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Beatles Anthology The Episode6Click here to download subtitles file for the movie "Beatles Anthology The Episode6"Click here to download the movie "Beatles Anthology The Episode6"Relevant Links:Beatles, TheBeatles, The Beatles Medley Fighter's Anthology Jetfighter Anthology Fighter Anthology More Links:I hated the Philippines As soon as we got there, it was bad, bad news It was one of those places where you knew they were waiting for a fight It was a very negative vibe the moment we got off the plane So we were a bit frightened We got in this car, not even with Neil The guy just drove off with us four. Our bags were on the runway Neil Aspinall Tour Manager Those little briefcases had the marijuana in them so I had to... While the confusion was going on I put them in the boot of the limo I was going to be in I just said "Take me to where you've taken the Beatles" I thought, God, this is it, we're going to get busted They took us away and drove us to Manila harbour and put us on a boat and took us out to this yacht anchored in the harbour I never really understood why they got put on this boat I just remember Brian Epstein really flustered He must have been with, maybe... the Philippine promoter, agent or somebody He was yelling and shouting and he appeared on the scene They were all yelling and then they took us back off the boat and drove us in the car to a hotel suite Then we did a concert which again had a big problem because Brian Epstein had made a contract for a stadium Rizal Memorial Football Stadium Manila 4th July 1966 or a situation for I don't know how many thousands of people Maybe 2000-5000 people, something like that When we got there, it was like the Monterey Pop Festival Just millions - 200000 people on that site We did the show and I didn't know personally... that Madame Marcos had invited us to dinner Normally we only get invited by silly Ambassadors wanting to see us So somebody set it up and we didn't know about it "It is indeed a great honour, but it's our day off so we can't go" We were very firm. We don't get many days off to stuff in a royal reception John and I were sharing a room after the gig and in the morning... we phoned for breakfast and newspapers as we like to read about ourselves Can we have egg and bacon and all the newspapers? Yes We were just in our beds, chatting doing whatever we were doing Time went by so we called again "Excuse me, can we have our breakfast?" Still nothing happened so we put the TV on There was this horrific TV show of Madame Marcos screaming "They've let me down" All these shots of the cameramen... tip the camera on to empty plates and up to the faces of little kids crying because the Beatles hadn't come And the TV commentator saying "And they're still not here yet" "The Beatles are supposed to be here" We were amazed, couldn't believe it We just watched ourselves not arriving at the Presidential Palace I don't recall much of what happened until the newspapers arrived and the TV news, it was: "Beatles snub First Family" Then things started to get really weird Come on, get out of bed, get packed, we're getting out of here As we started to get to the car, we really had no help We got downstairs and there was one motor bike After this huge motorcade had brought us in, there was just one guy At the airport there's chanting, people hating us, all the way We were put into the transit lounge Then we got pushed from one corner to another "You treated like ordinary pasenger!" They were saying "Ordinary passenger!" He doesn't get kicked, does he? They started knocking over our road managers That worried you? - Yeah, I swear there were 30 of them What do you say they were? - I saw five in sort of outfits that were kicking and booing and shouting Did you get kicked? - No, I moved when they touched me I was petrified. I could have been kicked and not known it There's the famous story of John and I hiding behind these nuns We thought, it's a Catholic country, they won't beat up nuns We got on the British Airways plane, all kissing the seats You know, this is a little piece of Britain It was feeling you were in a foreign country and all the rules had changed They did carry guns after all so you weren't too gung-ho Then an announcement: "Will Mr Epstein, Mr Evans and Mr Barrow..." That was Tony Barrow, our press agent at the time "...will they get off the plane" And Mal, who was the nicest, gentlest person - a big guy, but really sweet - he went past me down the aisle of the plane, breaking out in tears He said "Tell Lil I love her." That's his wife Because he thought the plane would go and he'd be stuck in Manila We sat there for what seemed a