN THERE. I HAVE RELATIVES THERE. 348 00:24:13,684 --> 00:24:17,087 IS THERE ANYTHING ELSE ? 349 00:24:17,087 --> 00:24:20,591 UH, NO, MR. PINCUS. THANK YOU VERY MUCH FOR YOUR PATIENCE. 350 00:24:23,360 --> 00:24:25,362 WHAT'S GOING ON ? 351 00:24:26,863 --> 00:24:28,865 I DON'T KNOW. 352 00:24:53,557 --> 00:24:55,058 [ Door Opens ] 353 00:24:57,010 --> 00:24:59,863 - MULDER, WHY DIDN'T YOU TAKE THE DAY OFF ? - CLOSE THE DOOR. 354 00:25:02,582 --> 00:25:06,036 THERE WAS A REASON THE PHRASE "HIDING IN THE LIGHT" SEEMED SO FAMILIAR TO ME. 355 00:25:06,536 --> 00:25:09,539 I FOUND IT OR VARIATIONS OF IT IN FIVE OTHER X-FILES. 356 00:25:09,539 --> 00:25:12,943 "HIDING IN PLAIN VIEW," "HIDING IN THE OPEN," "LURKING IN THE OPEN"-- 357 00:25:12,943 --> 00:25:15,829 ALL TO DESCRIBE SOME MANIFESTATION OF EVIL... 358 00:25:15,829 --> 00:25:19,166 WHICH GOES UNNOTICED BY EVERYONE EXCEPT THE CLAIMANT IN EACH CASE. 359 00:25:19,166 --> 00:25:22,402 HAVE YOU SLEPT ? SEVEN CITIES IN ALL, DATING BACK TEN YEARS. 360 00:25:22,402 --> 00:25:25,906 VINYLRIGHT HAS OFFICES WITHIN 50 MILES OF FOUR OF THOSE CITIES. 361 00:25:26,406 --> 00:25:29,543 GREG PINCUS HAS WORKED FOR VINYLRIGHT FOR GUESS FOR HOW LONG ? 362 00:25:29,543 --> 00:25:32,546 TEN YEARS. WHAT EXACTLY IS IT THAT YOU THINK YOU HAVE HERE ? 363 00:25:32,546 --> 00:25:36,266 WHAT IF GARY LAMBERT WAS RIGHT ? 364 00:25:36,767 --> 00:25:39,086 - MULDER, YOU'RE NOT SERIOUS. - JUST BEAR WITH ME FOR A MOMENT. 365 00:25:39,086 --> 00:25:42,089 I MEAN, WHAT IF SUCH A CREATURE EXISTED THAT COULD CAMOUFLAGE ITSELF... 366 00:25:42,089 --> 00:25:43,840 BY CLOUDING THE MINDS OF ITS VICTIMS ? 367 00:25:43,840 --> 00:25:46,093 THERE ARE ANTECEDENTS FOR IT IN NATURE RIGHT IN THE INSECT WORLD. 368 00:25:46,093 --> 00:25:49,346 MANTIS, FOR INSTANCE. THEY'RE SAID TO BE ABLE TO HYPNOTIZE THEIR PREY. 369 00:25:49,346 --> 00:25:53,133 NO. WHAT IF IT COULD INDUCE A VISUAL HALLUCINATION ? 370 00:25:53,133 --> 00:25:56,887 A SORT OF TEMPORARY CONVERSION DISORDER ? 371 00:25:58,205 --> 00:26:01,908 WHAT YOU'RE DESCRIBING WOULD BE MORE LIKE SOME KIND OF... 372 00:26:01,908 --> 00:26:03,910 VISUAL AGNOSIA, 373 00:26:03,910 --> 00:26:06,713 AN INABILITY TO RECOGNIZE WHAT'S BEFORE ONE'S EYES. 374 00:26:06,713 --> 00:26:09,516 ONLY GARY LAMBERT COULD SEE THROUGH IT SOMEHOW, AS COULD THE OTHERS. 375 00:26:09,516 --> 00:26:12,019 MAYBE BECAUSE OF SOME HEIGHTENED ADRENALINE LEVEL, 376 00:26:12,019 --> 00:26:14,404 OR MAYBE JUST BECAUSE HE KNEW WHERE TO LOOK SOMEHOW. 