Last Waltz The CD2
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Last Waltz
[AUTHOR]
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[BEGIN]
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[00:00:00]
pan away from that sort of stuff,|get into something else.
[00:00:05]
since the beginning,|since we started playing together,
[00:00:08]
just like we've all grown just a little bit,|so have the women.
[00:00:14]
- You know? And it's amazing.|- that's right. that's good.
[00:00:17]
l just wanna break even.
[00:00:19]
(ýaughter)
[00:00:24]
(robertson) joni mitchell. right.
[00:00:26]
(cheering)
[00:00:38]
( ''coyote'')
[00:00:50]
no regrets, coyote
[00:00:52]
We just come from such|different sets of circumstance
[00:00:55]
l'm up all night in the studios|and you're up early on your ranch
[00:01:01]
You'll be brushing out a brood mare's|tail while the sun is ascending
[00:01:05]
And l'll just be getting home|with my reel-to-reel
[00:01:10]
there's no comprehending
[00:01:12]
just how close to the bone|and the skin and the eyes
[00:01:15]
And the lips you can get
[00:01:18]
And still feel so alone
[00:01:20]
And still feel related
[00:01:23]
like stations in some relay
[00:01:25]
You're not a hit-and-run driver, no, no
[00:01:29]
racing away
[00:01:32]
You just picked up a hitcher
[00:01:34]
A prisoner of the white lines|on the freeway
[00:01:48]
We saw a farmhouse burning down
[00:01:51]
ln the middle of nowhere|in the middle of the night
[00:01:54]
And we rolled right past that tragedy
[00:01:57]
until we pulled in|to some roadhouse lights
[00:02:00]
Where a local band was playing
[00:02:02]
locals were up kicking|and shaking on the floor
[00:02:06]
the next thing l know
[00:02:08]
that coyote's at my door
[00:02:11]
he pins me in the corner|and he won't take ''no.''
[00:02:14]
he drags me out on the dance floor|and we're dancing close and slow
[00:02:19]
now he's got a woman at home
[00:02:21]
he's got another woman down the hall|and he seems to want me anyway
[00:02:26]
Why d'you have to get so drunk|and lead me on that way?
[00:02:30]
You just picked up a hitcher
[00:02:33]
A prisoner of the white lines|on the freeway
[00:02:47]
l looked a coyote right in the face
[00:02:50]
on the road to baljennie,|near my old home town
[00:02:53]
he went running through|the whisker wheat
[00:02:56]
chasing some prize down
[00:02:59]
And a hawk was playing with him
[00:03:01]
coyote was jumping straight up|and making passes
[00:03:05]
he had those same eyes, just like yours
[00:03:08]
under your dark glasses
[00:03:10]
privately probing the public rooms
[00:03:12]
And peeking through keyholes|in numbered doors
[00:03:16]
Where the players lick their wounds|and take their temporary lovers
[00:03:21]
And their pills and powders|to get them through this passion play
[00:03:25]
no regrets, coyote
[00:03:28]
l just get off up aways
[00:03:30]
You just picked up a hitcher
[00:03:32]
A prisoner of the white lines|on the freeway
[00:03:47]
coyote's in the coffee shop
[00:03:49]
he's staring a hole|in his scrambled eggs
[00:03:52]
he picks up my scent on his fingers|while he's watching the waitresses' legs
[00:03:57]
he's too far from the bay of fundy
[00:04:00]
from Appaloosas and eagles and tides
[00:04:04]
And the air-conditioned cubicles
[00:04:07]
And the carbon ribbon rides|are spelling it out so clear
[00:04:11]
either he's gonna|have to stand and fight
[00:04:14]
or take off out of here
[00:04:17]
l've tried to run away myself
[00:04:20]
to run away and wrestle with my ego
[00:04:26]
And with this flame|you put here in this eskimo
[00:04:31]
ln this hitcher
[00:04:34]
ln this prisoner
[00:04:36]
of the fine white lines
[00:04:39]
of the white lines
[00:04:42]
on the free freeway
[00:05:14]
(cheering)
[00:05:20]
levon's home town,|it's near West helena.
[00:05:25]
one time we were there,|for some reason or another,
[00:05:28]
and we decided we were gonna look up|one of the legends of that town,
[00:05:32]
which was sonny boy Williamson.