couple of hours It was probably 30 minutes, maybe an hour and they got back on the plane and it was allowed to leave They took the money off Brian Epstein that we'd earned at the concert And that was it, we got out of there and it was such a relief but I felt such resentment for those people It's probably the most frightening... I've never been back We'll never go to any nut-houses again But the nice thing about it was that in the end... when we found out that it was Marcos and what he'd been doing to his people and what lmelda had been doing and the rip-off it all allegedly was We were glad to have done it We must have been the only people who ever dared to snub Marcos Do any of you have plans to record on your own? We do at home In fact we have done. Eleanor Rigby was Paul on his own and... We were just drinking tea Brian Epstein New York 6th August 1966 I have prepared a statement which I will read which has had John Lennon's absolute approval by telephone This is as follows: "The quote which John Lennon made to a London columnist three months ago "has been quoted and represented entirely out of context" George Martin Record Producer Early in 1966, John was interviewed in the Evening Standard and he remarked that the Beatles were more popular than Jesus Christ Was it a mistake? In the short term, yeah. Maybe not in the long term But he said "I don't know what's wrong with the church "At the moment the Beatles are bigger than Jesus Christ" Like they're not building Jesus enough. That was taken out of context in America There was all this big palaver going on Anyway, we got to America. I think we did a press conference where John, under the pressure of the cameras and the Press... You know, just the stress of having to deal with this thing that he in effect had caused If I'd said television is more popular, I might have got away with it Chicago 11th August 1966 I was talking to a friend. I said Beatles as a remote thing, not what I think but as the Beatles like other people see us I just said they are having more influence on kids and things than anything, including Jesus, but I said it in the wrong way Some teenagers have repeated your statements, saying: "I like the Beatles more than Jesus Christ." What about that? Originally I pointed out that fact in reference to England That we meant more to kids than Jesus did, or religion at that time I wasn't knocking it but just saying it as a fact And it's true, more for England than here I'm not saying we're better or comparing us with Jesus Christ as a person or God as a thing, or whatever it is I just said what I said and it was taken wrong, and now it's all this The repercussions were big Particularly what they call the Bible belt Down the south there, they were having a field day We've got footage of a disc jockey saying: "Come and bring your Beatle trash and deposit it here" "...to one of our 14 pickup points in Birmingham, Alabama..." The photos showed middle-aged DJs and 12-year-olds burning LP covers Millions of kids were burning their Beatle records There were bonfires of them, which was OK 'cos then they re-bought them The Beatles said in the newspapers that they're getting better than Jesus The Ku-Klux-Klan, being a religious order, will come out here the night that they appear here We're going to demonstrate with different ways and tactics to stop this performance The Klan is going to come out here and make a stop to these accusations This is nothing but blasphemy and we'll stop it any terror way we can We're known as a terror organisation... - Terror organisation? We have ways and means to stop this - What ways and means? There will be a lot of surprises when they get here My image as anti-Christ or anti-religious was wrong. I'm a most religious fella Well, it looks like the bloom is off the Beatles Last year, not an empty seat in Shea stadium-this year, thousands Perhaps 15000 or 20000 empty seats in an arena that holds 56000 Oh dear, what a failure, we only sold 50000? Miserable... we were dying on our feet there! Yeah, there was big news about that, you know They've only sold 50000 seats! "It's all over for the Beatles" says Roger Whittaker of the Dallas Times OK - I don't ever remember going there twice Are you a Beatles fan, or are you here because it's the right thing to do? I love the Beatles I bet there's a group you prefer now - No group's better than the Beatles Aren't they on their way out? - No, they're still strong Are the Beatles out of style? - They'll never go out of style Which group is better than the Beatles? - The Beatles, I love them Don't you think this craze is silly and strictly for girls? No, they are very talented musicians and songwriters, excellent