377 00:26:14,404 --> 00:26:19,009 MULDER, HE WAS DISTURBED. YEAH, BUT DID HE SEE IT BECAUSE HE WAS DISTURBED, 378 00:26:19,009 --> 00:26:21,011 OR WAS HE DISTURBED BECAUSE HE SAW IT ? 379 00:26:21,011 --> 00:26:23,397 HE WAS MENTALLY ILL. 380 00:26:23,397 --> 00:26:25,399 THIS MONSTER WAS A-- WAS A SICK FANTASY, 381 00:26:25,399 --> 00:26:27,284 A PRODUCT OF HIS DEMENTIA. 382 00:26:28,785 --> 00:26:30,787 I SAW IT TOO. 383 00:26:32,189 --> 00:26:34,474 DOES THAT MAKE ME DISTURBED ? 384 00:26:34,474 --> 00:26:38,478 DEMENTED ? DOES THAT MAKE ME SICK TOO ? 385 00:26:40,914 --> 00:26:42,916 NO. 386 00:26:42,916 --> 00:26:45,786 NO, I MEAN, THIS KIND OF THING IS NOT UNCOMMON. 387 00:26:45,786 --> 00:26:49,406 YOU-- YOU WENT THROUGH A TERRIBLE ORDEAL. 388 00:26:49,406 --> 00:26:52,242 AND SOMETIMES PEOPLE IN CLOSE ASSOCIATIONS... 389 00:26:52,242 --> 00:26:55,128 UNDER TENSE CONDITIONS CAN-- 390 00:26:55,128 --> 00:26:57,464 THE DELUSIONS OF ONE CAN BE PASSED ON TO THE OTHER. 391 00:26:57,464 --> 00:26:59,366 FOLIE A DEUX ? 392 00:26:59,866 --> 00:27:01,868 IT'S NOT THAT, SCULLY. IT'S NOT HELSINKI SYNDROME EITHER. 393 00:27:01,868 --> 00:27:04,371 WHAT I SAW WAS REAL, AND THERE MAY BE A WAY TO PROVE IT. 394 00:27:04,371 --> 00:27:06,556 HOW ? 395 00:27:06,556 --> 00:27:10,360 LAMBERT POINTED OUT CERTAIN INDIVIDUALS HE SAID HAD BEEN VICTIMIZED BY PINCUS. 396 00:27:10,360 --> 00:27:13,363 TURNED INTO ZOMBIES. THE MAN HE SHOT, BACKUS, WAS ONE OF THEM. 397 00:27:13,363 --> 00:27:16,216 IF YOU COULD AUTOPSY THE BODY-- NO. NO, ABSOLUTELY NOT. 398 00:27:16,216 --> 00:27:18,718 SCULLY, IF THIS IS ALL IN MY MIND, AS YOU SAY IT IS, 399 00:27:18,718 --> 00:27:21,054 I WOULD BE VERY GRATEFUL IF YOU WOULD PROVE THAT. 400 00:27:21,054 --> 00:27:23,974 MULDER, I AM NOT GOING TO SERVE THE DELUSIONS OF GARY LAMBERT, 401 00:27:24,474 --> 00:27:27,727 A MADMAN, BY GIVING CREDENCE TO THEM. 402 00:27:28,879 --> 00:27:31,131 THEN I'LL PROVE IT WITHOUT YOU. 403 00:27:33,984 --> 00:27:35,652 MULDER-- 404 00:27:43,660 --> 00:27:46,663 [ Rice ] WHAT ARE WE LOOKING FOR ? I'LL KNOW IT WHEN I SEE IT. 405 00:28:01,261 --> 00:28:03,263 WHAT'S THIS ABOUT ? 406 00:28:03,263 --> 00:28:05,765 LAMBERT WAS TRACKING HIS BOSS'S MOVEMENTS OVER THE YEARS. 407 00:28:05,765 --> 00:28:09,269 STALKING HIM. GATHERING EVIDENCE. 408 00:28:24,633 --> 00:28:26,469 WHAT IS IT ? 409 00:28:35,311 --> 00:28:37,313 DID YOU SEE HER ? DID YOU SEE WHERE SHE WENT ? WHO ? 410 00:28:39,315 --> 00:28:42,151 YOU MIND TELLING ME WHAT'S GOING ON HERE ? [ Car Engine Starting ] 411 00:29:00,319 --> 00:29:02,321 SIR ? 412 00:29:02,321 --> 00:29:05,474 YOU WANTED TO SEE ME ? 