Sahara (with Michael Palin) ep3Click here to download subtitles file for the movie "Sahara (with Michael Palin) ep3"Click here to download the movie "Sahara (with Michael Palin) ep3"Relevant Links:SaharaTea In The Sahara Spanish Sahara Western Sahara More Links:(GROANS OF EFFORT) (LABOURED BREATHING) The Niger River has brought me to the heart of the Sahara, and can take me no further. From here on, the only ships I'm likely to see are ships of the desert, and where better to get acquainted with them than the legendary city of Timbuktu? (CAMEL BRAYS) Well, I've reached Timbuktu. (CAMEL GRUNTS) I said I've reached Timbuktu! (CAMEL GRUNTS) I said I've reached Timbuktu! I can't say it again! And back in the Sahara, the first time in the land of the Touareg, the Saharan nomad traders who founded Timbuktu about 800 years ago as a trading post for that most precious commodity in the Sahara, the salt, and the extraordinary thing is, that still today, the salt is brought down on camels in these great tablets, as it was all those years ago, from the mines 800ks up into the desert. So nothing's really changed, has it? You've changed, but, basically, you look the same as the original camel herds, don't you? How is it, lugging all that salt around? It must be sheer hell! Is it nice now it's finished? (CAMEL GRUNTS) Yeah! But things HAVE changed. In Timbuktu today, the Touareg are camped against the walls, sheltering from the desert rather than crossing it, and the walls are not what they used to be. Once inside the crumbling ramparts, it's hard to tell what it is about this desert city that has enthralled travellers for so long, and why it is that so many risked their lives to reach streets like these. This mosque is evidence of the golden age of Timbuktu. El-Saheli, the man said to have invented mudbrick architecture, designed and built it for Mansa Musa, the immensely rich emperor, at a time when Mali was the greatest empire in Africa. It's a great mosque here in Timbuktu. It's an extraordinarily powerful and quietly affecting building. It's built on almost 100 columns, and it creates a sort of forest of coolness in the cauldron of heat outside. It was originally constructed in 1325, and just the sheer scale of the place is testimony to the power of the Islamic presence here in the Middle Ages. (MAN CHANTS) (MAN SPEAKS IN ARABIC OVER TANNOY) It's Friday in Timbuktu, the holiest day of the week for Muslims, and after prayers, the imam invites me back to his house. The 16th century... Alors, la lune, le soleil, on explique tout ça ici. The imam has scientific texts that show the planets circling the sun. They date back hundreds of years, preserved, I assume, by the dry desert air. It's convincing evidence that the scholars of Timbuktu knew a lot more than those in Europe. In 15th-century Timbuktu, the mathematicians knew about the rotation of the planets and about the eclipse. They knew things which we had to wait almost 200 years to know in Europe when Galileo and Copernicus came up with these same calculations... ..and were given a very hard time for it! (CHILDREN CHANT) In his house, the imam runs a school where local children learn the Koran. (IMAM) On est en train de lutter afin que Timbuktu retrouve son visage d'avant. He explained that he hopes that Timbuktu can regain some of its former glory, and become once again the great centre of scholarship. (CHILDREN CHANT) After the Middle Ages, Timbuktu slid into decline, but its mystique grew, stoked by the fact that no one could get to it. Then, in 1826, a Scotsman, Alexander Laing, rediscovered Timbuktu. His house is for sale if you fancy a weekend hideaway! Over a period of about 350 years, 43 people tried to get to Timbuktu, only four succeeded, of which Laing was the first. When he got here, it looked pretty much like this. He wasn't greatly impressed. It wasn't the fabled city of wealth that he'd expected. Anyway, they were very hospitable, and as he went home, he fell out with the people who were taking him back across the Sahara. He refused to convert to Islam so they cut his head off at the age of 33. That was the end of Laing, but his house is remembered here. I can see myself festering here, gazing mournfully at the past, but the desert beckons! East of Timbuktu, the Sahara is virtually inaccessible to all but the nomads who move their cattle across it. Once a year they get together at Ingal in the Republic of Niger. These are the Wodaabe, a tall, elegant people thought to originate