showmen You like them? - Yeah How long do you think they'll last? - As long as they keep playing You know the Beatles bring joy into the world We forget our cares when we hear Beatle records. They're fun How long do you think the Beatles can last? I wish they'd last for ever, they could bring happiness to everybody They're less popular than they were months ago Is there another group you like better? - There is Which one? - Herman and the Hermits It doesn't matter if people don't like our records, our looks or what we say They're entitled to not like us and we're entitled not to have anything to do with them We've all got our rights, you know... Harold There was this other thing of this woman... A famous psychic she was supposed to be She'd predicted Kennedy's assassination and other things She was saying in the papers the Beatles would die in a plane crash All this time, they were getting death threats It wasn't long since President Kennedy had been assassinated I remember going to one of their concerts at the Red Rock Stadium I climbed up on a gantry overlooking the stage with Brian and looked down at the boys during the performance The amphitheatre at Red Rocks is such that a sniper on the hill could pick off any of those fellows at any time, no problem I was very aware of this. So was Brian, and so were the boys How much of a good thing can you have? How long can you sustain things? Every tour we'd done had just gone great But we were getting fed up because we'd been at it so long It gets gruelling, one Holiday Inn after another Just the general Beatlemania, you know... it took its toll We were seeing it then no longer as like... a naive kind of... just on the buzz of our fame and success By this time, the dental experience had made us see it from a different light It was no longer fun any more I don't think anyone didn't want to stop touring Paul would have gone on longer than George and I But you'll have to ask Paul about that "Touring's good, it keeps us sharp" "I'd keep music live." I'd been sort of a bit that attitude But finally I agreed with them I think it was George and John who were particularly fed up We might have been waxworks for the good we did there Nobody heard anything, not even a basic beat because they were too busy tearing each other up We were just tired, you know It had been four years of legging around screaming in this mania We were tired, we needed the rest By the time we got to Candlestick Park, we knew it wasn't fun any more I think that was the main point We'd always try to keep... you've got to keep some fun in it for yourself In anything you do, you know We'd been pretty good at that. We'd enjoyed touring and TV We'd enjoyed Europe, we'd enjoyed America Candlestick Park San Francisco 29th August 1966 But now, even America was beginning to pale So by then it was: don't tell anyone, but this is probably our last gig There was big talk at Candlestick Park That very period of "This has got to end. This is it" But my... we went further than that We got back to England before we finally said "That's it" I certainly felt that we weren't going to tour again like that I never really projected into the future I was thinking this is going to be such a relief to not have to go through that madness I don't remember feeling negative about the band, but about touring But you always forget the bad bits. I remember the band as being quite good I'm sorry for the people who can't see us live Sometimes you haven't missed anything because you wouldn't have heard us but sometimes I think you might have enjoyed it The Beatles were then just four lads on that rather dimly lit stage We were getting worse as a band while all those people were screaming It was lovely that they liked us but we couldn't hear to play The only place we could develop was in the studio, where we could hear ourselves The most important thing was the safety aspect Soon after that, it became terrorism When we were going, it was only us and two people All those things happened, like people threatening Ringo or saying the plane was... - Snipping bits of hair off and stuff The plane would crash, hurricanes, race riots, student riots There was always some big thing going on when we pulled into town We'd come in the middle with this mania and it would be chaos It was just becoming too difficult on the nervous system When we'd all decided it was "What are we going to do? Announce it?" We said no, just don't say anything But I was too scared to walk away. I was thinking it was the end I was dead nervous, so I said yes to Dick Lester that I'd make a movie I went to Spain for six weeks because I didn't know what to do What do you do when you don't tour? There's no