413 00:29:05,474 --> 00:29:09,311 YES, I WAS HOPING YOU COULD GIVE ME SOME INSIGHT INTO AGENT MULDER'S RECENT BEHAVIOR. 414 00:29:09,311 --> 00:29:11,614 SIR ? 415 00:29:12,114 --> 00:29:14,116 WHY IS HE BACK IN ILLINOIS ? 416 00:29:14,116 --> 00:29:16,118 I THOUGHT THAT CASE WAS CLOSED. 417 00:29:17,620 --> 00:29:19,622 AGENT MULDER BELIEVES THAT THERE MAY BE A CONNECTION... 418 00:29:20,122 --> 00:29:22,875 BETWEEN THE OAK BROOK INCIDENT AND SEVERAL OTHER CASES. 419 00:29:22,875 --> 00:29:24,910 BUT YOU ELECTED NOT TO JOIN HIM. 420 00:29:24,910 --> 00:29:26,962 THE CHICAGO FIELD OFFICE HAS BEEN IN CONTACT WITH HIM. 421 00:29:26,962 --> 00:29:29,732 THEY DESCRIBE HIS BEHAVIOR AS BEING ERRATIC. 422 00:29:31,667 --> 00:29:34,170 TO THE BEST OF MY KNOWLEDGE, AGENT MULDER IS CURRENTLY WORKING... 423 00:29:34,170 --> 00:29:37,173 ON A LEGITIMATE INVESTIGATION. 424 00:29:37,173 --> 00:29:39,175 I WILL JOIN HIM IN ILLINOIS IMMEDIATELY. 425 00:29:39,175 --> 00:29:42,628 DON'T YOU HAVE AN AUTOPSY TO DO FIRST ? 426 00:29:43,129 --> 00:29:45,631 THIS BODY MULDER SENT TO QUANTICO. 427 00:29:47,133 --> 00:29:49,952 MARK BACKUS, THE SHOOTING VICTIM. 428 00:29:49,952 --> 00:29:53,305 YOU'RE SCHEDULED TO DO AN EXAMINATION. 429 00:29:53,305 --> 00:29:57,476 - OR DIDN'T YOU KNOW THAT ? - I'LL GET RIGHT ON IT, SIR. 430 00:29:58,978 --> 00:30:02,481 IS THERE SOMETHING YOU WANT TO TELL ME, SCULLY ? 431 00:30:02,982 --> 00:30:04,483 NO, SIR. 432 00:30:05,484 --> 00:30:07,937 [ Door Opens, Shuts ] 433 00:30:10,840 --> 00:30:12,625 [ Scully ] LET'S START WITH THE PHOTOS. 434 00:30:12,625 --> 00:30:14,693 IN FACT, LET'S JUST DO PHOTOS. 435 00:30:14,693 --> 00:30:17,646 EXTERNAL EXAM ONLY. 436 00:30:17,646 --> 00:30:20,416 THIS GUY CAME AN AWFUL LONG WAY JUST TO HAVE HIS PICTURE TAKEN. 437 00:30:20,850 --> 00:30:23,135 KNOCK YOURSELF OUT. 438 00:30:23,135 --> 00:30:26,138 CASE NUMBER 986522. 439 00:30:26,138 --> 00:30:29,892 MARK BACKUS, 45-YEAR-OLD CAUCASIAN MALE. [ Ringing ] 440 00:30:30,259 --> 00:30:33,262 THERE ARE THREE ONE-CENTIMETER GUNSHOT ENTRY WOUNDS... 441 00:30:33,262 --> 00:30:36,048 ON THE LEFT ANTERIOR CHEST WALL... 442 00:30:36,048 --> 00:30:37,883 - WITH SOME BURN STIPPLING PRESENT. - COME ON, MULDER. 443 00:30:38,384 --> 00:30:40,886 JUDGING FROM THE CORPSE'S RESOLVED RIGOR AND FIXED LIVIDITY, 444 00:30:41,387 --> 00:30:42,888 AS WELL AS THE DECOMPOSITIONAL BLOATING, 445 00:30:43,389 --> 00:30:45,991 I'D PLACE THE TIME OF DEATH BETWEEN 48 AND 72 HOURS. 446 00:30:45,991 --> 00:30:48,761 NO. 447 00:30:48,761 --> 00:30:50,596 THIS MAN DIED LATE YESTERDAY AFTERNOON. 