from Ethiopia. They walk and ride hundreds of miles every year, seeking pasture for their cattle. They move camp every six or seven days, so all they own must be portable. Recent rains have brought food and water, and they must take every advantage of these conditions to fatten their cattle. The Wodaabe grow no food, so without the animals they would not survive. The fattening of the animals on the salt grass is celebrated at an annual festival called Cure Salée - the Salt Cure. This great gathering of the nomadic clans is only days away. One of their spokesmen - they don't have chiefs - is Doulla. Tous les gens de la même famille? - Le père et la mère. - Ah, oui, oui. Using French and English, he says that everyone in the group comes from the same family line. - Perri! - Ah, Perri. Je te présente Perri. - Ah, Perri. - Oui. He introduces me to Perri, who sports a heavy-duty pair of Austrian sunglasses which I never see him remove. Though Perri looks like the Godfather, Doulla assures me he's only the brother-in-law. Ah, yes. The obvious non-family member is a French student, Celine, who's been living with the group and working with the women. She shares everything, including medicine, which is much in demand. What are the relationships like between the men and the women? I know that some of them have three or four wives. Are there problems there? It's a free life here. The woman is... Well, I can't say free, but more or less free, like all around the world, a free woman. - So she can... - She is with her husband, but if she wants, she can leave him. She can go to... She can go with another man. They're quite liberated sexually. More or less, yes. (MICHAEL) It's important for them to look beautiful? (CELINE) Yes, very important. When a man chooses a woman or a woman chooses a man, the first thing they look for is the beauty of the person. (MEN CHANT) This is the most extraordinary beauty contest I've ever seen! This is the gerewol - a Wodaabe equivalent of the high school hop. The young men go to enormous lengths to make themselves irresistible. This means plenty of make-up, exotic hairdressing, the ability to repeat the same song and movement for hours, and some fancy eye work! How long do they dance for? - They dance for seven days. - Seven days? - Yes. - Seven days? Now it's the girls' turn. Once decked out in all their finery by doting mothers, aunts and grannies, they will parade in front of the boys and choose their partner. They look very beautiful, very young and rather frightened. (SINGING CONTINUES) Now comes the time for the girls to play their part in the ceremony. (SINGING CONTINUES) - Do they come forward? - Yes. People like the women want to swear this. Though the girls have the right to choose - it looks more like an ordeal than a privilege - their choice must be made for everyone to see. Nerves are beginning to show. (SINGING CONTINUES) (MICHAEL) Do the girls choose one boy? (DOULLA) Yes. They go up and put their hand on them? Yes, maybe one woman, maybe two. Guided by the mistress of ceremonies, each girl walks the line until contact is made and the choice announced in the traditional way. (SHRILL WHOOP) Now, the worst is over. Her chosen one will meet up with her later. He's hers for the night. Next morning, I meet a boy and a girl who got together at last year's gerewol. Rainey, tucking into millet porridge, was chosen by Gooday, and they now have to decide if they want to get married. This is not a marriage for the parents. Non, ce n'est pas un mariage pour les parents. - So they love each other and... - Voilà, voilà. C'est le mariage pour l'amour. Doulla explains that although they've been lovers for a year, Gooday wants to go to Cure Salée and see how Rainey shapes up in the big gerewol dance. ..qu'il danse bien... If he dances well, sings well and looks good, she'll very likely decide to be his wife. ..et après ils vont faire le mariage. Then they can claim the family bed, the most important of all Wodaabe status symbols. But until Cure Salée's over, Gooday's keeping everyone guessing. Well, we're on our way. The great Wodaabe family outing has begun to Cure Salée, an enormous festival where all the nomads come together for this great once-yearly event. I'm not quite sure what goes on, but all sorts of festivities - dancing, whatever. It's just a bit of a long walk! Coming! (INAUDIBLE) The town where Cure Salée is celebrated is 60 miles from the camp, and no, I don't walk the whole way. I ride to Ingal