life Our officer calls me up and says "Musketeer Gripweed" He was a tall chap, some would call him weedy. I did Remember, we were some few hundred miles behind enemy lines He said "Green, green, green." So I did Some bastard's been prior, has he, Jock? One bastard down the road stinks to high heaven Are you a duration bloke? - You wouldn't chuck her, would you? Well, pack it in then. I'm a regular. It's my sodding career, liberating, all right? Ringo came to Spain, right to Almeria when John and I were down there Yeah, I went and hung out because he was lonely We really supported each other a lot He was out there being this actor John was doing How I Won the War so I went to India for six weeks It was a fantastic time I would go out and look at temples and go shopping I travelled all over, went to various places and eventually went up to Kashmir I stayed on a houseboat in the middle of the Himalayas It was incredible. I'd wake up in the morning A little Kashmiri fellow would bring us tea and biscuits I could hear Ravi in the next room doing his practice That was incredible times for me George was doing the Indian stuff. I don't know what Paul was doing To me, if you are blessed with the ability to write music... film scores are kind of an interesting diversion George Martin, being able to write and to orchestrate got an offer through the Boulting Brothers for him and me to do some film music for The Family Way I looked at the film and thought it was a great film. I still do A very powerful, emotional, soppy but good film for its time We even got an lvor Novello award for the best film song that year for Love in the Open Air Can I have a word? Are the Beatles going to go their own ways in 1967? On our own or together, we're always involved with each other Could you ever see a time when you weren't working together? I can see us working not together for a period, but we'd always get together You need other people for ideas and we all get along fine Will you be doing films on your own next year? No, I don't want to make a career of it. I just felt like doing it Dick Lester asked me and I said yes I wouldn't have done it if the others hadn't liked it, but they were on holiday Do you foresee a time when the Beatles won't be together? No, no Have you got tired of each other? No Have you got anything lined up on your own, film parts for example? There may be one if we don't do one together early next year I'm sort of out of it - John and Paul can still write even though we're not working together And George can learn his sitar. I've just been sitting around Getting bored? - No, getting fat! Do you think that in the New Year you will be going your own ways? No, no definitely not Can I have a brief word? If you never toured again, would it worry you? I don't know. No, I don't think so But the only thing about that is, performance for us... It's gone downhill because we can't develop when no one can hear us so for us to perform, it gets more difficult each time Do you mean they don't listen to you so you don't want to do that? We want to do it, but if we're not listened to and we can't even hear ourselves, we can't get any better But in the studio we could do Strawberry Fields, Penny Lane and then Pepper Were they the first ones out? That was what happened once we got full-time into the studio And saying at the time "Now our performance is that record" That new record started with Strawberry Fields That was going to be what became Pepper. But no one had heard of Pepperyet But it was going to be a record made in the studio with songs they had written which couldn't be performed live They were designed to be studio productions and that was the difference Strawberry Fields is John's song He used to live next door to Strawberry Fields, a Salvation Army place for kids He used to bunk over and it was his little magic garden to play in When I visited him, he'd tell me about Strawberry Fields Strawberry Fields I wrote when I was making How I Won the Warin Spain It's a Salvation Army home near the house I lived in with my aunty in the suburbs Although I took the name as an image We had this thing called the mellotron for the intro of Strawberry Fields This is one. We had flutes, and this was the intro Then the nice thing is that our stuff started to get a bit more surreal Penny Lane was a bit surreal too, although a sort of cleaner thing I remember saying to George Martin, a very clean recording I was into clean sounds. Mainly Beach Boy kind of things at that point But the Fireman with his hour-glass and all that was us trying to get into a bit of art, of surrealism, all based on real things There was a barber called Bioletti I think he's still there, actually, in