448 00:30:50,596 --> 00:30:53,532 ARE YOU SURE ? ABSOLUTELY. 449 00:30:53,532 --> 00:30:57,319 IT SURE LOOKS TO ME LIKE HE'S BEEN DEAD LONGER THAN THAT. 450 00:31:45,184 --> 00:31:48,520 [ Man On TV, Indistinct ] 451 00:31:57,379 --> 00:32:00,749 j&j&j&j& [ Man Singing ] 452 00:32:02,585 --> 00:32:04,753 [ Fluttering ] 453 00:32:08,807 --> 00:32:11,076 [ Woman Screams ] 454 00:32:32,014 --> 00:32:34,700 [ Girl On TV ] I WANT TO DO THAT TOO. 455 00:32:34,700 --> 00:32:37,202 [ People On TV Continue, Indistinct ] 456 00:32:54,153 --> 00:32:56,538 [ Clattering ] 457 00:33:10,334 --> 00:33:14,338 SUDDENLY I BECAME AWARE OF THIS... PRESENCE. 458 00:33:15,840 --> 00:33:18,843 AND I COULD FEEL IT CREEPING TOWARD ME. 459 00:33:19,343 --> 00:33:21,345 IT WAS TERRIFYING. 460 00:33:21,846 --> 00:33:24,982 THE NEXT THING I KNEW, THIS MADMAN'S INSIDE MY HOUSE. 461 00:33:24,982 --> 00:33:27,268 HE BREAKS MY WINDOW, KICKS IN THE DOOR, 462 00:33:27,268 --> 00:33:31,138 AND THE WHOLE TIME HE'S SCREAMING ABOUT MONSTERS-- I MEAN, EVEN WORSE THAN GARY. 463 00:33:36,277 --> 00:33:39,280 MISS STARNS, I APOLOGIZE FOR THIS INCIDENT. 464 00:33:39,280 --> 00:33:43,067 I ASSURE YOU IT WILL RECEIVE MY UTMOST ATTENTION. 465 00:33:46,404 --> 00:33:49,407 WHY DON'T YOU TAKE THE REST OF THE WEEK, GRETCHEN ? THANK YOU, MR. PINCUS. 466 00:33:53,978 --> 00:33:56,981 THAT MAN HAS NO BUSINESS CARRYING A GUN, IF YOU ASK ME. 467 00:34:10,645 --> 00:34:13,264 - YOU GOT TO HER, TOO, DIDN'T YOU ? - AGENT MULDER-- 468 00:34:13,264 --> 00:34:16,701 I WAS TOO LATE. YOU CHANGED HER SOMEHOW. YOU INFECTED HER. 469 00:34:16,701 --> 00:34:21,789 AGENT MULDER, THINK VERY CAREFULLY ABOUT THE NEXT WORDS THAT COME OUT OF YOUR MOUTH. 470 00:34:21,789 --> 00:34:25,443 ONCE AGAIN, I APOLOGIZE. 471 00:34:25,443 --> 00:34:29,447 OH, THERE'S NO NEED. I'M WELL AWARE OF THE STRESS AGENT MULDER'S BEEN UNDER, 472 00:34:29,947 --> 00:34:32,366 AND I'M, UH-- WELL, I STILL CONSIDER HIM A HERO. 473 00:34:32,366 --> 00:34:35,169 WHICH IS WHY I WANT TO HANDLE THIS PRIVATELY. 474 00:34:35,169 --> 00:34:37,555 WE APPRECIATE THAT. 475 00:34:37,555 --> 00:34:40,891 FOR MY PART, I'M HAPPY TO LET THIS ENTIRE MATTER DROP. 476 00:34:40,891 --> 00:34:43,811 I'M SURE I CAN PERSUADE MISS STARNS TO DO THE SAME, 477 00:34:43,811 --> 00:34:46,147 PROVIDED AGENT MULDER IS AMENABLE. 478 00:34:46,147 --> 00:34:48,783 YOU DON'T SEE WHAT'S GOING ON HERE. 479 00:34:48,783 --> 00:34:50,935 I'M AFRAID I DO. 480 00:34:50,935 --> 00:34:53,788 LAMBERT KNEW YOUR SECRET. HE KNEW YOU WERE SUCKING THE HUMANITY... 