[00:05:34]
ln my opinion, he's the best harp player,
[00:05:37]
that's like harmonica,
[00:05:40]
blues harmonica, that l've ever heard.
[00:05:44]
he's the big Daddy of 'em.
[00:05:47]
And he took us to a friend of his,|a woman's place,
[00:05:51]
who served food and corn liquor.
[00:05:55]
ln a southern booze can.
[00:05:58]
he would sit there|and he was playing for us.
[00:06:00]
And we were getting drunk|and trying to figure out where we were.
[00:06:04]
he was spitting in a can.|l thought he was dipping snuff.
[00:06:07]
l thought he had something in his lip.
[00:06:09]
And he kept spitting in this can and|playing, and we kept getting drunker.
[00:06:14]
finally, l looked over in the can|and l realised it was blood.
[00:06:18]
he was getting pretty tired|and pretty drunk by then.
[00:06:21]
And we made big plans for the future|and all kinds of things we were gonna do.
[00:06:25]
And it was tremendous. A great night.
[00:06:29]
A couple of months later, we got a letter|from his manager, or whoever it was,
[00:06:34]
saying that he had passed away.
[00:06:37]
( ''mystery train'')
[00:06:54]
train arrive
[00:06:59]
16 coaches long
[00:07:05]
train arrive, yeah
[00:07:10]
16 coaches long
[00:07:16]
Well, that long, black train|took my baby and gone
[00:07:24]
train, train
[00:07:29]
rolling round the bend
[00:07:35]
train, train
[00:07:40]
rolling round the bend
[00:07:46]
Well, it took my baby|away from me again
[00:07:55]
heard that whistle blowing,|it was the middle of the night
[00:07:59]
When l got down to the station|the train was pulling out of sight
[00:08:03]
mystery train
[00:08:08]
rolling round the bend
[00:08:14]
mystery train
[00:08:19]
rolling round the bend
[00:08:24]
Well, it took my baby
[00:08:27]
Away from me again
[00:09:17]
(cheering)
[00:09:24]
(robertson) paul butterfield.
[00:09:31]
near memphis,
[00:09:34]
cotton country, rice country,
[00:09:37]
the most interesting thing|is probably the music.
[00:09:41]
(scorsese)|levon, who came from around there?
[00:09:44]
carl perkins.
[00:09:48]
muddy Waters, the king of country music.
[00:09:52]
(robertson) elvis presley.
[00:09:54]
johnny cash. bo Diddley.
[00:09:57]
that's kind of the middle|of the country back there.
[00:10:00]
so bluegrass or country music,
[00:10:05]
you know, if it comes down to that area
[00:10:08]
and if it mixes there with rhythm|and if it dances,
[00:10:11]
then you've got a combination|of all those different kinds of music.
[00:10:16]
country, bluegrass, blues music.
[00:10:19]
- (robertson) the melting pot.|- show music.
[00:10:22]
- (scorsese) And what's it called?|- rock and roll.
[00:10:25]
(scorsese) Yes. exactly.
[00:10:27]
Whoa.
[00:10:29]
( ''mannish Boy'')
[00:10:33]
When l was a young boy
[00:10:37]
At the age of five
[00:10:40]
my mother said l would be
[00:10:44]
the greatest man alive
[00:10:48]
but now l'm a man
[00:10:51]
Way past 21
[00:10:55]
l want you to believe me, woman
[00:10:59]
l have lots of fun
[00:11:02]
l'm a man
[00:11:06]
l spell ''m''
[00:11:10]
''A'', chile
[00:11:14]
''n''
[00:11:18]
my grandma says l'm grown
[00:11:22]
no ''b''
[00:11:26]
''o'', chile
[00:11:30]
''Y''
[00:11:34]
that mean mannish boy
[00:11:37]
man
[00:11:41]
l'm a full-grown man
[00:11:45]
man
[00:11:49]
l'm a natural-born lover's man
[00:11:53]
man
[00:11:57]
l'm a rolling stone
[00:12:01]
man
[00:12:05]
l'm a hoochie-coochie man
[00:12:09]
Well
[00:12:12]
Well, well, well
[00:12:16]
the line l shoot
[00:12:20]
l will never miss
[00:12:24]
When l make love to a girl
[00:12:28]
she can't resist
[00:12:32]
l think l'll go down
[00:12:36]
to old kansas stew
[00:12:40]
l'm gonna bring back my second cousin
[00:12:44]
that little johnny congeroo
[00:12:48]
All you little girls
[00:12:52]
sitting out at that line
[00:12:55]
l can make love to you, girl
[00:12:59]
ln five minutes' time
[00:13:03]
Ain't that a man?