in a bush taxi with 15 Wodaabe crammed on board, reducing their travelling time from two days to two hours. We've now reached... Foma! Foma. That means hello in Wodaabe. We've finally reached the big city - it isn't a big city at all. This is Ingal and it's quite small. It's where Cure Salée takes place, and after where we were, it's a big shock. Suddenly, there's walls, cars and police. There are people looking to rent out property. They've got this courtyard here probably at a bit of a high rent! It doesn't feel totally comfortable here. You know, country boys come to the big city. There are lots of their families out there, but they haven't found them yet and are making a base here. There's a slightly hostile, cautious feeling. Hello. Foma! Foma! How are you? They're so lovely! They just walk at this very gentle pace, and out there is complete mayhem! Cure Salée is everything - a grand party, trade fair, highland games, sports day and agricultural show. For one week a year, this little backwater is filled to bursting as thousands of nomads come to eat and drink, buy and sell, see and be seen, race their camels, and celebrate the joys of living in a land without boundaries. (THEY WHOOP) For Doulla and Perri, it's also a chance to catch up on the shopping. (THEY GREET EACH OTHER) I don't know all the rest! I only know the start! There are 17 different things we have to say! So what are we going to buy? - I want to buy the sucre. - Sugar. Sucre. (MICHAEL) For quatre-vingt personnes. So that's 80 people we're getting the provisions for. Will you stay four days here? I don't know. I want to dancing, I want to see many people... ..from my family. (MICHAEL) Are you going to buy new clothes? (DOULLA) Yes, I want to see this man. Perri's a bit of a dude, isn't he? He always looks rather dashing! - Is this new, too? - Oui. (DOULLA) This is very old. That's old, yeah. Oh, yes, look at that. The clothes are so much more interesting than mine! These trousers, they are in beige (!) - But I like these. - Me, too. - You like that? - Every people like these. (MAN) Bonjour! Qu'est-ce que ces choses ici? Ça c'est... C'est du sel. Oh, that's salt! - Ça c'est du sel. - It looks like solid rock. Ça vient de Bilma. This is salt from Bilma. Where the caravans go. The salt trade is the oldest in the Sahara, but Cure Salée is not stuck in the past. If you've a new idea, flaunt it! It's a bit hot for skiing! (INDISTINCT) - Do you ski on sand? - Yeah. Ski from desert. - Do you sink into the sand? - It's very good, yes. I have picture for this ski. - Have you got one? All right. - Let me show you first. These are European skis, the same as snow skis? -Yes. - Comment tu t'appelles? Mon nom c'est Abdul Khadir Danger. Abdul Khadir Danger, as in danger? - Yeah. - Abdul Khadir Danger! (MAN) I've been to Joe magazine, too. Ah, yes, a very good French magazine for travellers. - I have picture in there. - Abdul Danger! I'm not sure that gives me confidence! - That's right. - I am Michael Cowardly! - Michael Cowardly? - Yes, Michael Highly Cowardly. - Michael Howly Cowardly. - Yes. Oh, well, let's think about it. It's just so amazing! Two African masks and a course of skiing lessons, please! (MEN SING) As evening approaches, crowds gather to watch one of the day's highlights - a mass gerewol. Back at base, Rainey and the other Wodaabe prepare to join the dance. (MEN SING) They'll be facing some strong competition. Rainey and the boys make final checks in the hand mirrors that every self-respecting Wodaabe lad carries with him. With ostrich headdresses rounding off the outfit, they're ready for the big time. (THEY SING AND CHANT) Rainey's already looking around, maybe wondering where Gooday is or on the lookout for some action himself. This is what Cure Salée is all about - the one time in a hard year when tribes who live on the move can stop in the same place at the same time to exchange contacts, advice, and, of course, widen the waters of the gene pool. I've benefited from Cure Salée as well - a group of Touareg have agreed to take us on a salt caravan leaving from a nearby village. The journey will take us across an arid furnace of desert, but then the unbelievable happens. (THUNDERCLAP) There IS water in the Sahara! When the rainy season hits, it's pretty dramatic. This morning, this would have just been like a beach anywhere. This has happened within one day. This will continue to grow. Rains have fallen somewhere, I don't know quite where. This will come up