481 00:34:53,788 --> 00:34:55,573 OUT OF THESE PEOPLE, FEEDING ON THEM. 482 00:34:55,573 --> 00:34:58,693 AGENT MULDER, THAT'S ENOUGH. I DON'T WANT TO HEAR ANOTHER WORD OUT OF YOU. 483 00:34:58,693 --> 00:35:01,946 IF YOU CARE ABOUT YOUR CAREER, THEN YOU'LL KNOCK THIS CRAP OFF. [ Creaking ] 484 00:35:02,446 --> 00:35:05,449 BECAUSE I GUARANTEE I WILL NOT STAND FOR ANOTHER SECOND OF THIS ABUSE. 485 00:35:05,449 --> 00:35:07,401 DO YOU UNDERSTAND ME-- [ No Audible Dialogue ] 486 00:35:07,401 --> 00:35:09,637 [ Creaking Continues ] 487 00:35:09,637 --> 00:35:13,541 GET OUT OF THE WAY ! GET OUT OF HERE ! NO ! STOP IT ! 488 00:35:13,541 --> 00:35:15,743 LOOK AT HIM ! LOOK AT HIM ! 489 00:35:15,743 --> 00:35:17,528 [ Shouts ] 490 00:35:23,484 --> 00:35:26,804 STOP IT. 491 00:35:40,284 --> 00:35:42,169 [ Mulder ] FIVE YEARS TOGETHER, SCULLY. 492 00:35:42,169 --> 00:35:45,639 YOU MUST HAVE SEEN THIS COMING. 493 00:35:47,641 --> 00:35:49,927 DID YOU EXAMINE BACKUS'S BODY ? 494 00:35:51,228 --> 00:35:54,231 WHAT DID YOU FIND ? 495 00:35:54,231 --> 00:35:56,567 MORE OR LESS WHAT WE THOUGHT WE'D FIND. 496 00:35:56,567 --> 00:35:59,220 MORE OR LESS ? WHAT IS THAT SUPPOSED TO MEAN ? 497 00:36:01,071 --> 00:36:04,909 THE BODY SHOWED SIGNS OF DECOMPOSITION BEYOND WHAT WE EXPECTED TO FIND. 498 00:36:04,909 --> 00:36:10,531 WHICH IN AND OF ITSELF MEANS NOTHING, REALLY. 499 00:36:10,531 --> 00:36:13,334 TIME OF DEATH IS NOTORIOUSLY HARD TO QUANTIFY. 500 00:36:13,334 --> 00:36:17,054 OR THAT LAMBERT WAS TELLING THE TRUTH, AND THAT MAN WAS DEAD BEFORE HE WAS GUNNED DOWN. 501 00:36:17,054 --> 00:36:21,675 NO, MULDER. SCULLY, WHEN THAT MONSTER, 502 00:36:21,675 --> 00:36:23,994 PINCUS, WHATEVER THE HELL YOU WANT TO CALL IT, 503 00:36:23,994 --> 00:36:26,997 WHEN HE ATTACKED THAT WOMAN LAST NIGHT, HE DID SOMETHING TO THE BACK OF HER NECK. 504 00:36:26,997 --> 00:36:30,000 HE BIT HER THERE, OR HE INJECTED SOMETHING IN THERE. 505 00:36:30,000 --> 00:36:32,286 THERE'S GOT TO BE EVIDENCE OF THAT. YOU GOTTA CHECK FOR THAT. 506 00:36:32,286 --> 00:36:34,638 MULDER, THE CASE IS OVER. 507 00:36:34,638 --> 00:36:37,641 THERE'S NO MORE EVIDENCE TO BE GATHERED. 508 00:36:39,610 --> 00:36:42,997 THERE'S ONLY MY HOPE THAT YOU'LL BE ABLE TO SEE PAST THIS DELUSION. 509 00:36:44,899 --> 00:36:48,652 YOU... HAVE TO BE WILLING TO SEE. 510 00:36:50,421 --> 00:36:52,790 I WISH IT WERE THAT SIMPLE. 511 00:36:52,790 --> 00:36:56,760 SCULLY, YOU HAVE TO BELIEVE ME. 512 00:36:56,760 --> 00:37:00,764 NOBODY ELSE ON THIS WHOLE DAMN PLANET DOES OR EVER WILL. 513 00:37:02,950 --> 00:37:05,953 YOU'RE MY ONE IN FIVE BILLION. 