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OCD from engine 35. On scene at 902|Sunnyvale. Six-story, center hallway-- I.C. from engine 35.|Need additional backup. I.C. from engine 35.|Need additional backup. I.C. from engine 35.|We need additional manpower now! An elderly woman is trapped.|We need another line up here. We got Captain Brewer’s team|checking in. My grandmother can’t walk!|She’s trapped! We’ll handle it. Gordy, we got people trapped|at both ends of the hall. Heads up. Let’s do it. Take care. Please! Help me! I can’t walk! -Get me a baby ladder for this hole.|-Don’t even think about it! -You guys stay back! I’m going in!|-Gordy, goddamn it! Gordy! Get that last wall|on the fifth floor! I.C. from fire 1028!|Floor collapsing! Captain Brewer’s fallen through!|I need help. This is engine 28. Help me, please! Somebody, help me! I can’t breathe. -Put on my mask.|-Thank you. Get your ass over here|and steady that ladder! All right, get that woman out! All right. Inhale, okay?|You got it. Come on. -You’ll be okay.|-Steady that ladder! Here we go! -We have a burn victim coming down!|-I got one coming down! Take it easy with her.|Take her down. Then we’ll put a piece in here. And we got it. Look at that.|Wait till Mommy sees that. We have to put the stand on now, okay?|Here we have the stand. The blue goes to blue. We put it right in here.|You see this one’s blue here? Hold the wings stable. Good. There we are.|Look at this. -Looks good.|-Good morning. -Good morning.|-Mom, look what we made. -Matty, that is so cool.|-Show your mommy. Come on. It must have taken hours. Since 4 a.m.|He was already up when I got home. -He has a sore throat.|-He should see Dr. Bob. Want to see my Kobe Bryant slam-dunk? Sweetie, I don’t think|you should be jumping around. Bubble, bubble, toil and trouble. Matt is going to be clean|on the double. Dr. Bob can see him at 11:30,|but I have to be at the hospital. -I can take him. Can you pick him up?|-All right. Yeah, great. 11:30 is fine.|Thank you so much. -Now you’re clean.|-Come on, little buddy. Come on, you’re all clean.|Oh, you’re so slippery. Let’s go. I told you that doctor would make|you feel better. Want a hot dog? -How are you?|-Good. -What can I do for you?|-Two hot dogs, a soda. -What you want to drink?|-Orange juice. Okay, two hot dogs. Here we go, bud. It’s late. Where’s Daddy?|He should have been here by now. Stay right around in here,|okay, honey? Officer. Excuse me, officer. I’m just going to pick up my kid. If you don’t mind, it’s just going|to be a minute, okay? Thanks. -There he is!|-Where? -Well done. It’s all because of you.|-That’s my job, sir. This way. Hi, Daddy. Hello. See? I told you he’d be here. No! ETA on those units! Get Gilly, Perry, Copeland|up here now. The agent in charge is coming.|I want paperwork in 10 minutes. Gordy, we’ll need|to start an IV line. I need to get him to the hospital.|We can’t get this glass out. Device functioned|after a motorcade arrived. Targets: Colombian officials,|American intelligence. Guy on the phone is Brandt.|CIA, works Colombia. The other guy is Shrub. Undersecretary|of State, Latin American affairs. -Not a scratch on him.|-Surveillance cameras? -We’re pulling the video now.|-Where’s L.A.P.D. on this? They know it’s ours. They’re helping. -What’s the body count?|-Two dozen injured. Nine dead... ...including CIA, American|and Colombian military, a mailman... ...a nurse and her little boy.|That’s the father over there. Gordy, we need to get you on a gurney. Call our contacts. I want to know|who’s responsible by the day’s end. -Phipps, counter-terrorism.|-Peter Brandt. -I need to talk to him.|-Not today. Get the undersecretary to his hotel. -Keep me informed.|-Right. Okay, I’ll talk to you then.|Someone in your caravan was a target. -Terrorism. Everyone’s a target.|-Shovel that on the press, not me. -I need to know what you know.|-When you get clearance. I won’t tell that dad|the killer got away due to protocol. Tell him what you want. We’re done|talking until you’re cleared. Excuse me, nurse. Excuse me.|Gordon Brewer, please. -Jack.|-How you doing? Hey, Gordy. -How is he?|-Could have been worse. The glass missed his femoral artery|by a hair. He was lucky. Let me say, the full resources|of the United States... ... will be employed to make clear... ...that we do not tolerate attacks|on our city. That said,|we must fight the temptation... ...to make hasty policy decisions|we may come to regret. We can’t allow|an anonymous criminal... ...to unravel our partnership|with Colombia. Who was the specific target? Hey, buddy. How you doing? -I won’t speculate.