Penny Lane He had the pictures all barbers have of the haircut you can have only instead of saying "The barber with pictures of haircuts in his windows" you'd change it round to... Every head he's had the pleasure to know A barber showing photographs like it's an exhibition It was like twisting it to a slightly more artsy angle Penny Lane is not only a street, it's a district I lived in Penny Lane in a street called Newcastle Road so I was the only actual person that lived in Penny Lane Right now, we're going to say hello to John Lennon and Paul McCartney Penny Lane having failed to make No. 1 in Britain, were you at all put out? No, the main thing is it's fine to be kept from being number one by a record like Release Me because they're not both trying to do the same kind of thing So that's a completely different scene altogether But you have in the past been reported as saying that if a record didn't go to No. 1 you'd think of packing it all in It was a relief Everything we did went straight to No. 1, so there was that pressure I believe we had six or seven in a row It was out, in, out, you know So within the group it took the pressure off You obviously don't have to write any more songs except you like doing it But it's always been like that - that's the good thing It has been a hobby and it still is Can you tell us anything about the numbers you're now engaged on? Paul had been on a train or plane journey with Mal Evans He came up with the idea of Sgt Pepperand he was kind of... To me, we were in the studio to make the next record and he was going on about this idea of some fictitious band Sgt Pepperis Paul after a trip to America The whole West Coast long-named group thing was coming in People are no longer the Beatles or the Crickets, but suddenly 'Fred and his Incredible Sheep Shrinking Grateful Aeroplanes' There were many such bands: Laughing Joe and his Medicine Band Thank you wam bam mam kind of group names, you know Colonel Tucker's Medicinal Brew and Compound So I thought, if there was a band, what would be a mad name for it? It was basically Paul's idea He had this song, Sgt Pepper's Lonely Hearts Club Band He was identifying it with the Beatles themselves I think we recorded the song first and then the idea came to make it into an album It was also triggered by Neil Aspinall, who said at that time: Why don't we have Sgt Pepper as the compere? At the beginning of the show, he introduces the band At the end of every Beatles show, Paul always used to say: "It's time to go, we've got to go to bed and this is our last number" Do the last number and go I suggested Sgt Pepper should come on at the end of the album: "Well, that's it, we've got to go. Here's our last number" and send the album on tour instead of the band We liked that idea We'd read a report somewhere that said: Elvis Presley has sent his gold-plated Cadillac out on tour We thought that was a great idea - because we'd been sending ourselves out We thought that's a really good idea. You stay at home and send your car It did go on tour and people had come and they'd pay money They wandered around it as if it was an exhibit and he didn't have to be there Then, in the 60s when we thought of doing Sgt Pepper, we didn't want to tour The idea suddenly sounded very nifty, you know We said we haven't gold-plated Cadillacs, we don't do that stuff but we could send a record out on tour It was Sgt Pepper and his Lonely Hearts Club Band and all these other acts It was going to run like a rock opera and we got as far as Sgt Pepper and Billy Shears A Little Help From My Friends, then everyone said sod it, let's just do tracks So from the start it was going to be something totally different but it still kept the title and the feel that it's all connected It's called the first concept album, it doesn't go anywhere Mr Kite - All my contributions - had nothing to do with this idea of Sgt Pepper and his band But it works because we said it worked and that's how it appeared Apart from Sgt Pepper, Billy Shears, and the so-called Reprise... that's it Every other song could have been on any other album A Day in the Life, Mr Kite - they could have gone anywhere We were spending a long time in the studio and still doing the same basic tracks and then it would take weeks for the overdubs The great thing about this band was whoever had the idea, that was OK Whoever had the best idea, that's the one we'd use For instance, in A Day in the Life, John had this opening verse I think he'd got the idea from the Daily Mirroror something It had two stories-the Guinness child had killed himself in a car That was the main headline story The next page was about 4000 holes in Blackburn, Lancashire So