to my waist, and in a week, it will be dry again. At the oasis of Tabelot, this precious water stays close enough to the surface to create a minor miracle. This is like the Garden of Eden, Omar! And this is Omar, the man who will soon be leading me and the camel train across the burning sands. - Ça c'est le puits? - Oui, c'est le puits. All the water has to be brought up from below. This well is some 50 feet deep. A camel works the wooden winch, and a goatskin bag spills the water into a network of irrigation channels. It's a method as old as the Bible, probably older. (WARBLING BIRDCALL) And it works. The fields are rich in onions, carrots, maize and millet, whilst the trees provide orange, fig, pomegranate, and, of course, dates, which when ripe are wrapped in bags to keep the birds off them. (MICHAEL) Quelle est la plus grande? - C'est vingt metres. - Vingt metres. 60 feet up. - Il monte vingt metres? - Il monte, oui. So he gets up 60 feet to get the...dates. He's dropped his load. I only wanted three! (MICHAEL) Mmm... Ah, oui... Merci! Merci beaucoup! Omar's home is in the centre of the village, a mile or so away from the well. He's taking me to meet his family. They speak only Arabic or Tamahaq, the language of the Touareg, but Omar has French which is a lot better than mine. He tells me he has four wives and 15 children. - 15 children? - Oui. Ooh, tu es riche! Non - en enfants, oui! C'est un problème d'avoir quatre femmes? Although he smiles easily enough, things are clearly not as rosy as they look. He has a problem finding enough money to buy food and medicine for all the children, particularly the little ones who cannot work. - C'est un peu dur. - Yeah. Il y a des enfants, il y a des petits enfants. - So... C'est difficile? - C'est très difficile. His wives seem to be of all different ages, and I ask him if there are problems having all four under the same roof at the same time. - Beaucoup de problèmes. - They agree! Yes, he says, there are many, many problems. They all seem to boil down to the same thing - jealousy. (OMAR) Jalousie. (MICHAEL) Jealousy, you say? (MICHAEL) Peut-être, um... ..si vous...si tu as... ''Wouldn't it be easier'', I ask in my impertinent Western way, ''to have just one wife?'' With one woman, it's not difficult. One wife, pas difficile! Mais avec quatre femmes c'est très difficile! (MICHAEL) Pourquoi... Pourquoi... Omar agrees that it would be much easier, but then, as he puts it, he wants lots of children so he needs lots of wives. Je veux beaucoup d'enfants. I think in his own modest way, Omar rather likes the idea of starting a dynasty. (WOMEN SING AND ULLULATE) The night before the camel train leaves for the salt pans of Bilma, there's a big party. The dancing gets wilder and wilder as the men strut every step they know to impress the women, and there's no sitting it out! (BEATING DRUMS AND WOMEN SINGING) The local boys are tireless, happy to raise the sand all night long, but for us oldies, it's time for bed. There's a long hard journey ahead. Early morning in Tabelot, and the day of departure has arrived. These are the men and the beasts with whom I'll share the most desolate corners of the Sahara. (MICHAEL) Sur le chameau? Oui, oui. Merci. They've got more important things to put on first. This is straw in here. I asked if it's for the camel to eat, he said, ''No, no!'' It's for us (!) You don't get much to eat, mate. I'm sorry. We have nine chameliers or cameleers, and 30 camels. Most are of the white docile variety beloved by the Touareg of the Aïr mountains. (CAMEL BRAYS) My camel, I notice, is neither white nor docile, but brown and rather stroppy! It's so excited to have my bag on board, it's going to make off with it! - Il a un nom? - Oui. Est Ekowik. - Ekowik? - Est Ekowik. Ekowik. Ekowik, I think means, ''He who takes foreigners'' (!) (OMAR) Est Ekowik. (MICHAEL) Ekowik. (MICHAEL) Est Ekowik. We're ready to go. Everything we need for the journey has to be carried on the backs of the camels, except, of course, fresh food - which walks alongside. Well, here we go. Not quite sure about me yet. Come on. Well, this is it. It's not quite what I expected - camel rides on the beach or once round the pyramids - this is the real thing, the start of the train. I've failed already! I got him a few yards anyway. So we leave Tabelot. A modest caravan compared to the one which left here in 1922, observed by one Captain Buchanan who estimated it to be six miles long. Come on, Ekowik! It's 350 miles across the desert to Bilma, but I shall be leaving before that and branching north towards the Algerian border. As we pass out of the mountains, Omar shows me some of the extraordinary rock art that covers this part of the Sahara. - Il a quel age? - Vers six mille. - Hmm? - Six mille. Six mille. 