|-What will the president do about it? -He ‘s meeting with the Joint Chiefs.|-Was the State Department warned? What do we know? The president’s coming on soon.|I doubt he’ll say anything new. Turner says the bomb was hidden|in a police motorcycle. -They don’t know who triggered it.|-I saw a cop. I saw him. Gordy, get back here! Goddamn it! I saw him. -Goddamn it, come here! Slow down!|-I saw him. You’re not going anywhere! Any problems, go through|Shrub’s office over at State. That’s right. Yes, he’s one of us.|He can handle it. Is Beckett there?|Or Moyers? He could help. Skin of his teeth, that guy.|Classic agency mold. Get a copy of every visa|on a Colombian passport. -Everyone’s covering up for him.|-That’s why they’re called spooks. Bastards. They must have used|some kind of liquid explosive. If you’ll follow me, sir. I just want to help.|Used to be with Bomb and Arson. Right this way, sir.|I’ll take you to Agent Phipps. Gordy Brewer is here. -The fireman?|-Yeah. Says he talked to the cop. We appreciate you coming down. We know this guy.|His name is Claudio Perrini. We think he’s a terrorist|called El Lobo. The Wolf. Definitely the guy I bumped into. I talked to him.|I told him I was picking up my son. The son of a bitch smiled at me. The bomb may have been triggered|by a cell phone. -Did he have one?|-I don’t know. How long between the time|you saw him and the explosion? Five seconds.|Maybe 10 at the most. -That’s enough time to make a call?|-Maybe. This could be tough to watch, sir. I was late. They shouldn’t have been there. -They shouldn’t have.|-No, the bomber shouldn’t have. Peter Brandt, CIA, Latin American|section. He was one of the targets. I’m sorry for your loss. If there’s|anything I can do for you.... I promise, one way or the other,|we’ll catch that son of a bitch. How do I get a hold of you? We’re not at all separated from one|another. We all run the same course... ...and will find one another again. We won’t be apart,|for we live for Christ. Now, we are united with Christ|as we go to him. We shall all be together|in Christ. Amen. -This is Gordy.|-Anne. -And Matthew Brewer.|-Leave us a message. Mr. Brewer, my name’s Ken Barnett|with Lateline. We’d love to get you in the studio|to hear you tell your story... ...in your own words. If that’s something that interests|you, please call us at 552- 12-- Now back to Rick Garcia with more|on the bombing in Los Angeles. I’m at the State Department, where|the counter-terrorism headquarters... ...received a videotape|from El Lobo, or The Wolf... ...a Colombian terrorist|who is responsible... ...for at least 7 bombings, including|the most recent in Los Angeles. On behalf of the people|of Colombia... ...l claim responsibility|for the bombing in Los Angeles. The bombing was an act of self-defense|against American war criminals. As long as America continues|its aggression in Colombia... ... we will bring the war home to you. And you will not feel safe|in your own beds. Colombia is not your country. Get out now. Sangre o libertad. For more, Jenni Luz in Los Angeles. I’m with Mr. Ortiz Dominguez of the|Latin American Solidarity Committee... ...a group sympathetic|to the Army of Colombian Liberation. Sir, you’ve characterized the ALC|as freedom fighters. Isn’t the bombing here just a brutal|act of terrorism? The Wolf only brought to the U.S.|what the U.S. has brought to Colombia. The killing of innocent people like|Anne and Matt Brewer is terrorism. Their deaths are regrettable. It’s called collateral damage. Ortiz, you want the call? CNN is|holding. Washington Post’s on the line. -Am I the only one here?|-Agent Crosby will relieve you soon. New York Times is on one. Put them on hold. That’s my position.|I already told you this. -Why should I change it?|-Collateral damage, huh? -Who the fuck are you?|-I’ll give you collateral damage. Stop that! It looks like the fireman.|Move in. Go now! Go! You want collateral? Right here. -What are you doing?!|-Want collateral damage? Here. What are you doing?! -Where’s The Wolf?!|-I don’t know! -Tell me where The Wolf is!|-Put the bat down! -Fuck you!|-Take him down! I don’t know! Turn it off. Come on. Just relax, Mr. Brewer. -I have to cuff you.|-I’m Agent Collins with the FBI. Bring your wrist right here, sir. Take it easy.|You’ll be all right. Just relax. It’s gonna be all right. I can’t imagine what you’re feeling|right now... ...but you can’t take the law|into your own hands. I think you already lost him. He’s long gone. Otherwise, he wouldn’t|have sent you that tape. -Am I under arrest?