[00:13:07]
l spell ''m''
[00:13:11]
''A'', chile
[00:13:15]
''n''
[00:13:19]
that represents man
[00:13:23]
no ''b''
[00:13:27]
''o'', chile
[00:13:31]
''Y''
[00:13:35]
that means mannish boy
[00:13:39]
man
[00:13:42]
l'm a full-grown man
[00:13:46]
man
[00:13:50]
l'm a natural-born lover's man
[00:13:54]
man
[00:13:58]
l'm a rolling stone
[00:14:02]
man-child
[00:14:06]
l'm a hoochie-coochie man
[00:14:10]
Well
[00:14:14]
Well, well, well, well, well, well, well
[00:14:18]
Well, well, well, well, well
[00:14:41]
(cheering)
[00:14:43]
(robertson)|Wasn't that a man. muddy Waters.
[00:14:50]
on the guitar, eric clapton.
[00:14:52]
(cheering)
[00:15:02]
one, two, a-one, two, three...
[00:15:05]
( ''Further on up the road'')
[00:16:20]
further on up the road
[00:16:23]
someone's gonna hurt you|like you hurt me
[00:16:26]
further on up the road
[00:16:30]
someone's gonna hurt you|like you hurt me
[00:16:33]
further on up the road
[00:16:36]
baby, just you wait and see
[00:16:39]
You gotta reap just what you sow
[00:16:42]
that old saying is true
[00:16:45]
You gotta reap just what you sow
[00:16:48]
that old saying is true
[00:16:52]
just like you mistreat someone
[00:16:54]
someone's gonna mistreat you
[00:17:53]
further up the road
[00:17:56]
someone's gonna hurt you|like you hurt me
[00:17:59]
further on up the road
[00:18:02]
someone's gonna hurt you|like you hurt me
[00:18:05]
further on up the road
[00:18:08]
baby, just you wait and see
[00:18:11]
You been laughing, pretty baby
[00:18:14]
someday you're gonna be crying
[00:18:17]
You been laughing, pretty baby
[00:18:21]
someday you're gonna be crying
[00:18:24]
further on up the road
[00:18:27]
You'll find out l wasn't lying
[00:19:33]
(cheering)
[00:19:49]
ok. so, rick, what is shangri-la?|maybe you could give us a little tour.
[00:19:53]
What is shangri-la?
[00:19:55]
lt's a club house where we get together|and play. make records.
[00:20:02]
Yeah.
[00:20:05]
kind of better. lt's like an office, l guess.
[00:20:09]
lt used to be a bordello.
[00:20:12]
- A bordello?|- You can tell by the wallpaper.
[00:20:15]
that decadence,|that softness in the barroom.
[00:20:18]
l've heard a few funny stories, man.
[00:20:22]
- that's why all these rooms are here.|- You can't believe most of what you hear.
[00:20:31]
this was a master-control bedroom,|this is now a master-control music room.
[00:20:37]
let me ask you, now that the last|Waltz is over, what are you doing now?
[00:20:45]
- eddie, why don't you...|- ( ''sip the wine'' intro)
[00:20:53]
just making music, you know?
[00:20:55]
oh, yeah.
[00:20:57]
trying to stay busy, man.
[00:21:05]
(music grows ýouder)
[00:21:09]
ý want to ýay down beside you
[00:21:20]
ý want to hoýd yourbody cýose to mine
[00:21:31]
like a grape that grows ripe...
[00:21:36]
lt's where the music took you. otherwise|you would never go to such a situation.
[00:21:40]
because of the music,|it took us everywhere.
[00:21:45]
lt took us to some strange places.
[00:21:48]
- (scorsese) physically and spiritually?|- physically, spiritually and psychotically.
[00:21:57]
lt just always wasn't on the stage.
[00:22:00]
- even though you were on the stage.|- even though we were on the stage.