6,000 years. 6,000 years old? Some say they're men from outer space, others believe they're ancestors of the Wodaabe, but the wild animals they depict are taken as proof that not that long ago the Sahara was a green and fertile place. Since the last Ice Age ended, the Sahara and its wildlife have borne the brunt of the long process of global warming. Now the camel, introduced from Arabia about the time of Christ, has this parched wilderness almost to itself. It looks rather pleasant and gentle, this pace, ambling through the sand, but it's very deceptive, because this is really stark desert. This is killer landscape because there is no water here, there's no shelter anywhere around. And so you go slowly because it's the only way to survive, and if you didn't have water and friends with you, that would be it within 24 hours. The camel - or dromedary as the single-humped animals are called - is a marvellous desert machine. Their weight is so finely distributed that they leave barely a mark in the sand. Provided they have somewhere to graze, they can last two weeks without water, and can carry loads of up to 500lbs over enormous distances. Camels changed the history of the Sahara. Without them, 2,000 years of trade, war, expansion and exploration would never have happened. It's midday, the peak of heat, and we're seeking a tree. You just have to keep drinking lots and lots of water. The other thing that's nice about it is that the camels dictate the pace, but also the mood. It's a sort of continuous, sort of unchanging rhythm which is the way I think you survive this sort of thing. Once you keep stopping and starting, that's more difficult. I know you've got to have shelter and all that, but the camels are reassuring presences because they just keep going. Oh, you don't want to be patted. But, you know, there are good things about it! There are no flies! You can't get bitten by anything, and there's no undergrowth to catch your clothing on! But there's very little scope for action - more scope for imagination - so you think a lot like why did they even suggest doing this in the first place?! Just a joke! Oh, a tree! - Omar, un arbre! - C'est un arbre. - Un arbre pour nous? - Oui. (MICHAEL CHEERS) This is where we're going to stop next. It's two-star, I think. No lifts, no swimming pool. No room service. No roof. No stairs, and no room, actually, but it sounds jolly good! How much is in the water? Merci. Merci. Merci, Omar! (CAMELS BRAY) It's lovely the way they go down and sort of fold up like... ..collapsible tables. This is what they actually eat off the acacia tree. To get at the greenery, which I suppose they want, there are these amazingly long, very sharp thorns. That's a couple of inches long. Incredibly sharp. They chomp that off. What must go on between their tongue and the side of the mouth and the gullet? I wouldn't eat this! Not even in a sandwich! Well, possibly a sandwich. I'd eat anything at the moment! OK. - C'est bon. - C'est bon? The midday temperatures peak at around 56 Celsius, and only in late afternoon when it begins to cool off is it safe to set out again. The heat dictates everything. Because of it, Omar and his men sometimes leave at four in the morning, but despite it, they still aim to walk 14 or 15 hours a day. (MAN WHOOPS AND SINGS) I don't know about the camels, but I find walking in this soft sand is the most tiring of all. But Izambar Mohammed, the camel singer, keeps a beady eye out for flagging spirits. (IZAMBAR SINGS) There's a tree over there. Your expectations on this become so low that one tree becomes a wonderful luxury object. You can understand what coming to an oasis means to these people. Everything's just pared down. You have very minimal expectations. (HE SINGS) The main social event of the day is the evening meal, usually bread, dates and cheese, but tonight, in my honour, there'll be a stew as well. Everyone has a job to do. (RASPING CRY) Omar and Izambar slaughter the sheep, Osman bakes bread in a sand oven and Moussa plaits fresh twine to secure the camel loads. I'm still recovering. There's nowhere to sit. That's what I really miss most. I mean, I can sit here, but this is actually their