514 00:37:14,278 --> 00:37:16,280 WELL, YOU JUST MADE IT. I WAS ABOUT TO SHIP HIM. 515 00:37:16,780 --> 00:37:18,666 [ Zipper Unzips ] 516 00:37:23,787 --> 00:37:27,291 FULL AUTOPSY THIS TIME ? NO. LET'S FLIP HIM. 517 00:37:27,291 --> 00:37:29,793 FLIP HIM OVER ? YEP. 518 00:37:30,294 --> 00:37:32,296 GIVE ME A HAND. 519 00:38:18,859 --> 00:38:20,778 WE CAN DO WITHOUT THESE, HUH ? WHAT DO YOU SAY ? 520 00:38:20,778 --> 00:38:22,897 SORRY. 521 00:38:29,954 --> 00:38:31,739 [ Nurse ] THERE WE GO. 522 00:38:38,212 --> 00:38:40,214 SLEEP TIGHT. 523 00:38:40,714 --> 00:38:42,716 DON'T LET THE BEDBUGS BITE. 524 00:38:45,135 --> 00:38:47,888 [ Door Shuts ] 525 00:39:03,704 --> 00:39:06,206 [ Tapping At Window ] 526 00:39:06,707 --> 00:39:08,709 [ Fluttering ] 527 00:39:15,916 --> 00:39:18,135 [ Gasps ] 528 00:39:18,135 --> 00:39:20,604 NURSE ! 529 00:39:20,604 --> 00:39:22,556 NURSE ! 530 00:39:22,556 --> 00:39:24,674 NURSE ! 531 00:39:24,674 --> 00:39:26,860 IT'S HERE ! 532 00:39:26,860 --> 00:39:29,746 NURSE ! IT'S HERE ! 533 00:39:29,746 --> 00:39:31,915 IT'S HERE ! IT'S AT THE WINDOW ! 534 00:39:31,915 --> 00:39:35,202 - WHAT'S HERE ? - THERE IS SOMETHING-- 535 00:39:35,202 --> 00:39:38,205 THERE IS SOMETHING AT THE WINDOW, AND IT'S TRYING TO GET IN HERE. 536 00:39:38,205 --> 00:39:41,007 PLEASE UNSTRAP ME SO THAT I CAN STOP IT. SIR-- 537 00:39:41,007 --> 00:39:43,276 SIR, WE'RE THREE FLOORS UP. THERE'S NOTHING AT THE WINDOW. 538 00:39:43,276 --> 00:39:46,746 JUST... UN-UNDO MY STRAPS SO THAT I CAN CHECK. 539 00:39:46,746 --> 00:39:49,633 I CAN SHOW YOU-- NO, DON'T ! NO ! JUST, PLEASE-- 540 00:39:49,633 --> 00:39:51,751 PLEASE. 541 00:39:56,273 --> 00:40:00,093 SEE ? NOTHING'S GONNA GET YOU. 542 00:40:00,093 --> 00:40:02,045 OKAY. JUST, UH-- 543 00:40:02,546 --> 00:40:04,981 JUST UNTIE ME ANYWAY, PLEASE. 544 00:40:14,257 --> 00:40:16,543 WHAT ARE YOU DOING ? 545 00:40:16,543 --> 00:40:18,812 YOU JUST NEED SOME FRESH AIR. 546 00:40:36,746 --> 00:40:39,666 I CAN'T BE RUNNING IN HERE ALL NIGHT, OKAY ? 547 00:40:43,787 --> 00:40:45,589 [ Door Shuts ] 548 00:40:49,976 --> 00:40:52,979 [ Fluttering ] 549 00:41:03,506 --> 00:41:06,026 [ Gasping ] 550 00:41:19,005 --> 00:41:22,342 HELP ! SOMEBODY HELP ! 551 00:41:22,342 --> 00:41:26,196 VERY SORRY, BUT IT IS AFTER HOURS, AND MR. MULDER IS RESTING. 552 00:41:26,196 --> 00:41:28,949 I'LL HAVE TO ASK YOU TO COME BACK IN THE MORNING. 553 00:41:28,949 --> 00:41:32,902 I'VE COME A LONG WAY, AND I KNOW HE WANTS TO SEE ME, SO WHAT DO YOU SAY ? 554 00:41:32,902 --> 00:41:36,723 I'M SORRY, REALLY. IT'S HOSPITAL POLICY. 