[00:22:07]
( ''Evangeýine'')
[00:22:17]
she stands on the banks|of the mighty mississippi
[00:22:22]
Alone in the pale moonlight
[00:22:27]
Waiting for a man, a riverboat gambler
[00:22:32]
said that he'd return tonight
[00:22:39]
they used to waltz on the banks|of the mighty mississippi
[00:22:44]
loving the whole night through
[00:22:49]
till the riverboat gambler|went off to make a killing
[00:22:54]
And bring it on back to you
[00:23:01]
evangeline, evangeline
[00:23:07]
curses the soul|of the mississippi Queen
[00:23:11]
that pulled her man away
[00:23:31]
bayou sam from south louisiana
[00:23:35]
had gambling in his veins
[00:23:41]
evangeline from the maritimes
[00:23:45]
Was slowly going insane
[00:23:53]
high on the top of hickory hill
[00:23:57]
she stands in the lightning and thunder
[00:24:03]
Down on the river the boat was sinking
[00:24:07]
she watched that Queen go under
[00:24:15]
evangeline, evangeline
[00:24:20]
curses the soul|of the mississippi Queen
[00:24:25]
that pulled her man away
[00:24:32]
evangeline, evangeline
[00:24:37]
curses the soul|of the mississippi Queen
[00:24:42]
that pulled her man away
[00:25:27]
( ''chest Fever'')
[00:26:29]
(robertson) garth was one of the most|amazing musicians that we knew.
[00:26:34]
he could play better|than anybody we ever heard.
[00:26:37]
And garth joined the band
[00:26:40]
if we would make him the music teacher.
[00:26:46]
We didn't know why but we said|''sure. l mean, we're interested anyway.''
[00:26:52]
And we had to pay him $10 a week each|for these music lessons.
[00:26:58]
then l was sure it was a riff.
[00:27:01]
but then l found out what it really was.
[00:27:04]
lt was that, where he was coming from|and his musical education,
[00:27:08]
to tell his parents at this point|that we was joining a rock-and-roll band
[00:27:12]
would have been like|pouring it down the drain.
[00:27:14]
so he justified it to his people and his|background by being a music teacher.
[00:27:21]
there is a view that jazz is evil
[00:27:26]
because it comes from evil people.
[00:27:29]
but, actually,|the greatest priests on 52nd street
[00:27:36]
and on the streets of new York city|were the musicians.
[00:27:41]
they were doing|the greatest healing work.
[00:27:45]
And they knew how|to punch through music
[00:27:49]
which would cure|and make people feel good.
[00:27:54]
( ''ok?pheýia'')
[00:28:05]
boards on the window
[00:28:08]
mail by the door
[00:28:10]
Why would anybody leave|so quickly for?
[00:28:14]
ophelia
[00:28:18]
Where have you gone?
[00:28:24]
the old neighbourhood|just ain't the same
[00:28:30]
nobody knows just what became
[00:28:33]
of ophelia
[00:28:38]
Where have you gone?
[00:28:45]
Was it something that somebody said?
[00:28:50]
mama, you know we broke the rules
[00:28:55]
Was somebody up against the law?
[00:29:00]
honey, you know that l'd die for you
[00:29:04]
they got your number
[00:29:07]
they're scared and running
[00:29:09]
but l'm just waiting for|the second coming
[00:29:13]
of ophelia
[00:29:17]
please darken my door
[00:29:44]
Was it something that somebody said?
[00:29:49]
mama, you know we broke the rules
[00:29:54]
Was somebody up against the law?
[00:29:59]
oh, honey, you know that l'd die for you
[00:30:04]
Ashes of laughter
[00:30:06]
the ghost is clear
[00:30:09]
Why do the best things|always disappear?
[00:30:12]
like ophelia
[00:30:16]
oh, please, come back home
[00:30:51]
(cheering)
[00:30:57]
most of the show stuff, though,|was like travelling shows, like tent shows.
[00:31:03]
one was Walcott's rabbit foot minstrels.
[00:31:07]
- (scorsese) What was that?|- Walcott's rabbit foot minstrels. Yeah.
[00:31:13]
they used to have the show start, right?
[00:31:18]
they'd have the singers and the players|and the different parts of the show.
[00:31:23]
then the master of ceremonies|would come out just before the finale
[00:31:26]
and explain that, after the kids go home,|they'd have the midnight ramble.
[00:31:33]
- (scorsese) the midnight...?|- the midnight ramble.
[00:31:36]
the songs would get a little bit juicier|and the jokes'd get a little funnier.