bedding and food for the animals. I can't sit here for long. They don't believe in chairs. I do find that at the end of a long walk, it would be nice to just flop down on a chaise longue. That's what I'd bring if I had a camel train of my own - I'd just have a camel stacked with chairs of various kinds, reading lamps and perhaps a television, possibly a small bar and a fridge, a front doorbell, some stairs, maybe a couple of friends... It's very thick and coarse and heavy and... Tagilla. Tagilla. - Terwa? - Tagilla. - Gogowan? - Tagilla. - Ça c'est le Tagilla. - Tagoola. - Tergulla? - Tagilla. It's more like cake really. It's like a chunk of cake we used to have at school. A nice hard crispy outside. Very good. - Tagil-la. - Tagil-la! You have to get the emphasis right. Tagoo-la probably means buttock! Tagil-la! It means this lovely cake. (MICHAEL) Tergulla. (MAN) ''Tergulla'' (!) You're a great audience! I think I'm doing something wrong here because they seem to be breaking up the Tagilla... ..le Tagilla into the bowl, so I suppose they'll put sauce on it, but you're popping a bit in your mouth at the same time, so I'll do a bit of that. (MAN) Un peu Tagilla. (MICHAEL) Un peu tadula. (MICHAEL) Un peu tadula. Tagilla. - Tagilla. - Dogoola. They're probably teaching me all the wrong words! I'm probably saying... Tagilla. Tagilla. Tagilla. (THEY LAUGH) It's a minimalist joke but it's serving me well. Ah, this looks like the... ..the meat. It's odd to be eating one of the creatures I've got to know quite well as we walk along. The camels are up there, and the two little sheep and the goat we've walked with are rather sweet. They get kicked about and no one seems to care and I rather identify with them. One of them has now been dispatched, and the others are swinging on the bush, and the other two are sort of looking around, obviously sort of, ''Look what happened to Bert!'' They don't seem too concerned. I think he laid down his life for a good cause. This is for Touaregs, a banquet because they very rarely have meat on a journey. I think they just have couscous. There'll be a lot of sand in it, especially with the wind blowing. It gets everywhere. For me? Ah, thank you! (THEY LAUGH) - Izzot? - Izzot! It's very 'ot! It's good! It's lovely! - Mmm! It's 'ot! - Izzot! (CAMEL BRAYS) This is much more sensible... ..than any hat you could buy... ..because...it's really cool. You have to tie it securely 'cause walking loosens it, but it keeps the dust off. You pull it right over? - Après. - Après, yes. Sorry. My dresser and general looker-after... I'd like to be able to see out a bit, or else I might walk into a camel. That's it, see? Brilliant! And this can go up... Voilà! - Et tu fais ça... - Thank you. - Ça va? - Merci. Merci. (THEY LAUGH) There! Ready for the route! Dust... And it's very, very cool. It's just excellent, yeah. Merci. One thing I've really got rather used to now about the camels is the strange rumblings that go round the camp whenever they're being loaded up or being put down. (CAMEL BRAYS) It's like a sort of language, and I'm not sure what it is when they're going to start off. Is it anger? Is it protest? Or is it, ''Here we go again - another day at the office!'' Some sort of communication goes on like ''We're not meant to do this! ''We're not meant to be beasts of burden!'' I shall develop a noise of my own, I think, to go with it. Let's try one. Nee-ert! Noi-oy-oy! (LAUGHTER) Good! It works! We're now into what my French guidebook calls ''désert absolu'', absolute desert, the earth stripped clean, as bare as a glacier, as featureless as the sea. The outside world is so far away as to be almost irrelevant. I can understand why so many religions were born in the desert. The outside is so hostile, you have to look inside. Just as I achieve a little spiritual harmony with this great emptiness, I'm reminded that in the 21st century, the outside world is always closer than you think. We don't have the desert to ourselves after all. (WHINING MOTOR) A French paraglider swoops down over us, an all-seeing video camera at the ready. I feel he's intruding on our space, but deep down, I'm probably just jealous! You've been to many deserts in the world. Do you have a favourite, one place that is most rewarding? I've been, yes, to different places. I like this because the Sahara, there is an authentic life here. It's still alive. (MICHAEL) Well, it's a great machine. Can you do some work with us? Just get up in the air and we have