|-No. We convinced Mr. Ortiz|to drop the charges. The truth is, we’re pretty sure|The Wolf is back in Colombia. -I find this questioning offensive.|-You are the reason this has occurred. You went to the Colombian consulate|with a plan to attack the guerrillas. Then they tried to blow you up. -Senator, if you intend to argue--|-Mr. Brandt, I’m not arguing. I am telling you, your mission|in Colombia is terminated immediately. With all due respect, senator... ...that is the worst thing|you can do now. This isn’t for discussion. Peace talks are being arranged|between Colombia and the guerrillas. This is insane.|You can’t negotiate with terrorists! These guerrillas don’t want peace.|All they want to do is sell cocaine. Senator, Peter Brandt has had|a great deal of experience-- Spare me, Douglas. Brandt has failed. All he’s done is|bring the war home to American soil. That is completely unacceptable,|and you know it. You have 72 hours to pull|your operatives out of Colombia. -Have you any questions, Mr. Brandt?|-None at all. Damn it, Pete! Come here! Why call them Senate intelligence|hearings? They’re all imbeciles. I’m going back to Colombia|and kill them all. We’ve been here before.|You know the drill. This will blow over. For now you’re being reassigned|here to I-TAG. You can find this animal, Pete. Just do it via satellite. All right?|You’re okay. I’m sick of this crap. Get the plane|ready. We’re leaving tonight. Another guy’s claiming he’s The Wolf. -So?|-He asked for you by name. And he knows unreleased details|about the bombing. Take it over here. -Who’s this?|-You’re tough to reach. -I tried for the last three weeks.|-Brewer? You’ve been busy finding the man|who killed my family? Right? I understand you’re anxious.|We’ll keep you posted. Tell me the truth, Brandt.|You owe me that much. -You’re not going after him.|-The truth? The Colombian government’s trying to|negotiate peace with the guerrillas. We can’t go in the guerrilla zone.|So bottom line is... ...justice for your wife|and son isn’t a priority. -Colonel.|-Peter, good to see you. I wasn’t expecting you back. I won’t hand the country over|to a third-rate Ché Guevara. -How are my boys?|-They’re dying to get in the field. -On furlough from the psych unit?|-Isn’t this it? -I need to talk to you.|-Okay. -Gordy, how you doing?|-Come in. Meet a friend of mine, Ed Coonts. -I’m sorry about your loss.|-Thank you. Ed spent two years as a military|adviser down in Colombia. He can help you. I see you’re doing homework. Well, if I don’t do it,|it seems no one else will. You’d have to be freaking cracked|to go there. You can’t even land in Colombia... ...without a State Department stamp|on your passport. You can bet you were|on their restricted list... ...five minutes after that bombing. Oh, yeah. Well, Panama. Back door into Colombia.|You have been doing some homework. Let’s say you managed to get into|the country without getting killed... ...you’d need a pass to get|into the guerrilla zone. They’re sure not going|to give you one. Well, let’s say I got one. It would take them about two seconds|to realize you’re not Juan Valdez. And they’d shove your head|up your ass... ...and bowl you off a cliff. Are you going to help me or not? Tell me your plan. I’ll cross the border|through the Darién Gap. I understand the jungle|is hard to patrol. I can make it to Valencia|in one day. Then it’s 200 miles|to the guerrilla zone. I can pay someone|to drive me to Mompós. I don’t think so. Approach the wrong|person, you’re a dead man. Next to drugs, kidnapping gringos|is the most profitable business. Get on a bus as fast as you can. -Mompós?|-Sí. If you make it to the bus,|you’re doing all right. -Thanks for your advice.|-It’s only good advice if you take it. -Qué pasa?|-Up ahead. Roadblock. -Who are they looking for?|-Anyone not like them. His passport was found in his backpack|when he escaped one of our roadblocks. -He’s committing suicide.|-Only two ways he can go: Upriver or on the road through Mompós. If we know he’s here,|the guerrillas know. Or they will soon.|I want you to make sure of it. All right. I give you 12 hours before we find|your fireman facedown in a pit. Sure would show Washington|you can’t negotiate with terrorists. Los Angeles was a great success. Finally, the hypocrites want|to negotiate. Americans hide behind family values.|False ideals. They’ve forgotten the reality of war.|Not like us. They found his passport.|He’s coming to Mompós. Excellent.|Take a fireman from Los Angeles. When America hears the story,|they cry rivers of tears. Capture him. We hold him|for ransom, and they will pay. Two teams. One at the harbor, one|in town. Find him and bring him to me. If they don’t pay... ...we kill him. All roads end in Mompós. The only way into the guerrilla zone|from there is upriver. How do I go upriver in that? No one goes upriver.