[00:31:41]
And the prettiest dancer would really|get down and shake it a few times.
[00:31:46]
A lot of the rock-and-roll duck walks and|steps and moves came from a lot of that.
[00:31:52]
everybody did it and so, when you would|see elvis presley or jerry lee lewis
[00:31:58]
or chuck berry or bo Diddley|really shaking it up,
[00:32:01]
it didn't come out of nowhere,|lt didn't come out of the air.
[00:32:04]
lt was like the local entertainment|everybody was going to see.
[00:32:08]
so when they exposed it|to the rest of the world,
[00:32:10]
it was like this unknown beast|that had come out,
[00:32:14]
the grotesque of music|that the devil had sent, you know?
[00:32:25]
here we go.
[00:32:27]
( ''caravan'')
[00:32:29]
And the caravan is on its way
[00:32:34]
l can hear the merry gypsies play
[00:32:39]
mama, mama, look at emma rose
[00:32:45]
she's a-playing with the radio
[00:32:50]
la la la-la la-la la
[00:32:55]
la la la-la la-la la
[00:33:02]
And the caravan|is painted red and white
[00:33:07]
that means everybody's|staying overnight
[00:33:11]
And the barefoot gypsy boy|round the campfire sing and play
[00:33:17]
And a woman tells us of her ways
[00:33:22]
la la la-la la-la la
[00:33:28]
la la la-la la-la la
[00:33:32]
Da da da-da da
[00:33:34]
turn up your radio
[00:33:40]
And let me, let me, let me hear the song
[00:33:45]
switch on your electric light
[00:33:50]
now we can get down|to what's really wrong
[00:33:56]
l long just to hold you in my arms
[00:34:01]
so that l can, l can feel you
[00:34:07]
sweet lady of the night
[00:34:12]
l shall reveal you
[00:34:15]
turn it up
[00:34:17]
turn it up
[00:34:19]
turn it up
[00:34:20]
little bit higher
[00:34:21]
radio
[00:34:23]
turn it up
[00:34:24]
that's enough
[00:34:25]
so you know it's got soul
[00:34:28]
la la la-la la-la la
[00:34:34]
la la la-la la-la la
[00:34:41]
turn up your radio
[00:34:46]
And let me, let me, let me,|let me hear the song
[00:34:52]
switch on your electric light
[00:34:57]
then we can get down to what's|really wrong, really wrong, really wrong
[00:35:02]
l long just to hold you in my arms
[00:35:08]
so that l can, l can feel you
[00:35:14]
sweet lady of the night
[00:35:19]
l shall reveal you
[00:35:22]
turn it up
[00:35:24]
turn it up
[00:35:26]
turn it up
[00:35:27]
little bit higher
[00:35:28]
radio
[00:35:30]
turn it up
[00:35:31]
that's enough
[00:35:32]
so you know
[00:35:34]
lt's got soul
[00:35:36]
so you know
[00:35:40]
so you know it's got
[00:35:42]
soul, baby
[00:35:51]
so you know it's got
[00:35:53]
Yeah
[00:35:57]
Zi boo ba boogie,|zi boo ba boogie, zi boo ba boogie
[00:36:02]
so you know it's got soul
[00:36:08]
so you know it's got nothin' but soul
[00:36:13]
turn it up now
[00:36:16]
Yeah, yeah, yeah
[00:36:19]
one more time
[00:36:25]
Do that one more time
[00:36:28]
so you know
[00:36:33]
Do that one more time
[00:36:39]
Do that one more time
[00:36:42]
one more
[00:36:45]
Do that one more time
[00:36:51]
Do that one more time
[00:36:53]
thank you.
[00:37:08]
hey, Van the man.
[00:37:10]
(cheering)
[00:37:16]
lawrence ferlinghetti.
[00:37:18]
(cheering)
[00:37:34]
let us pray.
[00:37:37]
our father, whose art's in heaven
[00:37:42]
hollow by thy name -|unless things change.
[00:37:48]
thy wigdom come and gone.
[00:37:51]
thy will, will be undone
[00:37:54]
on earth, as it isn't heaven.
[00:37:58]
give us this day our daily dread,
[00:38:01]
at least three times a day.
[00:38:05]
And forgive us our trespasses|on love's territory.
[00:38:11]
for thine is the wigdom|and power and glory...
[00:38:14]
oh, man.