our boys walking along? Is that all right to have another camera, Nigel? Oh, sorry! A few sweeties, something like that, and he'll be all right! (MUSIC) This might be just a streak of Yorkshire puritanism, but I don't want the Sahara to become an adventure playground, and after all the excitement, I'm glad to be back with the people who live here. (CAMELS BRAY) It seems a bit bizarre having a fire in the Sahara after it's been 132 degrees Fahrenheit this afternoon - 56 centigrade - but it gets quite cold at night. It goes down to about... It can get as low as the high 80s... ..you know, sort of 40 degrees, well, 38 degrees at night, and, oddly enough, it seems cold! Anyway, it's just nice to have a fire - very friendly, companionable. And I can make my joke about... It's 'ot! (MEN) Izzot! (MICHAEL) Goes down a bomb! (MICHAEL) It's 'ot! (MEN) Izzot! - Le thé. - Oh, pour moi? Merci! Oh, this is a bit of the cheese. - Mmm... - Tacoma. - Mmm! - Tacoma. - Mmm! ''Goma.'' - Tacoma. You're going to teach me another word, aren't you?! - Tacoma. - Tacoma. - A la vôtre! - A la vôtre! - Sha-hee! - Sha-hee! (MEN LAUGH) They're teaching me rude words! (LAUGHTER CONTINUES) Ah! These little Touareg soirées (!) Mmm! Cheese is nice! Cheers! En anglais, nous disons ''Cheers!'' Cheers! Down the hatch! Bottoms up! Bottoms...up. (MICHAEL) Bottoms up? Bottoms... - Bottom. (MICHAEL) Bottoms... - Bottoms... (MICHAEL) Up. - Up. Yeah! Great! Bottoms up! - Bottoms up. (MICHAEL) Bottoms up. (THEY LAUGH) Very good. (MICHAEL) Bottoms up. - Bottoms up. - Sha-hee. (MICHAEL) Sha-hee. - Izzot! - It's 'ot! - A la vôtre. (MICHAEL) A la vôtre. - Tacoma! (MICHAEL) Tacoma! (THEY LAUGH) Tacoma! Tacoma! (MICHAEL) Not again! Tacoma. - A la vôtre. - A la vôtre. - Sha-hee. - Sha-hee. - Izzot! (MICHAEL) It's 'ot! (THEY LAUGH) (MICHAEL) Bottoms up! - Bottoms up! God bless Her Majesty! (THEY LAUGH) - Bottoms up. - Bottoms up. (CAMELS BRAY) Omar helps me load up for the last time. Later today, our ways will part, and already they've got someone new to look after. This little gazelle was found abandoned at the camp site, and they're going to keep it and look after it. This will be a pet. It's not for the pot. There are gazelles in the Sahara Desert! It's amazing! I know there are camels, and smaller animals, but there are gazelles as well. Even in the depths of desert there's life. And this one will, hopefully, survive. Amazing ears! Yes... ..they'll look after you, won't they? It's always the way, isn't it? Just as I'm learning how to cope, it's time to move on. I shall miss all this - the regular rhythm of the day, the reassuring pattern of life on the move. I shall miss Omar and Izambar, and all the team who've looked after me, even Ekowik and the camels, though they won't miss me. I've learnt a lot, maybe not enough to start a religion, but certainly a clearer view of basic truths - if you don't respect your environment, then you die. It's as simple as that. Omar will doubtless be delighted to see the back of us! Once we've gone, he can get back to the serious business of bringing the salt back from Bilma. Au revoir! Merci. Merci, Omar, pour tout! Bon voyage. Hey, bye. Merci! Merci! Merci! Merci! Merci! Merci pour tout. Hey, hey! You like my shirt, don't you! OK, au revoir, merci! Ah, bottoms up! (MAN WAILS) He's going to win the Oscar for this, isn't he! Stop it! It's my show, dammit! It's my show! Il vient avec moi! Il vient avec moi! Merci! Au revoir. Merci! Très, très bon! Bon voyage! OK! Now, then, which way? Yes... OK, au revoir! (MICHAEL) Tacoma. Bottom up. (MAN) Bottom up. (MICHAEL) Bottom up! (MAN) Bottom up. Izzot! - It's 'ot! - Izzot! Izzot! Izzot! Izzot! Izzot! Au revoir! Right, let me see... Algeria. Bear right over the mountain, left at the oasis, fork left at the volcano, across the lake and sharp right. Should be there by Tuesday week. |