Blackburn, Lancashire... the holes... Albert Hall all got mixed, just a little poetic jumble that sounded nice The momentous song, A Day in the Life began in a very simple way And we've got the rehearsal take, take one, very first time we'd heard it with John giving instructions as usual just before he starts it Have the mike on the piano, quite low to keep with my maracas John was singing and playing his acoustic guitar, Paul was on piano George was playing maracas, I think, and certainly Ringo was on bongos John counts in by saying "Sugar Plum Fairy" Sugar Plum Fairy, Sugar Plum Fairy Even in this early take he has a voice which sends shivers down the spine That was mainly a John song I read the news today, oh boy... He'd taken a lot of it from a newspaper Then I had another bit... Woke up, fell out of bed, dragged a comb across my head That was a little bit I had, it wasn't doing anything and we got the concept of building it like a mini-operetta John said let's shove it in the middle and see if we can't connect them We connected them with a series of empty bars either side of Paul's section before we came back into John's as a reprise and we knew we had to fill those bars with something sensational To keep the 24 bars so everybody knew when to come back in dear old Mal Evans stood by the piano counting the bars Also, he set off an alarm clock at the end to trigger everybody back into it They wanted an orchestral climax to fill these empty bars A giant orgasm of sound rising from nothing at all to a most incredible noise And this is what we came up with With that we joined up the two parts of the song The moment I remember best outside of him bringing the song... It was obviously a gorgeous song when he brought it I was a big fan of John's, you've got to remember that It wouldn't just be: oh yes, professional person will write this It would be: I can't wait to get my hands on this We'd learned the chords off him and we'd develop it But the moment I remember... We got to a little bit that he didn't have where we said: I'd love to turn you on We looked at each other and thought, we know what we're doing here, don't we? We're actually saying, for the first time ever, words like 'turn you on' which was in the culture anyway but no one had actually said it on record There was a look of recognition between us Do it, do it, get it down! So the sleeve came and we wanted to dress up To be those people, the Peppers We had to get suits and it was flower-power coming into its fullest That's what it was Mal and I went to all the different libraries and got prints Peter Blake blew them up and tinted them and made the colour I remember the weekend it was released getting a telegram from people like James Fox: "Long live Sgt Pepper" People had come round and said "Great album, man" So it got very noticed-as if "You're making it for us," our crowd I think it did represent what the young people were on about It seemed to coincide with a revolution in young people's thinking It was, I suppose, the epitome of the swinging '60s It linked up with Mary Quant and mini skirts and that kind of thing And dope to a certain extent The freedom of sex, and of soft drugs like marijuana It was all a bit exciting and I thihk it did reflect this time I thought it was great I thought it was a huge advance I was very pleased as the music papers had been saying: "What are the Beatles up to? Drying up, I suppose?" It was nice making an album lke Pepper, thinking, yeah, drying up, that's right So it was lovely to have that on them When it came out, I loved it I had a party to celebrate. That weekend was a bit of a party as I recall I remember getting lots of telegrams from people The biggest single tribute was that it was released on the Friday On Sunday we went to the Saville Theatre which Brian Epstein rented and ran some rock shows because nothing ever happened on a Sunday Jimi Hendrix opened with Sgt Pepper and he'd had since Friday to learn it Sgt Pepperfor me-it was great - it's a fine album but I did learn to play chess on it Because I'd have so much spare time, you know We'd do the basic track and then we'd put other stuff on, then... but the percussion would be overdubbed later and later For me it was a bit tiring, a bit boring A few moments I enjoyed but generally I didn't like that album much My heart was still in India That was the big thing for me when that happened in '66 After that, everything else seemed like hard work It was a job. It was doing something I didn't really want to do I was losing interest in being fab at that point It wasn't that spectacular when you look back on it People just had this dream about Pepper. It was good for then, you know I was