555 00:41:48,918 --> 00:41:51,254 [ Mulder Screaming ] HELP ! 556 00:41:52,672 --> 00:41:56,059 - HELP ! - [ Creature Screeching ] 557 00:42:15,261 --> 00:42:18,515 [ Skinner ] AGENT SCULLY, I HAVE TO SAY I'M AT A BIT OF A LOSS HERE. 558 00:42:18,515 --> 00:42:22,802 DO I INFER CORRECTLY FROM THIS THAT YOU BELIEVE THERE'S SOME... 559 00:42:22,802 --> 00:42:25,305 MERIT TO AGENT MULDER'S CLAIMS ? 560 00:42:27,807 --> 00:42:30,810 I BELIEVE THAT AGENT MULDER IS MENTALLY SOUND... 561 00:42:30,810 --> 00:42:33,813 AND FIT FOR DUTY. 562 00:42:33,813 --> 00:42:36,316 ASIDE FROM THAT BELIEF, I CAN ONLY PRESENT TO YOU... 563 00:42:36,316 --> 00:42:38,685 THE FEW HARD FACTS THAT I'VE BEEN ABLE TO GATHER-- 564 00:42:38,685 --> 00:42:42,622 THAT, AS PER AGENT MULDER'S ASSERTIONS, 565 00:42:42,622 --> 00:42:46,076 A TOXIN HAS BEEN FOUND TO HAVE BEEN INJECTED INTO THE SPINE... 566 00:42:46,076 --> 00:42:47,961 OF THE SHOOTING VICTIM, MARK BACKUS. 567 00:42:47,961 --> 00:42:51,798 AS OF YET, WE'VE BEEN UNABLE TO IDENTIFY IT. 568 00:42:51,798 --> 00:42:53,717 FURTHERMORE, 569 00:42:54,217 --> 00:42:57,220 GREGORY PINCUS HAS APPARENTLY DISAPPEARED WITHOUT A TRACE, 570 00:42:57,220 --> 00:43:00,223 ALONG WITH HALF A DOZEN OTHER KEY WITNESSES... 571 00:43:00,724 --> 00:43:02,726 INTEGRAL TO THIS INVESTIGATION, 572 00:43:03,226 --> 00:43:05,228 AMONG THEM AGENT MULDER'S NURSE AT THE HOSPITAL... 573 00:43:05,228 --> 00:43:07,597 AND SEVERAL OF VINYLRIGHT EMPLOYEES. 574 00:43:07,597 --> 00:43:10,483 MEN AND WOMEN DESCRIBED BY MULDER AS ZOMBIES. 575 00:43:14,821 --> 00:43:16,322 [ Sighs ] 576 00:43:16,823 --> 00:43:19,826 I PERSONALLY CAN VOUCH FOR THE FACT THAT... 577 00:43:19,826 --> 00:43:22,829 THERE WAS AN INTRUDER IN AGENT MULDER'S HOSPITAL ROOM. 578 00:43:22,829 --> 00:43:25,949 DESCRIBE THIS INTRUDER. 579 00:43:29,452 --> 00:43:31,287 IT WAS DARK. 580 00:43:31,287 --> 00:43:33,757 YOU MUST'VE GOTTEN A GLIMPSE. WHAT DID YOU SEE ? 581 00:43:45,502 --> 00:43:48,004 WHAT DID YOU TELL HIM ? 582 00:43:48,505 --> 00:43:52,008 THE TRUTH, AS WELL AS I UNDERSTAND IT. 583 00:43:52,008 --> 00:43:54,511 [ Bell Dings ] WHICH IS ? 584 00:44:00,016 --> 00:44:01,518 FOLIE A DEUX-- 585 00:44:02,018 --> 00:44:04,521 A MADNESS SHARED BY TWO. 586 00:44:06,523 --> 00:44:08,892 [ Many Voices Speaking At Once ] 587 00:44:22,405 --> 00:44:25,408 MR. JACOX, LET ME TAKE A FEW MOMENTS TO TELL YOU... 588 00:44:25,408 --> 00:44:28,912 ABOUT THE ADVANTAGES OF WEATHERRIGHT REPLACEMENT WINDOWS. 589 00:44:28,912 --> 00:44:31,915 THEY KEEP DOWN HIGH HEATING AND COOLING COSTS. 590 00:44:31,915 --> 00:44:35,418 THEY BEAUTIFY-- 591 00:44:35,418 --> 00:44:38,421 THEY BEAUTIFY AND ADD VALUE TO YOUR HOME AS WELL AS-- [ Fluttering ] 592 00:44:40,423 --> 00:44:42,792 MR. JACOX ! 593 00:44:42,792 --> 00:44:45,245 [ Whispering ] IT'S HERE ! 594 00:45:25,317 --> 00:45:27,887 [ Child ] I MADE THIS ! 		X-Files 2x01 Little Green Men