[00:38:16]
(cheering)
[00:38:29]
( ''Forever yeahoung'')
[00:38:51]
may god bless and keep you always
[00:38:57]
may your wishes all come true
[00:39:00]
may you always do for others
[00:39:04]
And let others do for you
[00:39:15]
may you build a ladder to the stars
[00:39:20]
climb on every rung
[00:39:23]
And may you stay
[00:39:31]
forever young
[00:39:39]
forever young
[00:39:46]
forever young
[00:39:55]
may you stay
[00:40:01]
forever young
[00:40:52]
may your hands always be busy
[00:40:55]
may your feet always be swift
[00:40:59]
may you have a strong foundation|when the winds of changes shift
[00:41:11]
may your heart always be joyful
[00:41:14]
may your song always be sung
[00:41:18]
And may you stay
[00:41:24]
forever young
[00:41:31]
forever young
[00:41:38]
forever young
[00:41:45]
may you stay
[00:41:51]
forever young
[00:42:49]
( ''Baby, let me Foýýow yeahou Down'')
[00:43:23]
can l come home with you?
[00:43:26]
baby, can l come home with you?
[00:43:29]
Well, l'll do anything|in this god-almighty world
[00:43:33]
lf you'll just let me come home with you
[00:43:55]
baby, let me follow you down
[00:43:59]
baby, let me follow you down
[00:44:01]
Well, l'll do anything|in this god-almighty world
[00:44:05]
lf you'll just let me follow you down
[00:44:34]
l'll buy you a diamond ring
[00:44:37]
l'll buy you a wedding gown
[00:44:40]
Well, l'll do anything|in this god-almighty world
[00:44:43]
lf you'll just let me follow you down
[00:45:28]
- (cheering)|- thank you.
[00:46:10]
We got ringo and ronnie Wood|gonna help us out on this one, too.
[00:46:21]
( ''ý shaýý Be reýeased'')
[00:46:25]
they say everything can be replaced
[00:46:33]
they say every distance is not near
[00:46:41]
so l remember every face
[00:46:49]
of every man who put me here
[00:46:56]
l see my light come shining
[00:47:04]
from the west down to the east
[00:47:12]
Any day now
[00:47:16]
Any day now
[00:47:19]
l shall be released
[00:47:28]
they say every man needs protection
[00:47:35]
they say that every man must fall
[00:47:42]
but l swear l see my reflection
[00:47:50]
somewhere so high above this wall
[00:47:57]
l see my light come shining
[00:48:05]
from the west down to the east
[00:48:12]
Any day now
[00:48:16]
Any day now
[00:48:20]
l shall be released
[00:48:27]
Down here in this lonely crowd
[00:48:35]
there's a man who swears|he's not to blame
[00:48:42]
All day long l hear him shouting loud
[00:48:50]
crying out that he been framed
[00:48:57]
l see my light come shining
[00:49:05]
from the west down to the east
[00:49:12]
Any day now
[00:49:16]
Any day now
[00:49:20]
l shall be released
[00:49:41]
- thank you.|- thank you very much.
[00:49:45]
(robertson) the road was ourschooý.|ýt gave us a sense ofsurvivaý.
[00:49:48]
ýt taught us aýý we know.
[00:49:50]
there's not much ýeft|that we can reaýýy take from the road.
[00:49:54]
we've had ourshare of...|ok?rmaybe it'sjust superstitious.
[00:49:59]
- (scorsese) superstitious in what way?|- (robertson) yeahou can press yourýuck.
[00:50:02]
the road has taken|a ýot ofthe great ones.
[00:50:05]
hank wiýýiams. Buddy hoýýy.|ok?tis redding.
[00:50:10]
janis. jimi hendrix.
[00:50:13]
elvis.
[00:50:16]
lt's a goddamn impossible way of life.
[00:50:20]
- (scorsese) lt is, isn't it?|- no question about it.
[00:50:26]
(cheering and cýapping)
[00:50:43]
( ''theme from the last waýtz'')
[00:55:52]
Visiontext subtitles: paul Allen
[00:56:04]
enhoh
[END]
******** End Script ********
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Love And Basketball (2000)
Love Dont Cost a Thing
Love In Nepal
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Love is Colder Than Death (1969)
Lover Come Back
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Loving You Elvis Presley 1957
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Lunes al sol Los CD1
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