very cross that the BBC decided to ban some of the tracks They wouldn't play A Day in the Life. Why? I don't know Lucy in the Sky with Diamonds was banned for a rumoured drug connection and Lucy in the Sky actually stood for LSD, which wasn't true and that it was an album promoting the use of drugs among the young I was aware of them smoking pot but not that they did anything very serious In fact I was so innocent that I actually took John up to the roof when he was having an LSD trip and not knowing what it was I never took it in the studio. Once I did by accident, thinking it was uppers I was not in a state of handling it but I took it and I was just so scared on the mike I said "What was it? I feel ill" I thought I was going to crack and I said I must get some air They took me up on the roof and George Martin was looking at me funny Then it dawned on me I must have taken acid The only place I could take him for fresh air was the roof We went up and it was a wonderful starry night He looked up and went to the edge of the parapet He looked up at the stars and said "Aren't they fantastic?" To him, they would have been especially fantastic They just looked like stars to me Paul, how often have you taken LSD? About four times The newscaster said "Is it true you've had drugs?" I made a lightning decision, thinking: I'm either going to try and bluff this... They're at my door... No, go away! Or I'm just going to tell him and I thought, sod it... I told him, you know what's going to happen I'm going to be blamed for telling everyone I take drugs But you are the people who'll distribute this thing I'll tell you but, if you are worried about it affecting kids, don't show it Do you think you've encouraged your fans to take drugs? No, I don't think my fans will take drugs just because I did That's not the point. I was asked whether I had or not then the whole bit about how far it's going, how many it will encourage It is up to the newspapers and up to you on television You're spreading this It's going into all the homes in Britain and I'd rather it didn't But you're asking me the question. You want me to be honest It seemed strange-we'd been trying to get him to take it for 18 months It seemed funny that one day he's on television talking about it It gave the press a field day, to be on all our cases I didn't think it was their business but once he said it... Whoever said anything in the Beatles, the other three had to deal with it Which we did with all love because we loved each other But I could have done without it myself The point about the whole drug scene was that the press asked Paul: "Have you taken LSD?" Otherwise we didn't say a word about it It was just a personal thing I feel to this day that we did take certain substances but never to a great extent at the sessions We took a little... but whenever we overdid our intake the music we made was absolutely shit And we'd go home real happy with the tape We'd play it when we got home and play it the next day Every time, we'd come back to record again we'd all say "We have to do that again" Because it didn't work It didn't work for the Beatles to be too deranged when making music Somebody said we should invest some money so we thought let's buy an island We'll just go there and drop out We rented a boat and went up and down the coast from Athens, looking at islands We came to one we'd arranged to see It came to nothing. We didn't buy an island, we came home Subtitles: Screentext |
B-Happy BBC - The Blue Planet (1 of 8) - Ocean World BBC - The Blue Planet (2 of 8) - The Deep BBC - The Blue Planet (3 of 8) - Open Ocean BBC - The Blue Planet (4 of 8) - Frozen Seas BBC - The Blue Planet (5 of 8) - Seasonal Seas BBC - The Blue Planet (6 of 8) - Coral Seas BBC - The Blue Planet (7 of 8) - Tidal Seas BBC - The Blue Planet (8 of 8) - Coasts Baader Babi Leto - Autumn Spring (2002) Baby Doll Baby Geniuses 2 2004 Babylon 5 - 2x01 - Points of Departure Babylon 5 - 2x02 - Revelations Babylon 5 - 2x03 - The Geometry of Shadows Babylon 5 - 2x04 - A Distant Star Babylon 5 - 2x04 - The Long Dark Babylon 5 - 2x06 - Spider in the Web Babylon 5 - 2x07 - Soul Mates Babylon 5 - 2x08 - A Race Through Dark Places Babylon 5 - 2x09 - The Coming of Shadows Babylon 5 - 2x10 - Gropos Babylon 5 - 2x11 - All Alone in the Night Babylon 5 - 2x12 Acts of Sacrifice Babylon 5 - 2x13 - Hunter Prey Babylon 5 - 2x14 - There All the Honor Lies Babylon 5 - 2x15 - And Now For A Word Babylon 5 - 2x17 - Knives Babylon 5 - 2x18 - Confessions and Lamentations Babylon 5 - 2x19 - Divided Loyalties Babylon 5 - 2x20 - The Long Twilight Struggle Babylon 5 - 2x21 - Comes the Inquisitor Babylon 5 - 2x22 - The Fall Of Night Babylon 5 - 3x03 - A