|Not without a pass. You said I need a pass to get in. Tell me how to get one. You may be able to buy|a pass from a local. God help you if you ask the wrong one. Look, this is where I pretty much|run out of good advice. Thanks. I’m going to figure it out. What are you doing? Is the boy okay? Yeah, he’s okay.|But I don’t need any help. I was just concerned about the boy. Sorry. You are very kind. He gets so excited.|I have trouble keeping up. He couldn’t wait to get|to the festival. This carnival, he loves. -I’m Selena.|-Gordy. This is my son, Mauro. Gordy. Friend. All right. Better get going.|Nice to meet you. Bye-bye. Mr. Brewer. You have to come with me.|You’re on my list. -What’s this about?|-You’re here illegally. No, I’m not.|My passport was stolen. See those guys over there? They’re guerrillas! Hey, no, seriously, captain. I appreciate you guys taking me|without a reservation. I know how crowded it gets in here. You know, I’d tip you, but your chief|took all my money already. -You gave away my favorite cell.|-Put him next to the American. That’s not nice. Why’d you do that?|Because he’s bigger than I am? Why are you doing this to me?|I thought we had an understanding. You’re calling me a pervert? I like you too. Sean Armstrong. Public lewdness.|At least, that’s what they call it. But I was just standing there.|She was doing all the work. Are you just quiet, or did somebody|confiscate your tongue? -Gordy Brewer.|-Do I know you? I doubt it. So, what are you innocent of, huh? I’m an illegal alien. You goddamn gringos. You come|down here and steal all the jobs. Half the country wants to kidnap you.|Half wants to kill you. No one gives a shit|about us Canadians. Death squads kill the guerrillas.|Guerrillas kill the military. Peasants are killed by everybody. But we Canadians,|flies on the wall. Hey, man. Don’t even look at them|unless you can kill them. -They’re all guerrillas, aren’t they?|-I did not say that. That’s what you meant. You work the guerrilla zone.|That’s how you know. -Can I move to a different cell?|-Doing what? I fix and sell heavy machinery.|You satisfied? Sell me a pass|so I can work the zone. Stick a sock in it.|I’m just a wrench for hire. If anyone found out what I do,|I’d be an organ donor. My pass is not for sale. -Thanks a lot.|-Don’t mention it. Give me a list of everybody|they picked up. The guerrillas were after Brewer|when the policía showed up. Everyone we need in the same jail. We should put this fireman|on the payroll. Seat belt. I think we got some company coming. Mompós Jail is under attack|by guerrilla troops. Get a team outside the jail|and two squads to clear the building. Copy. Goddamn it, I can’t believe this shit! What about the fireman? Claudio, they’re coming!|We have to go! Let him burn in hell! Shit! We’re gonna fry!|We’re gonna fucking fry! That’s using the old noggin!|That’s using the noggin! Yeah! Fuck America! Good. That’s good, baby. That’s good!|Get me out of here! Let’s play This Is Your Life.|I want your pass. It’s my livelihood!|You’d let me die here? I thought we were friends!|It’s my livelihood! You’d let me die here? That’s the last thing|that will happen to you. First, the air’s gonna heat up|in here to 451 degrees. Your pass will explode, your socks will|ignite, your fingernails will melt. All right, all right!|Shit! Here you go! It’s yours, all right? Take it. Now get me out. Get me out|of here, please! Come on! Witnesses heard prisoners call|for El Lobo. He was here, boss. He was into our hands|and they let him walk out? What good’s a tower|if nobody’s watching? The fireman isn’t here. No kidding.|The fireman escaped the fire? Look around. With any luck,|Gordy Brewer’s dead. I’m sorry I had to scare you. Hey, I know when it’s time to retire. You weren’t gonna let me burn. What’s this for? For your retirement fund.|And for additional information. Tell me what I need to know. Get back to the harbor. The guy who takes me upriver,|his name’s Omar. He’ll set you up. In San Pablo,|ask for Felix Ramirez. Say you’re my replacement. Say that|I was arrested for something raunchy. Good luck. You’ll need it. Who did this? The guerrillas. They think these|people help the paramilitaries. Put your hands up!|And hold up your pass! I replace Armstrong. -You are not Armstrong.|-That’s for damn sure. Felix? Heinrich Beckmann, his replacement. Says you, buddy.