X-Files 2x02 The Host
X-Files 2x03 Blood
X-Files 2x04 Sleepless
X-Files 2x05 Duane Barry
X-Files 2x06 Ascension
X-Files 2x07 Three
X-Files 2x08 One Breath
X-Files 2x09 Firewalker
X-Files 2x10 Red Museum
X-Files 2x11 Excelsius Dei
X-Files 2x12 Aubrey
X-Files 2x13 Irresistible
X-Files 2x14 Die Hand Die Verletzt
X-Files 2x15 Fresh Bones
X-Files 2x16 Colony
X-Files 2x17 End Game
X-Files 2x18 Fearful Symmetry
X-Files 2x19 Dod Kalm
X-Files 2x20 Humbug
X-Files 2x21 The Calusari
X-Files 2x22 F Emasculata
X-Files 2x23 Soft Light
X-Files 2x24 Our Town
X-Files 2x25 Anasazi
X-Files 3x01 The Blessing Way
X-Files 3x02 Paper Clip
X-Files 3x03 DPO
X-Files 3x04 Clyde Bruckmans Final Repose
X-Files 3x05 The List
X-Files 3x06 2shy
X-Files 3x07 The Walk
X-Files 3x08 Oubliette
X-Files 3x09 Nisei
X-Files 3x10 731
X-Files 3x11 Revelations
X-Files 3x12 War Of The Coprophages
X-Files 3x13 Syzygy
X-Files 3x14 Grotesque
X-Files 3x15 Piper Maru
X-Files 3x16 Apocrypha
X-Files 3x17 Pusher
X-Files 3x18 Teso Dos Bichos
X-Files 3x19 Hell Money
X-Files 3x20 Jose Chungs From Outer Space
X-Files 3x21 Avatar
X-Files 3x22 Quagmire
X-Files 3x23 Wetwired
X-Files 3x24 Talitha Cumi
X-Files 4x01 Herrenvolk
X-Files 4x02 Home
X-Files 4x03 Teliko
X-Files 4x04 Unruhe
X-Files 4x05 The Field Where I Died
X-Files 4x06 Sanguinarium
X-Files 4x07 Musings Of A Cigarette Smoking Man
X-Files 4x08 Tunguska
X-Files 4x09 Terma
X-Files 4x10 Paper Hearts
X-Files 4x11 El Mundo Gira
X-Files 4x12 Leonard Betts
X-Files 4x13 Never again
X-Files 4x14 Memento Mori
X-Files 4x15 Kaddish
X-Files 4x16 Unrequited
X-Files 4x17 Tempus Fugit
X-Files 4x18 Max
X-Files 4x19 Synchrony
X-Files 4x20 Small Potatoes
X-Files 4x21 Zero Sum
X-Files 4x22 Elegy
X-Files 4x23 Demons
X-Files 4x24 Gethsemane
X-Files 5x01 Redux
X-Files 5x02 Redux II
X-Files 5x03 Unusual Suspects
X-Files 5x04 Detour
X-Files 5x05 The Post-Modern Prometheus
X-Files 5x06 Christmas Carol
X-Files 5x07 Emily
X-Files 5x08 Kitsunegari
X-Files 5x09 Schizogeny
X-Files 5x10 Chinga
X-Files 5x11 Kill Switch
X-Files 5x12 Bad Blood
X-Files 5x13 Patient X
X-Files 5x14 The Red And The Black
X-Files 5x15 Travelers
X-Files 5x16 Minds Eye
X-Files 5x17 All Souls
X-Files 5x18 The Pine Bluff Variant
X-Files 5x19 Folie A Deux
X-Files 5x20 The End
X-Files The (Movie)