Day in the Strife Babylon 5 - 3x05 - Voices of Authority Babylon 5 - 3x06 - Dust to Dust Babylon 5 - 3x07 - Exogenesis Babylon 5 - 3x08 - Messages from Earth Babylon 5 - 3x09 - Point of No Return Babylon 5 - 3x10 - Severed Dreams Babylon 5 - 3x11 - Ceremonies of Light and Dark Babylon 5 - 3x12 - Sic Transit Vir Babylon 5 - 3x13 - A Late Delivery From Avalon Babylon 5 - 3x14 - Ship of Tears Babylon 5 - 3x16 - War Without End (Part I) Babylon 5 - 3x17 - War Without End (Part II) Babylon 5 - 3x18 - Walkabout Babylon 5 - 3x19 - Grey 17 is Missing Babylon 5 - 3x20 - And the Rock Cried Out No Hiding Place Babylon 5 - 3x21 - Shadow Dancing Babylon 5 1x01 Midnight on the Firing Line Babylon 5 1x02 Soul Hunter Babylon 5 1x03 Born to the Purple Babylon 5 1x04 Infection Babylon 5 1x05 The Parliament of Dreams Babylon 5 1x06 Mind War Babylon 5 1x07 The War Prayer Babylon 5 1x08 And The Sky Full Of Stars Babylon 5 1x09 Deathwalker Babylon 5 1x10 Believers Babylon 5 1x11 Survivors Babylon 5 1x12 By Any Means Necessary Babylon 5 1x13 Signs and Portents Babylon 5 1x14 TKO Babylon 5 1x15 Grail Babylon 5 1x16 Eyes Babylon 5 1x17 Legacies Babylon 5 1x18 A voice in the wilderness - Part 1 Babylon 5 1x19 A voice in the wilderness - Part 2 Babylon 5 1x20 Babylon squared Babylon 5 1x21 The Quality Of Mercy Babylon 5 1x22 Crysalis Babylon 5 3x01 Matters of Honor Babylon 5 4x01 - The Hour of the Wolf Babylon 5 4x02 - What Ever Happened to Mr Garibaldi Babylon 5 4x03 - The Summoning Babylon 5 4x04 - Falling Towards Apotheosis Babylon 5 4x05 - The Long Night Babylon 5 4x06 - Into the Fire Babylon 5 4x07 - Epiphanies Babylon 5 4x08 - The Illusion of Truth Babylon 5 4x09 - Atonement Babylon 5 4x10 - Racing Mars Babylon 5 4x11 - Lines of Communication Babylon 5 4x12 - Conflicts of Interest Babylon 5 4x13 - Rumors Bargains and Lies Babylon 5 4x14 - Moments of Transition Babylon 5 4x15 - No Surrender No Retreat Babylon 5 4x16 - The Exercise of Vital Powers Babylon 5 4x17 - The Face of the Enemy Babylon 5 4x18 - Intersections in Real Time Babylon 5 4x19 - Between the Darkness and the Light Babylon 5 4x20 - Endgame Babylon 5 4x21 - Rising Star Babylon 5 4x22 - The Deconstruction of Falling Stars Babys Day Out Bachelor Party Bachelor and the Bobby-Soxer The Back To Bataan Back To The Future 1 Back To The Future 1 (dc) Back To The Future 1 (hi) Back To The Future 2 Back To The Future 2 (hi) Back To The Future 3 Back To The Future 3 (hi) Back to School (Alan Metter 1986) Back to the Future II Back to the Future III Backfield in Motion BadBoys TrueStory 2003 CD1 BadBoys TrueStory 2003 CD2 Bad Company Bad Guy 2001 Bad Santa Bad Santa (unrated) Bad Seed The 1956 Bad Timing (Nicolas Roeg 1980) Bad and the Beautiful The Badboys II Badlands Baise Moi Balanta 1992 (The Oak) Ballad Of A Soldier 1959 Balseros 2002 Bamb Bamba La (1987) Bamboozled Bananas Banchikwang Band of Brothers 01 - 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A Hard Dayss Night Beatles The First US Visit The Beau Pere - Stepfather - Bertrand Blier 1981 Beautiful Creatures Beautiful Girls Beautiful Thing Beautiful Troublemaker The (1991) CD1 Beautiful Troublemaker The (1991) CD2 Beautiful Troublemaker The (1991) CD3 Beautifull Mind A CD1 Beautifull Mind A CD2 Beauty And The Beast Beauty and the Beast (Disney Special Platinum Edition) Beavis and Butt-head Do America (1996) Bedazzled Bedford Incident The Bedroom Key The CD1 Bedroom Key The CD2 Beethoven Before Night Falls 2000 CD1 Before Night Falls 2000 CD2 Before Sunrise Before Sunset 2004 Beguiled The Behind Enemy Lines 2001 Behind The Sun (Walter Salles 2001) Being John Malkovich Being There (1979) CD1 Being There (1979) CD2 Belle Epoque CD1 Belle Epoque CD2 Belle and La Bete La (1946) Bellinin And The Spynx CD1 Bellinin And The Spynx CD2 Bells Of St Marys The (1945) Belly Of The Beast Belly of an Architect The Below Belphegor Ben-Hur CD1 Ben-Hur CD2 Bend It Like Beckham Bend of the River 1952 Beneath the Planet of the Apes Benny and Joon Bernie Best years of our lives 1946 Bet on My Disco Better Off Dead 1985 Better Than Chocolate Better Tomorrow 2 A CD1 Better Tomorrow 2 A CD2 Better Tomorrow 3 A Better Way To Die A Betty Between Heaven and Hell Beverly Hillbillies The 1993 Beverly Hills Ninja Beyond Borders CD1 Beyond Borders CD2 Beyond The Beyond The Clouds Bez konca (No End 1985) CD1 Bez konca (No End 1985) CD2 Biches Les (Claude Chabrol 1968) Bicho de sete cabezas Bichunmoo CD1 Bichunmoo CD2 Big Big Blue The CD1 Big Blue The CD2 Big Bounce The Big Chill The Big Daddy Big Deal on Madonna Street (1958) Big Fat Liar Big Fish 2003 Big Hit The Big Lebowski The Big Mommas House Big Nihgt Big Shot - 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