|This is a serious breach of protocol. I put in the papers,|and this is what I get? It’s like ordering a pizza. Ask for Canadian bacon,|you get German sausage. If you don’t want me to fix|your engine, I’ll go back home. Come on, come on.|Don’t be such a sauerkraut. What happened to my man Armstrong?|Maybe you brained him for his pass. Armstrong was arrested yesterday. He was caught screwing|the police chief’s daughter. That’s Armstrong.|Double-dipping whore. I love that guy. -I wish I were him.|-I still can’t let him through, Felix. If my generator isn’t fixed,|I can’t pay my taxes. I can’t pay,|your boss will make some cuts. Now, it could be your salary,|and it could be your throat. I’ll let you marinate on that, okay? Bring him back here first thing|in the morning. Danke. Beckmann. Don’t forget your pass. Your English is good|for a German guy. Thanks. When did you learn yours? Oh, man, I been to New York,|Chicago, Miami. L.A. for a little bit. I want to go|back someday when I’m a big shot. I can’t be begging some corporate|asshole to put my CD on. I want to cut an album, man. It’s kind of hardcore campesino rap.|Want to hear a little taste? If I have to. With that attitude, it won’t be|a lot of fun. Here you go. Guerrilla thrilla|Take me to Manila What do we got?|Smooth like vanilla Hottie, eenie-minie-mo|Tell the CIA to go They gotta get out, you know -What do you think, man?|-Great. I think you’ll be a winner. -Are you serious?|-You’re in the wrong profession. I can’t believe this.|That’s exactly how I feel. -All right, here. Put this on.|-What’s this for? For your protection. You don’t wanna|know how to get where we’re going. It won’t be more than 15 minutes. Okay, we’re here, baby.|Don’t get funky on me. Peekaboo. So, what do you think?|Pretty snazzy, right? -Where are we?|-My place. -It smells here.|-Profits, baby, profits. -This is a cocaine plant.|-I know. Just because I’m brown and down|doesn’t mean I work for minimum wage. If I don’t do it, Bolivia will.|Bolivia don’t, China will. If China don’t, America will do it.|Actually, they are doing it. Jesus! I want to put you|in my next video. It’s the diesel generator.|I should let it cool down... ...but it’s drugonomics.|I can’t crank it out fast enough. Those Silicon Valley geeks|must e-mail it to each other. -That the one?|-Yeah. Armstrong was a magician with that. -Don’t worry. I’ll make it work.|-Let’s hope so. He told me his name was|Heinrich Beckmann. Heinrich Beckmann? He had a hat on.|I didn’t recognize him. I made a mistake. No! Please, Claudio!|Listen to me, please! Claudio! In the struggle for liberation... ...there is no room for mistakes. Discipline is everything. Discipline and punishment. Find him. And no mistakes. Come here whenever they want|and barge in. I’m not a puppet. -I thought I was paid up for the month.|-Where’s the mechanic? Calm down, dog.|You losing faith in me, man? I got everything under control. I got him working his ass off.|Germans are like cyborgs. You seem tense. Need some R and R? You got pull,|you can get me a new generator. Heinrich, I got some friends for you. My bad. I said if he fixed|that gasket, he could take five. He’s probably in the latrine. He’s probably buffing the helmet. Besides, he can’t blend in.|He’s this big Neanderthal-- We’ll get some rum,|we’ll hang out-- What the hell was that?! Get the mangueras! Get the pumps!|Save the kilos, come on! I’ll work it out. I’ll cut my losses,|pay whatever it takes. I’ll pay you three times the amount.|I’ll work it out. No! Stay back there! Stop! Stay back! Claudio! No! Stop! Rest now. Who are you? I’m his wife. Get out. The fireman, huh? The coward who kills women|and children. You Americans are so naive. You see a peasant with a gun|on the news, you change the channel. But you never ask,|"Why does a peasant need a gun?" Why? You think you’re the only ones|who can fight for independence. Independence to do what?|To kill my wife and my son? I remember your face from Los Angeles. That was the face of a man|who saved lives. Well, your face has changed. You think your wife and son|would recognize you now? I remember your face too. The smile... ...just before you killed them. You’re gonna pay for that. You’re gonna pay for that. Well, it seems we’re both|willing to kill for a cause... ...so what’s the difference|between you and l? The difference is... ...l’m just gonna kill you. Estaban! Estaban! -Why do you want him alive?|-He saved my life and Mauro’s. What is the purpose? He’s the enemy. If they don’t pay|tomorrow, I’ll kill him. -Claudio, don’t do this.|-Don’t argue with me. -It’s not the right way!