SLC Punk SNL Best Of Eddie Murphy 1998 SWAT S Diary 2004 Saathiya CD1 Saathiya CD2 Saaya CD1 Saaya CD2 Safe Sahara (1943) Sahara (with Michael Palin) ep1 Sahara (with Michael Palin) ep2 Sahara (with Michael Palin) ep3 Sahara (with Michael Palin) ep4 Sahara (with Michael Palin) video diary bonus Sahara interview with Michael Palin Saint Clara Salaam Bombay CD1 Salaam Bombay CD2 Salaam Cinema 1995 Salems Lot 2004 CD1 Salems Lot 2004 CD2 Salesman - Albert and David Maysles (1969) Salo Or The 120 Days Of Sodom Salon Salton Sea The Salvador (1986) Salvatore Giuliano (Francesco Rosi 1961) CD1 Salvatore Giuliano (Francesco Rosi 1961) CD2 Samourai Le Samsara 1991 CD1 Samsara 1991 CD2 Samurai - Miyamoto Musashi - 03 - Duel at Ganryu Island Samurai 2 (1955) Samurai 3 - Duel At Ganryu Island 1956 Samurai Assassin 1965 Samurai Fiction Sanbiki No Samurai 1964 Sand Pebbles The CD1 Sand Pebbles The CD2 Sands of Iwo Jima Sanjuro (1962) Santa Claus 2 Sante Trap The Saragossa Manuscript The (1965) CD1 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Stage Fright 1950 Stagecoach Stalag 17 Stalker 1979 CD1 Stalker 1979 CD2 Star Trek Generations CD1 Star Trek Generations CD2 Star Wars - Episode II Attack of the Clones Star Wars - Episode IV A New Hope Star Wars - Episode I The Phantom Menace Star Wars Episode 4 (A New Hope) CD1 Star Wars Episode 4 (A New Hope) CD2 Star Wars Episode 5 (Empire Strikes Back) CD1 Star Wars Episode 5 (Empire Strikes Back) CD2 Star Wars Episode 6 (Return of the Jedi) CD1 Star Wars Episode 6 (Return of the Jedi) CD2 Stargate SG1 1x01 Children of the Gods Stargate SG1 1x02 The enemy Within Stargate SG1 1x03 Emancipation Stargate SG1 1x04 The Broca Divide Stargate SG1 1x05 The First Commandment Stargate SG1 1x06 Cold Lazarus Stargate SG1 1x07 The Nox Stargate SG1 1x08 Brief Candle Stargate SG1 1x09 Thors Hammer Stargate SG1 1x10 The Torment of Tantalus Stargate SG1 1x11 Bloodlines Stargate SG1 1x12 Fire and Water Stargate SG1 1x13 Hathor Stargate SG1 1x14 Singularity Stargate SG1 1x15 The Cor AI Stargate SG1 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View Stargate SG1 3x07 Deadman Switch Stargate SG1 3x08 Demons Stargate SG1 3x09 Rules Of Engagement Stargate SG1 3x10 Forever In A Day Stargate SG1 3x11 Past And Present Stargate SG1 3x12 Jolinars Memories Stargate SG1 3x13 The Devil You Know Stargate SG1 3x14 Foothold Stargate SG1 3x15 Pretense Stargate SG1 3x16 Urgo Stargate SG1 3x17 A Hundred Days Stargate SG1 3x18 Shades Of Grey Stargate SG1 3x19 New Ground Stargate SG1 3x20 Maternal Instinct Stargate SG1 3x21 Crystal Skull Stargate SG1 3x22 Nemesis Stargate SG1 4x01 Small Victories Stargate SG1 4x02 The Other Side Stargate SG1 4x03 Upgrades Stargate SG1 4x04 Crossroads Stargate SG1 4x05 Divide And Conquer Stargate SG1 4x06 Window Of Opportunity Stargate SG1 4x07 Watergate Stargate SG1 4x08 The First Ones Stargate SG1 4x09 Scorched Earth Stargate SG1 4x10 Beneath The Surface Stargate SG1 4x11 Point Of No Return Stargate SG1 4x12 Tangent Stargate SG1 4x13 The Curse Stargate SG1 4x14 The Serpents Venom Stargate SG1 4x15 Chain Reaction Stargate SG1 4x16 2010 Stargate SG1 4x17 Absolute Power Stargate SG1 4x18 The Light Stargate SG1 4x19 Prodigy Stargate SG1 4x20 Entity Stargate SG1 4x21 Double Jeopardy Stargate SG1 4x22 Exodus Stargate SG1 5x01 Enemies Stargate SG1 5x02 Threshold Stargate SG1 5x03 Ascension Stargate SG1 5x04 Fifth Man Stargate SG1 5x05 Red Sky Stargate SG1 5x06 Rite Of Passage Stargate SG1 5x07 Beast Of Burden Stargate SG1 5x08 The Tomb Stargate SG1 5x09 Between Two Fires Stargate SG1 5x10 2001 Stargate SG1 5x11 Desperate Measures Stargate SG1 5x12 Wormhole X-Treme Stargate SG1 5x13 Proving Ground Stargate SG1 5x14 48 Hours Stargate SG1 5x15 Summit Stargate SG1 5x16 Last Stand Stargate SG1 5x17 Failsafe Stargate SG1 5x18 The Warrior Stargate SG1 5x19 Menace Stargate SG1 5x20 The Sentinel Stargate SG1 5x21 Meridian Stargate SG1 5x22 Revelations Stargate SG1 6x01 Redemption Part 1 Stargate SG1 6x02 Redemption Part 2 Stargate SG1 6x03 Descent Stargate SG1 6x04 Frozen Stargate SG1 6x05 Nightwalkers Stargate SG1 6x06 Abyss Stargate SG1 6x07 Shadow Play Stargate SG1 6x08 The Other Guys Stargate SG1 6x09 Allegiance Stargate SG1 6x10 Cure Stargate SG1 6x11 Prometheus Stargate SG1 6x12 Unnatural Selection Stargate SG1 6x13 Sight Unseen Stargate SG1 6x14 Smoke n Mirrors Stargate SG1 6x15 Paradise Lost Stargate SG1 6x16 Metamorphosis Stargate SG1 6x17 Disclosure Stargate SG1 6x18 Forsaken Stargate SG1 6x19 The Changeling Stargate SG1 6x20 Memento Stargate SG1 6x21 Prophecy Stargate SG1 6x22 Full Circle Stargate SG1 7x01 Fallen Stargate SG1 7x02 Homecoming Stargate SG1 7x03 Fragile Balance Stargate SG1 7x04 Orpheus Stargate SG1 7x05 Revisions Stargate SG1 7x06 Lifeboat Stargate SG1 7x07 Enemy Mine Stargate SG1 7x08 Space Race Stargate SG1 7x09 Avenger 2 0 Stargate SG1 7x10 Birthright Stargate SG1 7x10 Heroes II Stargate SG1 7x11 Evolution I Stargate SG1 7x12 Evolution II Stargate SG1 7x13 Grace Stargate SG1 7x14 Fallout Stargate SG1 7x15 Chimera Stargate SG1 7x16 Death Knell 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