|-Don’t tell me what to do! Come back! This is a satellite photo|of San Pablo last night. We got a large heat-and-light anomaly|consistent with an explosion. Two minutes later, building blows up.|We got guerrillas, some down. We have a big man down on the street,|a woman and child. And this guy.|This guy gives the orders. I can’t believe it.|Brewer found the son of a bitch. A little later, an ALC convoy arrives.|Everyone loads up. They travel two minutes upriver.|They stop here. An ALC base camp. We’ll insert a platoon here.|Use air support to box in the rear. We’ll come in through the treetops.|Only 20 minutes. Washington will know. We got a wounded American being|tortured. This is a rescue mission. -We go in at dawn.|-Roger that. Why are you taking care of me? Because you saved my son. And your husband killed mine. When I first met Claudio,|he was a teacher. It was in Guatemala. Sophia, our daughter, was born there. The guerrillas were all around us,|but they left us alone. One night, soldiers came|to our village. They were led by American advisors. We crawled into the fields,|but they threw grenades. Sophia, our baby girl... ...she was hit. She bled to death in Claudio’s arms. Mauro was orphaned that night,|so I took him in. Claudio joined the guerrillas. And now he’s a man consumed by hate|and driven by rage. Just like you. I’m not like him. Not yet. What about you? lf you keep working|with him, you are no better than him. -What would you have me do?|-Help me stop him. It’s too late. I’m trusting you with my life. And my son’s. What are you saying? Claudio went to Washington|to plant a bomb. I can’t be a part of it anymore. They’ll protect us, won’t they? If they won’t, I will. Now! Let’s go. Son of a bitch. Eighth squad’s on the way down. Come on. Hold your hover. Insertion’s under way. Let her go! Target out. Setting her up. We have to go upriver.|There’s a minefield over there. Keep firing! Kill them all! -Stay low.|-We’re trapped. Got them in the clearing|Firing away. -Copy that.|-It’s confirmed. LZ is secure. Let’s go. Looks like an officer. Get down! Keep your eyes open! Stand down! What we’ve got here|is a great American. Goddamn you, Brandt. I was your excuse|to kill all these people. You’re here to murder a man, right?|I’m trying to save a country. -Keep its poison off our streets.|-By killing innocents? I fight terrorists with terror. What terrorists?|The Wolf isn’t even here! He’s gone to Washington|to blow up another building! What do you mean? Where? I’ll tell you as soon as|I’m on a jet heading home. And they’ll come with us,|because this is his wife and his son. She’s the only one|that can identify the target. I appreciate it. Thank you. Mr. Secretary, this just came in. All right, NSA, CIA, Southern|Command, they’re at your disposal. Washington Surveillance Command|will assist with our search. Stay on station. Be ready. We got an audio-encoded e-mail.|It’s authentic. Run it. My last warning went unheard. The American people will pay|for this mistake in blood. A bomb has been placed|in your capital city. By the time you hear this message,|it will be too late for you to find it. And many of your citizens will die. Their needless sacrifice is the price|of your ignorance. There will be no mercy. There’s no place you can hide. We’ll continue to strike|until the American public... ...finally realizes|the price of this war... ...is one they cannot afford. Get out of Colombia now. Sangre o libertad. Good to see you with all|your fingers and toes. This is Selena Perrini. -Agent Phipps. This is Agent Dray.|-How do you do? -We’d like to get started.|-Sit. Good luck. -Something to drink?|-Water, please. All right, David, let’s get ready. We’ve assembled pictures of buildings|with columns as you’ve described. We’ll go through them. If you see anything familiar, please|give us a nod. Here we go, David. These are photos of this building from|different angles. Here’s the façade. Did he describe any activity|in this building? -No, he didn’t discuss anything.|-Ms. Perrini. This is the same building,|different angles. -Can you zoom in on that?|-I can’t tell. -Take a look at this entrance.|-That’s not it. Can you zoom in on that? -How about this one?|-No, that’s not it. Does this look at all familiar? -Keep going.|-I don’t know. You two make quite a team.|Fireman and the refugee. Sounds like a TV show. And you could play the asshole. All right.|We’re gonna let everybody know. Secretary Ramsey’s coming over. Wait. Go back. Go back. There. -This one.|-That one? -Familiar?|-It’s this picture. Union Station. You got that? -Yes.|-Here’s another shot of it. Is that it? Go back two and zoom in|on the entrance. Look at this one,|here’s the entrance. Oh, my God, I think so. Eyeball footage from every station’s|camera in the last 24 hours. David, let’s go back on that, please. Let’s go! Go, go, go! Pick it up! Don’t get up. Selena, Secretary of State|Barbara Ramsey. We understand the sacrifice|you’re making here. Thank you. -The fireman’s over here.|-Peter! Madam Secretary, sir,|I think we got something. Dave, the file’s in your active bin. It was taken off one of the Union|Station monitors 13 minutes ago. -What is it?|-First photograph: Man behind the trees|with a briefcase. Second photograph: goes behind|the trees, briefcase is gone. Punch in on that. On the face. Yeah, that’s him. Tell our team the location|of that camera. It’s almost rush hour. Good afternoon, this is Shrub.|Yeah, very urgent. Thank you. He’s coming on line. Yes, we’ve identified the target. I’ll be leaving shortly. I saw him over there. No media statement at all. I’ll cover here. You did the right thing. -I hope so.|-No, I’m sure of it. Look, it’s something you had to do. Right now, I don’t feel very good|about anything. I’m sorry about that. Look, everything will be all right. Excuse me.|Can you show me to the restroom? Sure. Follow me. Are you all right? He’s gonna be fine with me. Why don’t you go ahead? Mr. Brewer, I just want to express|to you my sympathy. As long as America continues|its aggression in Colombia... ... we will bring the war home to you. And you will not feel safe|in your own beds. Colombia is not your country. Get out now. Sangre o libertad. Sangre o libertad. Oh, my God. Where’s he going? Don’t open it! You should wipe your nose off|with that. Selena! Selena! Stop her! Stop her! Open up the door! Open up! Open up the door! Open up now! Everybody, clear out the room!|There’s a bomb in here! Give me the toy. Under the table. -What are you doing?|-There’s a bomb! Get back! Get back! Get back! -Get the secretary out of here!|-Close it down! -Take care of the boy, okay?|-I will. Please evacuate|and proceed to the exit. Attention, this is not a drill. Move out of the way! Go! Attention, this is not a drill. Exit using stairwells only.|Do not use the elevator. This is not a drill.|Do not use the elevators. It’s not working.|Go back to the controls. It’s over! It’s never over. So when are you going to kill me? Now! -It’s over.|-For you, sir, I hope that’s true. -Where’s the boy?|-Right here, sir. The first terrorist attack|on our capital.... Secretary of State Ramsey|escaped unharmed. --discovered a vehicle|in an underground garage... ...loaded with explosives. --confirmed the death|of a security official. The bomb was placed|by Colombian terrorist, The Wolf. The White House announced that the|president will award Gordon Brewer... ...the Medal of Freedom, the highest|decoration a civilian can receive. Despite efforts to contact him, Brewer|remains unavailable for comment. |
CQ Caccia alla volpe - After The Fox Cactus Flower CD1 Cactus Flower CD2 Caddyshack Cage The Caine Mutiny Court Martial 1988 Caine Mutiny The Caja 507 La Calamity Jane Calcium Kid The Calender Girls Callas toujours La 1958 Camilla Camille Claudel Campanadas a medianoche 1965 CD1 Campanadas a medianoche 1965 CD2 Candyman 2 Farewell to the Flesh Cannonball 1976 Cant Buy Me Love Cant Hardly Wait Cant Stop The Music 23,976fps 1980 Cantando Dietro I Paraventi Cape Fear (1991) CD1 Cape Fear (1991) CD2 Capitaine Conan - Bertrand Tavernier (1996) Captain Pantoja And The Special Services 2000 CD1 Captain Pantoja And The Special Services 2000 CD2 Captain Ron Captain Ron 1992 Captains Paradise The 1953 Capturing The Friedmans 2003 Car Wash 1976 Carabiniers Les (Jean-Luc Godard 1963) Caramuru A Invencao Do Brasil Caretaker The 1963 Caretaker The 1963 Commentary Carmen (1984) CD1 Carmen (1984) CD2 Carne Tremula (1997) Carne trmula Carolina 2003 Cartouche Cartouche (23.976) Casa De Los Babys 2003 Casablanca CD1 Casablanca CD2 Casino (1995) CD1 Casino (1995) CD2 Cassandra Crossing CD1 Cassandra Crossing CD2 Casseta and Planeta - A Taza do Mundo  Nossa - Feedback Overflow Casshern Casshern CD1 Casshern CD2 Cast Away Cast a Giant Shadow Castle in the Sky Cat Ballou Cat In The Hat The Cat People Directors Cut Cat on a hot tin roof Catch-22 Catch Me If You Can Cats Eye (Stephen Kings) Cats Meow The CD1 Cats Meow The CD2 Cats and Dogs Catwoman Cellular 2004 Celluloid Closet Celos (1999) - Jealousy Cenetentola La Central do Brasil Cercle rouge Le 1970 CD1 Cercle rouge Le 1970 CD2 Chaikovsky 1969 CD1 Chaikovsky 1969 CD2 Chain Reaction Chalte Chalte Chamber The Champion CD1 Champion CD2 Changing Lanes Chaos Charas Charisma (K Kurosawa 1999) Charisma (Karisuma) Charlie - The Life And Art Of Charles Chaplin Charlies Angels Charlies Angels - Full Throttle Chase The Chasing Amy Chasing Liberty Chatos Land Cheaper by dozen Cheats Cheats The 2002 Chelsea Girls 1966 CD1 Chelsea Girls 1966 CD2 Cheong Feng (1999) - Mission The Cheonnyeon Ho 2003 CD1 Cheonnyeon Ho 2003 CD2 Cher - Live In Concert Cherry Falls Chicago CD1 Chicago CD2 Chicken Run (2000) Chihwaseon CD1 Chihwaseon CD2 Children Of Dune Part 1 Children Of Dune Part 2 Children Of Dune Part 3 Children of Heaven The Children of a Lesser God Children of the Damned Childs Play 1988 Childs Play 2 1990 Childs Play 3 Chimes at Midnight China Moon China Strike Force 2000 Chineese Ghost Story A 3 Chinese Ghost Story Chinese Odyssey A Chinese Roulette Chitty Chitty Bang Bang Choose Me (1984) Chori Chori 1956 Choristes Les Choses Secretes Christiane F Christine CD1 Christine CD2 Christmas Carol A Christmas Story A Christmas Vacation (National Lampoons) Chronicles of Riddick The - Dark Fury Chunhyang 2000 CD1 Chunhyang 2000 CD2 Cialo Cider House Rules The Cinderella 2000 Cinderella Story A Citizen Kane Citizen Ruth City By The Sea City Hall City Heat City Of God 2003 CD1 City Of God 2003 CD2 City Of The Living Dead 1980 City of Lost Children The CD1 City of Lost Children The CD2 City of No Limits The (Antonio Hernandez 2002) City on fire 1987 Civil Brand 2003 Clan Des Siciliens Le - Henri Verneuil 1969 Clash of the Titans CD1 Clash of the Titans CD2 Class Trip 1998 Classic The (Korean) CD1 Classic The (Korean) CD2 Clearing The Cleo De 5 à 7 Cleopatra 1963 CD1 Cleopatra 1963 CD2 Cleopatra 1963 CD3 Cleopatra 1999 CD1 Cleopatra 1999 CD2 Cliffhanger (Collectors Edition) Cliffhanger CD1 Cliffhanger CD2 Cloaca Clockers CD1 Clockers CD2 Clockstoppers Clockwork Orange A Close Encounters of the Third Kind Close Encounters of the Third Kind (The Collectors Edition) Closet The Clownhouse Club Dread Clue Clueless Coast Guard 2002 CD1 Coast Guard 2002 CD2 Cobra Verde CD1 Cobra Verde CD2 Coca-Cola Kid The 1985 Cock - A Broken Leghorn (1959) Cock - The Foghorn Leghorn (1948) Cockleshell Heroes The Cocktail Cold Comfort Farm 1995 Cold Mountain 2003 CD1 Cold Mountain 2003 CD2 Cold Mountain CD1 Cold Mountain CD2 Cold Mountain CD3 Collateral 2004 Collateral Damage Collector The Colors Colour Of The Truth Coma (1978) Comandante (Oliver Stone 2003) Come And See CD1 Come And See CD2 Commitments The Como Agua Para Chocolate Company Man Company Of Wolves The CD1 Company Of Wolves The CD2 Company The CD1 Company The CD2 Con Air Conan The Barbabian (uncut) Conan the Barbarian Conan the Destroyer Confessions of Sorority Girls Confessions of a Dangerous Mind Confessions of a Teenage Drama Queen Connie and Carla Conquest of the Planet of the Apes Conspiracy Theory 1997 Control 2004 Conversation The CD1 Conversation The CD2 Cook The Thief His Wife And Her Lover The 1989 Cookies Fortune 1999 Cookout The Cool Hand Luke 1967 Cool World Cooler The Cooley High Cop Land Corbeau Le Corky Romano Couch Trip The 1988 Counterfeit Traitor The 1962 CD1 Counterfeit Traitor The 1962 CD2 Countess Dracula (1970) Country of my Skull Cousin Bette Cousins Cover Girl (Charles Vidor+1944) Cowboy (Delmer Daves 1958) Coyote - Dont Give Up the Sheep (1953) Coyote - Fast and Furry-ous (1949) Coyote Ugly Craddle 2 The Grave Cranes Are Flying The (1957) Crash Cravan vs Cravan Crawlspace Crazy Beautiful Crazy People 1990 Crazy in Alabama Creature from the Black Lagoon Crew The Cries And Whispers (Bergman Ingmar) Crime Scene Investigation 3x01 - Revenge Is Best Served Cold Crime Scene Investigation 3x02 - The Accused Is Entitled Crime Scene Investigation 3x03 - Let The Seller Beware Crime Scene Investigation 3x04 - A Little Murder Crime Scene Investigation 3x05 - Abra Cadaver Crime Scene Investigation 3x06 - The Execution Of Catherine Willows Crime Scene Investigation 3x07 - Fight Night Crime Scene Investigation 3x08 - Snuff Crime Scene Investigation 3x09 - Blood Lust Crime Scene Investigation 3x10 - High And Low Crime Scene Investigation 3x11 - Recipe For Murder Crime of Padre Amaro The Crimewave Criminal Lovers (1999) Crimson Pirate The Crimson Rivers 2 - Angels Of The Apocalypse Crimson Rivers 2 Angels of the Apocalypse Crimson Tide Criss Cross Cristina Quer Casar Critters 2 The Main Course 1988 Crocodile Dundee in Los Angeles Cronos 1993 Crossroads Crouching Tiger Hidden Dragon Crow The Crow The - City Of Angels 1996 Cruel Intentions 3 Crumb (1994) Cuba Cube2 Hypercube 2002 Cube Zero Cure (Kiyoshi Kurosawa) CD1 Cure (Kiyoshi Kurosawa) CD2 Curse The Custer of the west Cut Runs Deep The 1998 Cutthroat Island (1995) |